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George Jones|Who's Gonna Fill Their Shoes

Who's Gonna Fill Their Shoes

GEORGE JONES

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An EP culled from this album would be brilliant, and fans of Jones might want to put up with the mediocre cuts here just to enjoy some of the finer moments of the man's '80s recording career. The title track was the kind of mystical, self-serving necrophilia that country music is all about, powerful despite the fact that 20 years later, the same country singers who were fussing about disappearing from the scene are still going strong. The concept that they would leave shoes behind that need to be filled, regardless of whether they can or not, is an approach to ongoing musical history that is not always positive, so country fans might find that the two duets with female singers here bear up better to repeated listening than the hit record under discussion. The marvelous Lynn Anderson is on hand for "If You Can Touch Her at All," and really few can. Here is a truly classy country singer, who never wasted her time recording songs about how none of the younger singers are up to her level. If she did, she would have had to ignore the raunchy Lacy J. Dalton, who teams up with el maestro possumo for the lightweight but enjoyable "That's Good -- That's Bad." Jones' ability to bond with Dalton is a good thing, and a full album of them together would probably be more fun than the lion's share of the dreary later Epic Jones catalog. Otherwise, like many Jones releases from this period, the material seems fairly insignificant, prompting the question of why he couldn't find better songwriting than this to record.
© Eugene Chadbourne /TiVo

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Who's Gonna Fill Their Shoes

George Jones

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1
Who's Gonna Fill Their Shoes
00:03:17

Troy Seals, Composer, Lyricist - Max D. Barnes, Composer, Lyricist - BILLY SHERRILL, Producer - GEORGE JONES, MainArtist, AssociatedPerformer - Hollis Flatt, Mastering Engineer - RON "SNAKE" REYNOLDS, Engineer - Ed Hudson, Assistant Engineer

(P) 1985 Sony Music Entertainment

2
Just When
00:03:14

BILLY SHERRILL, Producer - GEORGE JONES, MainArtist, AssociatedPerformer - Hollis Flatt, Mastering Engineer - RON "SNAKE" REYNOLDS, Engineer - B. Caswell, Composer, Lyricist - Ed Hudson, Assistant Engineer - A. Rhody, Composer, Lyricist

(P) 1985 Sony Music Entertainmment

3
The One I Loved Back Then (The Corvette Song)
00:02:31

Gary Gentry, Composer, Lyricist - BILLY SHERRILL, Producer - GEORGE JONES, MainArtist, AssociatedPerformer - Hollis Flatt, Mastering Engineer - RON "SNAKE" REYNOLDS, Engineer - Ed Hudson, Assistant Engineer

(P) 1985 Sony Music Entertainment

4
If I Painted a Picture
00:02:48

C. Browder, Composer, Lyricist - L. Williams, Composer, Lyricist - BILLY SHERRILL, Producer - GEORGE JONES, MainArtist, AssociatedPerformer - Hollis Flatt, Mastering Engineer - Ed Hudson, Assistant Engineer

(P) 1985 Sony Music Entertainmment

5
If You Can Touch Her At All
00:03:28

L. Clayton, Composer, Lyricist - BILLY SHERRILL, Producer - GEORGE JONES, MainArtist, AssociatedPerformer - Hollis Flatt, Mastering Engineer - RON "SNAKE" REYNOLDS, Engineer - Lynn Anderson, Rap - Ed Hudson, Assistant Engineer

(P) 1985 Sony Music Entertainmment

6
Somebody Wants Me out of the Way
00:03:19

D. Knutson, Composer, Lyricist - A.L. "Doodle" Owens, Composer, Lyricist - BILLY SHERRILL, Producer - GEORGE JONES, MainArtist, AssociatedPerformer - Hollis Flatt, Mastering Engineer - RON "SNAKE" REYNOLDS, Engineer - Ed Hudson, Assistant Engineer

(P) 1985 Sony Music Entertainment

7
A Whole Lot of Trouble for You
00:02:18

BILLY SHERRILL, Producer - GEORGE JONES, MainArtist, AssociatedPerformer - G. Jones, Composer, Lyricist - Hollis Flatt, Mastering Engineer - RON "SNAKE" REYNOLDS, Engineer - D. Schultz, Composer, Lyricist

(P) 1985 Sony Music Entertainmment

8
If Only You'd Love Me Again
00:03:01

D. Knutson, Composer, Lyricist - BILLY SHERRILL, Producer - GEORGE JONES, MainArtist, AssociatedPerformer - Hollis Flatt, Mastering Engineer - Ed Hudson, Assistant Engineer - E. Burton, Composer, Lyricist

(P) 1985 Sony Music Entertainmment

9
Call the Wrecker for My Heart
00:02:57

BILLY SHERRILL, Producer - GEORGE JONES, MainArtist, AssociatedPerformer - Hollis Flatt, Mastering Engineer - Ed Hudson, Assistant Engineer - R. Haspel, Composer, Lyricist

(P) 1985 Sony Music Entertainmment

10
That's Good, That's Bad
00:03:05

R. HELLARD, Composer, Lyricist - M. Garvin, Composer, Lyricist - BILLY SHERRILL, Producer - GEORGE JONES, MainArtist, AssociatedPerformer, Vocal - Lacy J. Dalton, AssociatedPerformer, Vocal, with - Hollis Flatt, Mastering Engineer - Ed Hudson, Assistant Engineer - George Jones with Lacy J. Dalton, AssociatedPerformer

(P) 1985 Sony Music Entertainmment

Albumbeschreibung

An EP culled from this album would be brilliant, and fans of Jones might want to put up with the mediocre cuts here just to enjoy some of the finer moments of the man's '80s recording career. The title track was the kind of mystical, self-serving necrophilia that country music is all about, powerful despite the fact that 20 years later, the same country singers who were fussing about disappearing from the scene are still going strong. The concept that they would leave shoes behind that need to be filled, regardless of whether they can or not, is an approach to ongoing musical history that is not always positive, so country fans might find that the two duets with female singers here bear up better to repeated listening than the hit record under discussion. The marvelous Lynn Anderson is on hand for "If You Can Touch Her at All," and really few can. Here is a truly classy country singer, who never wasted her time recording songs about how none of the younger singers are up to her level. If she did, she would have had to ignore the raunchy Lacy J. Dalton, who teams up with el maestro possumo for the lightweight but enjoyable "That's Good -- That's Bad." Jones' ability to bond with Dalton is a good thing, and a full album of them together would probably be more fun than the lion's share of the dreary later Epic Jones catalog. Otherwise, like many Jones releases from this period, the material seems fairly insignificant, prompting the question of why he couldn't find better songwriting than this to record.
© Eugene Chadbourne /TiVo

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