Alexandre Desplat
Text in englischer Sprache verfügbarAlexandre Desplat's sophisticated orchestral film scores are informed by influences spanning Claude Debussy, Maurice Ravel, Georges Delerue, Bernard Herrmann, and António Carlos Jobim as well as jazz and world music. A diverse composer who works in a variety of film genres, he emerged in the mid-'80s, developing an extensive resumé in his native France before coming to the attention of Hollywood. That happened with his at-once gorgeous and fanciful score for the English-language film The Girl with the Pearl Earring in 2003. He earned his first of many Academy Award nominations for 2006's The Queen. Often valued for his elegant whimsicality, Desplat joined the Twilight Saga in 2009 and the Harry Potter franchise in 2010 before taking home Oscar statuettes for Wes Anderson's The Grand Budapest Hotel (2014) and Guillermo del Toro's The Shape of Water (2017). He received additional elite award nods for the 2019 version of Little Women and for 2020's The Midnight Sky. Desplat was born in Paris in 1961 to a Greek mother and a French father who met in the U.S. while both were attending the University of California at Berkeley. They married in San Francisco and settled in France. Alexandre began studying the piano at age five, later switching to trumpet and then flute. Fascinated by both music and film, he decided to pursue a career as a composer of movie scores by the age of 15. After scoring his first film, 1986's Ki Lo Sa?, Desplat found work on short films, in television, and on theatrical features, accumulating dozens of credits during the '90s, from animated films to romantic dramas and thrillers. His score for the 2000 U.K.-France co-production The Luzhin Defence was released by Silva America in 2001. His music for 2003's The Girl with the Pearl Earring earned a Golden Globe nomination, and with that recognition, he began to work increasingly on English-language films distributed by Hollywood studios. He got a second Golden Globe nomination for 2004's Syriana before winning his first one for 2007's The Painted Veil. 2007 also saw the release of Stephen Frears' The Queen, which earned Desplat his first Oscar nomination for Best Original Score. His second Academy Award nomination followed for David Fincher's The Curious Case of Benjamin Button (2008), and his third was for Wes Anderson's Fantastic Mr. Fox (2009). He took home a Grammy Award for his work on the following year's The King's Speech. More high-profile film scores followed, including both installments of Harry Potter and the Deathly Hallows, Wes Anderson's Moonrise Kingdom (2012), Best Picture winner Argo (2012), and Anderson's The Grand Budapest Hotel (2014). The latter provided Desplat's first Academy Award win (the same year he was also nominated for The Imitation Game) as well as his second Grammy Award. His work over the next couple of years was highlighted by 2015's The Danish Girl (his second film with The King's Speech director Tom Hooper) and the 2016 animated feature The Secret Life of Pets. In 2017, Desplat supplied the music for the George Clooney-directed crime thriller Suburbicon as well as Guillermo del Toro's romantic fantasy The Shape of Water, which won him a second Oscar. Desplat's successful partnership with Wes Anderson continued on 2018's Isle of Dogs. His scores in 2019 included The Secret Life of Pets 2, Roman Polanski's historical fiction thriller An Officer and a Spy, and Greta Gerwig's literary adaptation Little Women. Desplat teamed up with Anderson again for the director's 2020 film The French Dispatch. Desplat collaborated with Clooney again for 2020's The Midnight Sky, and with Anderson for 2021's The French Dispatch. They were followed by two more del Toro projects, the thriller Nightmare Alley (2021) and a stop-motion animated take on Pinocchio (2022).
© Marcy Donelson & William Ruhlmann /TiVo Mehr lesen
Alexandre Desplat's sophisticated orchestral film scores are informed by influences spanning Claude Debussy, Maurice Ravel, Georges Delerue, Bernard Herrmann, and António Carlos Jobim as well as jazz and world music. A diverse composer who works in a variety of film genres, he emerged in the mid-'80s, developing an extensive resumé in his native France before coming to the attention of Hollywood. That happened with his at-once gorgeous and fanciful score for the English-language film The Girl with the Pearl Earring in 2003. He earned his first of many Academy Award nominations for 2006's The Queen. Often valued for his elegant whimsicality, Desplat joined the Twilight Saga in 2009 and the Harry Potter franchise in 2010 before taking home Oscar statuettes for Wes Anderson's The Grand Budapest Hotel (2014) and Guillermo del Toro's The Shape of Water (2017). He received additional elite award nods for the 2019 version of Little Women and for 2020's The Midnight Sky.
Desplat was born in Paris in 1961 to a Greek mother and a French father who met in the U.S. while both were attending the University of California at Berkeley. They married in San Francisco and settled in France. Alexandre began studying the piano at age five, later switching to trumpet and then flute. Fascinated by both music and film, he decided to pursue a career as a composer of movie scores by the age of 15.
After scoring his first film, 1986's Ki Lo Sa?, Desplat found work on short films, in television, and on theatrical features, accumulating dozens of credits during the '90s, from animated films to romantic dramas and thrillers. His score for the 2000 U.K.-France co-production The Luzhin Defence was released by Silva America in 2001. His music for 2003's The Girl with the Pearl Earring earned a Golden Globe nomination, and with that recognition, he began to work increasingly on English-language films distributed by Hollywood studios. He got a second Golden Globe nomination for 2004's Syriana before winning his first one for 2007's The Painted Veil. 2007 also saw the release of Stephen Frears' The Queen, which earned Desplat his first Oscar nomination for Best Original Score. His second Academy Award nomination followed for David Fincher's The Curious Case of Benjamin Button (2008), and his third was for Wes Anderson's Fantastic Mr. Fox (2009). He took home a Grammy Award for his work on the following year's The King's Speech.
