Wolfgang Amadeus Mozart
Text in englischer Sprache verfügbarWolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period, but one of the greatest of all time. Surprisingly, he is not identified with radical formal or harmonic innovations, or with the profound kind of symbolism heard in some of Bach's works. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His operas, especially his later efforts, are brilliant examples of high art, as are many of his piano concertos and later symphonies. Even his lesser compositions and juvenile works feature much attractive and often masterful music. Mozart was the last of seven children, of whom five did not survive early childhood. By the age of three he was playing the clavichord, and at four he began writing short compositions. Young Wolfgang gave his first public performance at the age of five at Salzburg University, and in January 1762, he performed on harpsichord for the Elector of Bavaria. There are many astonishing accounts of the young Mozart's precocity and genius. At the age of seven, for instance, he picked up a violin at a musical gathering and sight-read the second part of a work with complete accuracy, despite his never having had a violin lesson. In the years 1763-1766, Mozart, along with his father Leopold, a composer and musician, and sister Nannerl, also a musically talented child, toured London, Paris, and other parts of Europe, giving many successful concerts and performing before royalty. The Mozart family returned to Salzburg in November 1766. The following year young Wolfgang composed his first opera, Apollo et Hyacinthus. Keyboard concertos and other major works also came from his pen. In 1769, Mozart was appointed Konzertmeister at the Salzburg Court by the Archbishop. Beginning that same year, the Mozarts made three tours of Italy, where the young composer studied Italian opera and produced two successful efforts, Mitridate and Lucio Silla. In 1773, Mozart was back in Austria, where he spent most of the next few years composing. He wrote all his violin concertos between 1774 and 1777, as well as Masses, symphonies, and chamber works. In 1780, Mozart wrote his opera Idomeneo, which became a sensation in Munich. After a conflict with the Archbishop, Mozart left his Konzertmeister post and settled in Vienna. He received a number of commissions and took on a well-paying but unimportant Court post. In 1782 Mozart married Constanze Weber and took her to Salzburg the following year to introduce her to his family. 1782 was also the year that saw his opera Die Entführung aus dem Serail staged with great success. In 1784, Mozart joined the Freemasons, apparently embracing the teachings of that group. He would later write music for certain Masonic lodges. In the early and mid-1780s, Mozart composed many sonatas and quartets, and often appeared as soloist in the 15 piano concertos he wrote during this period. Many of his commissions were for operas now, and Mozart met them with a string of masterpieces. Le nozze di Figaro came 1786, Don Giovanni in 1787, Così fan tutte in 1790, and Die Zauberflöte in 1791. Mozart made a number of trips in his last years, and while his health had been fragile in previous times, he displayed no serious condition or illness until he developed a fever of unknown origin near the end of 1791.
© Robert Cummings /TiVo Mehr lesen
Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period, but one of the greatest of all time. Surprisingly, he is not identified with radical formal or harmonic innovations, or with the profound kind of symbolism heard in some of Bach's works. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His operas, especially his later efforts, are brilliant examples of high art, as are many of his piano concertos and later symphonies. Even his lesser compositions and juvenile works feature much attractive and often masterful music.
Mozart was the last of seven children, of whom five did not survive early childhood. By the age of three he was playing the clavichord, and at four he began writing short compositions. Young Wolfgang gave his first public performance at the age of five at Salzburg University, and in January 1762, he performed on harpsichord for the Elector of Bavaria. There are many astonishing accounts of the young Mozart's precocity and genius. At the age of seven, for instance, he picked up a violin at a musical gathering and sight-read the second part of a work with complete accuracy, despite his never having had a violin lesson.
In the years 1763-1766, Mozart, along with his father Leopold, a composer and musician, and sister Nannerl, also a musically talented child, toured London, Paris, and other parts of Europe, giving many successful concerts and performing before royalty. The Mozart family returned to Salzburg in November 1766. The following year young Wolfgang composed his first opera, Apollo et Hyacinthus. Keyboard concertos and other major works also came from his pen.
