Eddie Bond
Despite never becoming a major national figure, Eddie Bond carved out a place as a rockabilly and country star, as well as a radio personality, for 50 years. A contemporary of Elvis Presley and a fixture in Memphis and on the Louisiana Hayride in the mid-'50s, Bond was one of the best singers of the period, and led the Stompers, one of the hottest bands, but he never broke out the way Elvis did. His records, whether rockabilly, country, or gospel, however, were among the best to come from Memphis from the mid-'50s through the 1960s, and helped Bond remain a much loved country/rockabilly performer into the new millennium.
Born Eddie James Bond in Memphis, he was originally drawn into music by the work of Ernest Tubb and Roy Acuff. By age eight, Bond had saved enough to buy his first guitar, and as a teenager he played at beer joints around Memphis. He drifted through various jobs after finishing school, including furniture factory worker and truck driver, before serving an 18-month hitch in the Navy.
After returning to civilian life, he began putting together his band, the Stompers, whose membership at various times in the years 1952-1954 included Jody Chastain and Curtis Lee Anderson. By 1955, the group's mainstays included Reggie Young on lead guitar, John Hughey on the pedal steel, and Johnny Fine at the drums. Bond led the Stompers on tours across the South and Southwest, billed alongside Roy Orbison, among other future country and rock & roll stars. They failed in auditions for Sam Phillips at Sun and the Bihari brothers' Meteor label, and in 1955 he signed with tiny Ekko Records, which resulted in a pair of singles issued late in the year, "Double Duty Lovin'"/"Talking Off the Wall" and "Love Makes a Fool (Everyday)"/"Your Eyes." These were pleasant, well-played country numbers, but they didn't include the band, only Bond as singer. With Hank Garland on lead guitar, Jerry Byrd on steel guitar, and Marvin Hughes at the ivories, they were OK records and then some, but not representative of Bond's real sound -- "Talking Off the Wall" was a rocker, with a solid beat and lots of tension in the lead and rhythm guitar parts, but it was the B-side to the milder "Double Duty Lovin'." In any case, neither record attracted any notice from the public or the musical world.
Bond and his band managed to get signed to Mercury Records in 1956, and this was where they came into their own. From their first Mercury session in February of 1956, Eddie Bond & the Stompers cooked, with a lean, hard rockabilly sound that rocked with the best of them. The band in those days featured Young, Hughey, and Fine, with Bond playing rhythm. The single "I Got a Woman"/"Rockin' Daddy" from that session is testimony to the excitement they could generate. That Mercury debut sold well in the spring of 1956, and they were getting lots of gigs and broadcast exposure at the time. Bond played the Louisiana Hayride alongside Elvis Presley, Johnny Cash, and Johnny Horton, and it was around this time that he started his own radio show, an activity that was to loom ever larger in his career. His second Mercury session produced still more rockabilly gold, including "Slip, Slip, Slippin' In" and "Flip, Flop Mama," and they sold respectably, if not spectacularly.
Bond didn't stay with rockabilly music, however, and his later Mercury sessions produced country sides, although "Love Love Love" rocks pretty well. His Mercury contract ended in 1957, and for his next sessions, Bond was back doing rockabilly again, followed by more country music and even a foray into gospel in the early '60s. Bond's biggest success in the years that followed came on radio, where his show achieved huge ratings; this, in turn, helped sustain his record sales, as he recorded or licensed various songs to different labels, mostly in a country vein.
Eddie Bond was never going to be another Elvis Presley -- he wasn't going to be turned into a movie star as easily, or branch into other, heavily produced sounds, and he was too successful early on as a radio personality to abandon that activity. But he made a more than fair rival to Conway Twitty (whom he played with around 1955, when the latter was still known as Harold Jenkins), with a pleasing tenor voice, understated in its sweetness and dramatic nuance, and a good sense of how to deliver a song, whether ballad, rocker, or gospel number. He continued performing through the 1990s and into the new century. His broadcasting career was especially successful and assured him of a wide country audience, while his classic rockabilly sides from the '50s helped make him a living legend among enthusiasts, especially in Europe. Five decades into performing, he remained true to his country and rockabilly roots.
© Bruce Eder /TiVo
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Diskografie
15 Album, -en • Geordnet nach Bestseller
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Memphis Rockabilly King
Rockabilly - Erschienen bei Stomper Time am 21.05.2007
16-Bit CD Quality 44.1 kHz - Stereo -
Rockin' Daddy
Country - Erschienen bei Bear Family Records GmbH am 01.01.1992
16-Bit CD Quality 44.1 kHz - Stereo -
Rockabilly Legend (1933-2013)
Rockabilly - Erschienen bei Blue Paradise Records am 09.07.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Memphis Country Music King
Country - Erschienen bei Stomper Time am 17.04.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Sings Greatest Country Gospel Hits
Gospel - Erschienen bei Sun Label Group, LLC am 01.01.1961
16-Bit CD Quality 44.1 kHz - Stereo -
More Hillbilly, Rockabilly & Country from Memphis
Country - Erschienen bei Stomper Time am 04.02.2022
24-Bit 48.0 kHz - Stereo -
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The Legend of Buford Pusser; Classic Country by Eddie Bond
Country - Erschienen bei Stomper Time am 04.02.2022
24-Bit 48.0 kHz - Stereo -
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Rocking Daddy from Memphis Tennessee
Rockabilly - Erschienen bei Universal Digital Enterprises am 10.12.1956
16-Bit CD Quality 44.1 kHz - Stereo -
Rockabilly Classics
Rockabilly - Erschienen bei Rockabilly Records am 15.04.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Slip, Slip, Slippin' In
Rockabilly - Erschienen bei El Toro Records am 06.08.2017
16-Bit CD Quality 44.1 kHz - Stereo -
Eddie Bond's Just A Closer Walk With Thee
Country - Erschienen bei Charly Records am 24.06.2006
16-Bit CD Quality 44.1 kHz - Stereo -
The Fries Session
Eddie Bond, Karen Carr, Donald Hill, Peco Watson
Folk - Erschienen bei NEVER MET A STRANGER am 22.08.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Eddie Bond: Debut Recordings
Pop/Rock - Erschienen bei Debut Recordings am 25.07.2011
16-Bit CD Quality 44.1 kHz - Stereo