More high-profile film scores followed, including both installments of Harry Potter and the Deathly Hallows, Wes Anderson's Moonrise Kingdom (2012), Best Picture winner Argo (2012), and Anderson's The Grand Budapest Hotel (2014). The latter provided Desplat's first Academy Award win (the same year he was also nominated for The Imitation Game) as well as his second Grammy Award. His work over the next couple of years was highlighted by 2015's The Danish Girl (his second film with The King's Speech director Tom Hooper) and the 2016 animated feature The Secret Life of Pets.
In 2017, Desplat supplied the music for the George Clooney-directed crime thriller Suburbicon as well as Guillermo del Toro's romantic fantasy The Shape of Water, which won him a second Oscar. Desplat's successful partnership with Wes Anderson continued on 2018's Isle of Dogs. His scores in 2019 included The Secret Life of Pets 2, Roman Polanski's historical fiction thriller An Officer and a Spy, and Greta Gerwig's literary adaptation Little Women. Desplat teamed up with Anderson again for the director's 2020 film The French Dispatch. Desplat collaborated with Clooney again for 2020's The Midnight Sky, and with Anderson for 2021's The French Dispatch. They were followed by two more del Toro projects, the thriller Nightmare Alley (2021) and a stop-motion animated take on Pinocchio (2022).
© Marcy Donelson & William Ruhlmann /TiVo
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The French Dispatch (Original Score)
Alexandre Desplat
Original Soundtrack - Erschienen bei Abkco Music & Records, Inc. am 21.05.2021
Composer Alexandre Desplat's fifth collaboration with film director Wes Anderson, The French Dispatch features a lean, jaunty chamber music score that ...
24-Bit 48.0 kHz - Stereo -
Valerian and the City of a Thousand Planets (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei Valérian S.A.S. am 20.07.2017
24-Bit 44.1 kHz - Stereo -
The Outfit (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei Back Lot Music am 18.03.2022
24-Bit 48.0 kHz - Stereo -
The Imitation Game (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei Sony Classical am 07.11.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Harry Potter and the Deathly Hallows, Pt. 2 (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei WaterTower Music am 01.07.2011
Harry Potter and the Deathly Hallows, Pt. 2, the final installment in the decade-long wizard saga, found Alexander Desplat navigating some treacherous ...
16-Bit CD Quality 44.1 kHz - Stereo -
Extremely Loud and Incredibly Close (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei WaterTower Music am 20.12.2011
16-Bit CD Quality 44.1 kHz - Stereo -
The Shape Of Water (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei Decca (UMO) (Classics) am 01.12.2017
Preis der deutschen SchallplattenkritikWie kann Musik die Idee eines natürlichen Elementes wie etwa Wasser zum Ausdruck bringen? Ein gewisser Claude Debussy hatte sich schon mit dieser Frag ...
24-Bit 44.1 kHz - Stereo -
Harry Potter and the Deathly Hallows, Pt. 1 (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei WaterTower Music am 15.11.2010
The seventh and penultimate entry into the internationally successful Harry Potter franchise is also one of the series’ darkest, and composer Alexande ...
16-Bit CD Quality 44.1 kHz - Stereo -
Zero Dark Thirty (Original Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei Madison Gate Records am 19.12.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Fantastic Mr. Fox - Additional Music From The Original Score By Alexandre Desplat - The Abbey Road Mixes
Alexandre Desplat
Original Soundtrack - Erschienen bei ABKCO (US) am 01.01.2010
16-Bit CD Quality 44.1 kHz - Stereo -
Argo (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei WaterTower Music am 09.10.2012
16-Bit CD Quality 44.1 kHz - Stereo -
The Secret Life Of Pets 2 (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei Back Lot Music am 31.05.2019
24-Bit 44.1 kHz - Stereo -
The Danish Girl (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei Decca (UMO) (Classics) am 27.11.2015
24-Bit 44.1 kHz - Stereo -
The Midnight Sky (Music From The Netflix Film)
Alexandre Desplat
Original Soundtrack - Erschienen bei Abkco Music & Records, Inc. am 23.12.2020
16-Bit CD Quality 44.1 kHz - Stereo -
Un prophète (Bande originale du film)
Alexandre Desplat
Original Soundtrack - Erschienen bei Why Not Productions am 26.08.2009
16-Bit CD Quality 44.1 kHz - Stereo -
The Light Between Oceans (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei Sony Classical am 02.09.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Bande originale du film "De rouille et d'os" (Jacques Audiard, 2012)
Alexandre Desplat
Original Soundtrack - Erschienen bei Why Not Productions am 14.05.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Upside Of Anger (Original Score)
Alexandre Desplat
Original Soundtrack - Erschienen bei New Line Records am 29.03.2005
16-Bit CD Quality 44.1 kHz - Stereo -
Les frères Sisters (Bande originale du film)
Alexandre Desplat
Original Soundtrack - Erschienen bei Why Not Productions am 14.09.2018
16-Bit CD Quality 44.1 kHz - Stereo -
The Monuments Men
Alexandre Desplat
Original Soundtrack - Erschienen bei Sony Classical am 31.01.2014
Veteran film composer Alexandre Desplat explores a variety of classic, militaristic, and action themes in his score for George Clooney's World War II ...
16-Bit CD Quality 44.1 kHz - Stereo -
Operation Finale (Original Motion Picture Soundtrack)
Alexandre Desplat
Original Soundtrack - Erschienen bei Sony Classical am 24.08.2018
24-Bit 48.0 kHz - Stereo