Crazy Otto
Crazy Otto was one of the stranger and more entertaining phenomenon in light jazz in the years after World War II. Born in Germany in 1912, Fritz Schulz-Reichel was the son of a classical musician, and took up the piano at age six. By age eight, he had developed a unique style of performing, playing the melody with his left hand and the rhythm with his right. By the time he was in his teens, he seemed destined for a career as a concert pianist, but he discovered popular music and decided that this was where his future lay.
He became a light jazz performer known for his unusual, often comical improvisations built on popular melodies, and began building a reputation akin to Victor Borge or Francois Glorieux, but anchored in popular, as opposed to classical, music. When he wasn't performing in clubs in Berlin or Paris (where he was elected an honorary member of the Hot Club of France for his improvisational abilities), he wrote songs in a pop vein. In 1953, Schulz-Reichel took on the performing identity of Crazy Otto and made records for Deutsche Grammophon, either solo or with a small rhythm group backing him up, consisting of originals and improvisations on established popular tunes.
He became phenomenally popular not only in Germany but also in France and England, and his records sold extraordinarily well in America as well, where his work was released by Decca and, later, MGM. His most notable single contribution, beyond recordings of particular songs, was the invention of the Tipsy Wire Box, a device that transformed any piano, up to and including the most perfectly tuned grand, into an out-of-tune beer hall instrument. He became something of a pop culture phenomenon in America during the mid-'50s, with Johnny Maddox achieving a number two hit pop single with "The Crazy Otto Medley" in 1955, and releasing his own singles, including "Oh Johnny, Oh Johnny, Oh." Schulz-Reichel had top musicians covering his songs and playing on his work, including German jazz guitarist Ladi Geisler. He was still fondly remembered by German and European jazz fans at the time of his death in 1990.
© Bruce Eder /TiVo
Diskografie
17 Album, -en • Geordnet nach Bestseller
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Vintage Belle Epoque No. 42 - EP: Crazy Otto and His Crazy Piano
Musical - Erschienen bei Vintage Music am 30.03.1958
16-Bit CD Quality 44.1 kHz - Stereo -
Piano at the Honky Tonk Bar
Ragtime - Erschienen bei Vintage Music am 15.04.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Vintage Music No. 153 - LP: Crazy Otto
Musical - Erschienen bei Vintage Music am 21.06.2011
16-Bit CD Quality 44.1 kHz - Stereo -
Vintage Belle Epoque No. 69 - EP: Pepe
Musical - Erschienen bei Vintage Music am 14.11.1960
16-Bit CD Quality 44.1 kHz - Stereo -
Vintage Belle Epoque Nº 28 - EPs Collectors, "Crazy Otto's Piano Massacre"
Dixieland - Erschienen bei Vintage Music am 06.07.1959
16-Bit CD Quality 44.1 kHz - Stereo -
Piano Massacre (Mono Version)
Pop - Erschienen bei BNF Collection am 01.01.1958
24-Bit 96.0 kHz - Stereo -
Crazy Otto Rides Again
Jazz - Erschienen bei CoolNote am 30.09.2008
16-Bit CD Quality 44.1 kHz - Stereo -
Smiles (Billboard Hot 100 - No. 21)
Country - Erschienen bei Music Manager am 19.12.2018
16-Bit CD Quality 44.1 kHz - Stereo -
The Very Best Of
Ragtime - Erschienen bei Brownbeats Records am 15.08.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Plays Crazy Tunes
Ragtime - Erschienen bei Master Classics Records am 01.07.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Vintage Belle Epoque Nº 22 - EPs Collectors, "Oldtimers'"
Dixieland - Erschienen bei Vintage Music am 04.06.1955
16-Bit CD Quality 44.1 kHz - Stereo -
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Smiles / Shine (All Tracks Remastered)
Pop - Erschienen bei Hit Singles Records am 11.11.2020
16-Bit CD Quality 44.1 kHz - Stereo -
Glad Rag Doll (Dougherty-Ager-Yellen)
Pop - Erschienen bei JB Production CH am 03.12.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Crazy Otto's Back In Town
Pop - Erschienen bei Leverage am 01.12.2009
16-Bit CD Quality 44.1 kHz - Stereo