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James Brandon Lewis

Jazz player James Brandon Lewis is a New York-based tenor saxophonist, composer, and bandleader. His instrumental voice marries the emotional power of gospel and the grit and groove of blues and R&B to the modal and vanguard influences of Albert Ayler and John Coltrane, and Sonny Rollins' expressive melodic and tonal discipline. Moments, Lewis' 2010 debut, was followed by two outings for Sony Masterworks' revived OKeh imprint: Divine Travels in 2014 and the widely celebrated Days of Freeman the following year. After working American stages and clubs, he toured and played European and Asian festivals. Radiant Imprints, a duo outing with drummer Chad Taylor, appeared in 2018 and was followed by the quintet album An Unruly Manifesto a year later. In 2021, after being selected a Rising Star Tenor Saxophonist in the Downbeat International Critics Poll, Lewis formed the Red Lily Quartet to record Jesup Wagon, his breakthrough album. The live, digital-only MSM Molecular Systematic Music followed in 2022. His regular quartet released Eye of I for Anti- in March 2023. Lewis followed it in September by releasing For Mahalia, With Love, an album-length tribute to the iconic gospel singer performed by Red Lily Quintet. In 2024, Lewis released a collaborative album with the Washington, D.C.-based experimental rock trio the Messthetics. Lewis was born in Buffalo, New York, in 1983. Raised in the church, he was exposed to gospel, blues, and R&B early on, and studied music with Carol McLaughlin. He attended the Buffalo Academy for the Visual and Performing Arts, and upon graduation continued his studies with Charlie Young at Howard University. While at Howard, Lewis was able to study and perform with jazz artists including Geri Allen, Benny Golson, Wallace Roney, and Bill Pierce. He was a member of the Howard University Jazz Ensemble, which toured Japan under the direction of Fred Irby, and performed at the Kennedy Center Honors backing John Legend, k.d. lang, and Vanessa Williams. After graduating from Howard in 2006, Lewis moved to Colorado, where he became active in the gospel music community, performing with Albertina Walker and other luminaries. He also performed on the Word television network and won an award for Best Instrumentalist at Dorinda Clark-Cole's singers and musicians conference in 2007. Once he had established himself as a gospel musician, Lewis sought to expand his musical horizons. He attended CalArts, where he studied with Charlie Haden, Wadada Leo Smith, Vinny Golia, and Alphonso Johnson. He received a Master of Fine Arts degree in 2010. Moments, his debut album, was independently issued the same year. Lewis attended the Banff Jazz Residency, where he worked with Dave Douglas, Angelica Sanchez, Joshua Redman, Hank Roberts, and Tony Malaby. It was there that he encountered the dynamic universe of free jazz. He was invited to participate in the Atlantic Center for the Arts residency by pianist Matthew Shipp and made more than an impression. Urged on by the pianist and others in the New York jazz community, Lewis relocated to New York City in 2012. He began woodshedding with a host of veteran musicians including Marilyn Crispell, Charles Gayle, Karl Berger, and Eri Yamamoto, to name a few. He was especially fond of playing with bassist William Parker and drummer Gerald Cleaver. With the latter two musicians, Lewis released Divine Travels on Okeh in February 2014 and achieved instant acclaim for his ability to embrace and update the sounds of his influences with a unique, utterly contemporary voice. The following year, he issued the conceptual suite Days of Freeman for the label, leading a trio composed of drummer Rudy Royston and bassist Jamaaladeen Tacuma. The set won international acclaim for the saxophonist's writing as well as his playing, providing Lewis the ability to play the European festival circuit as a bandleader for the first time. In 2018, Lewis and drummer/percussionist Chad Taylor issued the improvised Radiant Imprints for Belgium's Off label. He also appeared on guitarist Marc Ribot's widely celebrated Songs of Resistance 1942-2018, the William Hooker-led Pillars...At the Portal, and on Allen Lowe's Jews & Roots: An Avant Garde of Our Own -- Disconnected Works, 1980-2018. Lewis released An UnRuly Manifesto for Relative Pitch Records in 2019, leading a quintet that included guitarist Anthony Pirog, trumpeter Jaimie Branch, drummer Warren G. Crudup III, and bassist Luke Stewart. The set drew rave reviews for the finesse in Lewis' playing and his canny interactions with Pirog. The same year, Lewis and the U.K. rhythm section of bassist John Edwards and drummer Mark Sanders issued the improvised digital outing 4.2.19 on Otoroku. He appeared on saxophonist Michael Eaton's Dialogical and on the digital Ropeadope-released Tenor Triage, with saxophonists Eaton and Sean Sonderegger appearing alongside him with the rhythm section of bassist Brad Jones and drummer Calvin Weston. Though the world was shut down for much of 2020 due to the global COVID-19 pandemic, Lewis and Taylor's concert performance at Switzerland's annual jazz festival the previous fall was released as Live in Willisau by Intakt, as was the studio quartet outing Molecular with Jones, Taylor, and pianist Aruán Ortiz. To debut his new compositional strategy, Lewis dubbed the album "Molecular Systematic Music." That year, he was voted Rising Star Tenor Saxophonist in Downbeat's International Jazz Critics Poll. Though he couldn't tour in 2020, Lewis was able to write and record. He conceived of a suite of compositions inspired by the life and work of George Washington Carver. In the fall of 2020, he assembled the intergenerational Red Lily Quintet -- Taylor on drums, William Parker on bass, Kirk Knuffke on cornet, and Chris Hoffman on cello -- to record it while socially distanced at the Park West Studio in Brooklyn with engineer Jim Clouse. Titled Jesup Wagon after the Carver-invented vehicle used in the Tuskegee Institute's Movable School program, the album was released by Whit Dickey's Tao Forms label in May 2021. It was greeted by universal acclaim from critics and musicians and again placed in the year's end list of best recordings by Downbeat. Saxophone colossus Sonny Rollins, one of Lewis' greatest influences, was bowled over by it and told him: "When I listen to you, I listen to Buddha, I listen to Confucius...I listen to the deeper meaning of life. You are keeping the world in balance." Lewis issued the live, kinetic MSM Molecular Systematic Music in 2022 on Intakt. A quartet album, it again featured Taylor as well as pianist Aruan Ortiz and bassist Brad Jones. In February 2023, Lewis released Eye of I, his debut album for indie Anti-. He was signed to the label after guitarist Marc Ribot actively encouraged Anti's A&R team on his behalf (Lewis appeared with the guitarist live and on his widely acclaimed Songs of Resistance 1942-2018). The saxophonist's outing pared down his ensemble down to a trio with Chris Hoffman on electric cello and pedals and Max Jaffe on drums. In early January, a four-track pre-release titled "Send Seraphic Beings" for the album's single appeared. The other tunes -- also drawn from the album -- included the originals "The Blues Still Blossoms" and "Fear Not (featuring the Messthetics)." Both the album and single also included Lewis' stirring cover of Donny Hathaway's "Someday We'll All Be Free." In September, For Mahalia, With Love appeared on Whit Dickey's Tao Forms label with the Red Lily Quintet. The track list comprised spirituals long associated with Jackson. Her impact on the development of gospel music was paramount: she influenced virtually every gospel singer who came after her. Further, she employed spirituals in concert to participate in and support the Civil Rights struggles of the 1950s and '60s. Lewis had collaborated on several occasions with guitarist Anthony Pirog, recording a few tracks with Pirog's group the Messthetics, an adventurous experimental rock band featuring Joe Lally and Brendan Canty of Fugazi. In March 2024, Lewis and the Messthetics issued a collaborative album, The Messthetics and James Brandon Lewis, which was released by Impulse. Recorded in just two days, the music was a bracing meeting between the power of rock and the exploratory imagination of jazz.
© Thom Jurek /TiVo

Diskografie

12 Album, -en • Geordnet nach Bestseller

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