In 1769, Mozart was appointed Konzertmeister at the Salzburg Court by the Archbishop. Beginning that same year, the Mozarts made three tours of Italy, where the young composer studied Italian opera and produced two successful efforts, Mitridate and Lucio Silla. In 1773, Mozart was back in Austria, where he spent most of the next few years composing. He wrote all his violin concertos between 1774 and 1777, as well as Masses, symphonies, and chamber works.
In 1780, Mozart wrote his opera Idomeneo, which became a sensation in Munich. After a conflict with the Archbishop, Mozart left his Konzertmeister post and settled in Vienna. He received a number of commissions and took on a well-paying but unimportant Court post. In 1782 Mozart married Constanze Weber and took her to Salzburg the following year to introduce her to his family. 1782 was also the year that saw his opera Die Entführung aus dem Serail staged with great success.
In 1784, Mozart joined the Freemasons, apparently embracing the teachings of that group. He would later write music for certain Masonic lodges. In the early and mid-1780s, Mozart composed many sonatas and quartets, and often appeared as soloist in the 15 piano concertos he wrote during this period. Many of his commissions were for operas now, and Mozart met them with a string of masterpieces. Le nozze di Figaro came 1786, Don Giovanni in 1787, Così fan tutte in 1790, and Die Zauberflöte in 1791. Mozart made a number of trips in his last years, and while his health had been fragile in previous times, he displayed no serious condition or illness until he developed a fever of unknown origin near the end of 1791.
© Robert Cummings /TiVo
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24-Bit 48.0 kHz - Stereo -
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24-Bit 48.0 kHz - Stereo -
Mozart : The Piano Sonatas
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Diapason d'orThis complete cycle of Mozart piano sonatas, with some very desirable additions, has been winning raves in its native Britain, and it's a pleasure to ...
16-Bit CD Quality 44.1 kHz - Stereo -
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16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Violin Concertos 1-5
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Mozart: Piano Concertos 9 & 23
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Various American orchestras have begun issuing selected live performances on compact disc, but this British release represents something slightly diff ...
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Mozart: Oboe Concerto K. 314 - J. Haydn: Sinfonia concertante, Hob. I:105
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24-Bit 96.0 kHz - Stereo -
Mozart: Complete Piano Trios 1756-1791
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Klassik - Erschienen bei Analekta am 21.02.2006
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Mozart: Complete Violin Concertos, Sinfonia Concertante
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Chicago-based violinist Rachel Barton Pine bounced back from a devastating accident (she was dragged for several hundred feet by a commuter train afte ...
16-Bit CD Quality 44.1 kHz - Stereo -
Harp Concertos: Mozart - Handel - Boieldieu
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Mozart: Il Re Pastore
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Oper - Erschienen bei Signum Records am 02.10.2015
24-Bit 96.0 kHz - Stereo -
Mozart: Mitridate, Re Di Ponto
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Oper - Erschienen bei Signum Records am 13.10.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: The Complete String Quartets
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Kammermusik - Erschienen bei Musical Heritage Society am 01.06.2008
16-Bit CD Quality 44.1 kHz - Stereo -
Quinteto para Clarinete - Cuarteto para Oboe - Quinteto para Trompa
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Klassik - Erschienen bei JamadaDigital am 19.02.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Homage - The Six Quartets Dedicated To Haydn
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Kammermusik - Erschienen bei FoghornClassics.com am 01.03.2004
16-Bit CD Quality 44.1 kHz - Stereo -
The Requiem: Mozart's Most Mysterious Masterpiece
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Klassik - Erschienen bei Rendez-Vous Digital am 16.10.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Divertimento K. 563 / Preludes and Fugues K. 404a
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Klassik - Erschienen bei Lawo Classics am 10.04.2019
16-Bit CD Quality 44.1 kHz - Stereo -
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Mozart Piano Sonatas Vol. 4 - Wigmore Hall Live
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Klassik - Erschienen bei Armasi am 16.02.2019
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Mozart Piano Sonatas Vol. 3 - Wigmore Hall Live
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