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Amy Helm|What the Flood Leaves Behind

What the Flood Leaves Behind

Amy Helm

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What the Flood Leaves Behind is singer/songwriter Amy Helm's third solo album. She recorded it at Levon Helm Studios (aka The Barn) in Woodstock, New York, where she cut 2015's Didn't It Rain. Helm grew up in and around the wooden studio, singing in countless Midnight Ramble Sessions that she helped produce. After time spent living in New York City and Los Angeles, she now lives near The Barn, a place of solace, shelter, and creativity that she calls a "temple of music." In these wild, dangerous times, who doesn't need such a place?
Josh Kaufman produced the record, and he contributed piano, guitar, and mandolin. Kaufman surrounds her with a sympathetic cast of players, while Helm plays mandolin, piano, and drums. Opener "Verse 23" was written for her by Hiss Golden Messenger's M.C. Taylor. It emerges from a simply strummed mandolin, guitars, and a bass drum. Helm's voice unfurls slowly but is full-throated, like a soul singer. She entwines gospel, folk, and country in her delivery: "You can have some of mine/for as long as it takes/What the flood leaves behind/Is what we've got to make." The guitars buoy her vocal and she rolls over and through that lyric. "Breathing," co-written with JT Nero, employs a choogling organ and horns playing strolling, bluesy R&B, as she offers empathy and support to a shattered beloved. "Cotton and the Cane," co-written with Mary Gauthier, is an unflinchingly honest midtempo ballad fueled by a graceful B-3. In the lyric, Helm offers love and eternal respect to family and ancestors, living and dead, despite shortcomings and addictions; she sings with unwavering devotion -- even the line "Heroin, I'm locked out again" is offered as a circumstantial fact rather than a judgment. She follows it immediately with Daniel Norgren's soaring "Are We Running Out of Love," framed by mandolins, drums, and guitars. Its ache and reflection are merely building blocks in her plea for healing and tolerance. The shambolic Southern garage rocker "Sweet Mama" sounds like Helm backed by Neil Young and Crazy Horse. "Calling Home" digs back into the country soul bag, as guitars, organ, drums, and horns shuffle around Helm, who calls for her dad's hand to guide her home in the middle of a long, lonesome dark night of the soul. "Carry It Alone" is a gentle, fingerpicked lament offered after a broken relationship. Helm digs into each line, openly revealing her protagonist's doubt, pain, and longing. Closer "Renegade Heart," co-written with Taylor and Elizabeth Ziman, leans her vocal into a gospel piano to anchor the song's poetic lyric. She offers "You're someone worth loving/You beautiful heart" before ethereal horns flow in from the margins underscoring the truth and conviction in her words as she repeats the last phrase and carries out the record. What the Flood Leaves Behind is free of artifice, its rootsy warm sound buoys this intimate homecoming by presenting the full scope of Helm's prodigious gifts as a singer, songwriter, interpreter, collaborator, and artist, making it a timeless Americana masterpiece.

© Thom Jurek /TiVo

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What the Flood Leaves Behind

Amy Helm

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1
Verse 23
00:04:08

Amy Helm, MainArtist - Lee Collins, Tambourine - D. James Goodwin, Engineer - Daniel Littleton, Electric Guitar - Josh Kaufman, Producer, Acoustic Guitar, Piano - Connor Milton, Engineer - Micheal Libramento, Drums, Bass - Michael Casey Taylor, Composer

© 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company ℗ 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company

2
Breathing
00:02:27

Stuart Bogie, Tenor Saxophone - Amy Helm, Composer, MainArtist - Tony Mason, Drums, Percussion - Lee Collins, Congas - Phil Cook, Piano - D. James Goodwin, Engineer - Josh Kaufman, Producer, Electric Guitar, Tambourine - Jordan McLean, Trumpet - Michael Libramento, Organ, Bass, Congas - JT Nero, Composer - Connor Milton, Engineer

© 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company ℗ 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company

3
Cotton And The Cane
00:04:10

Amy Helm, Composer, MainArtist - Mary Gauthier, Composer - Tony Mason, Drums - Phil Cook, Organ - D. James Goodwin, Engineer - Josh Kaufman, Producer, Electric Guitar, Mandolin, Piano - Michael Libramento, Bass - Connor Milton, Engineer

© 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company ℗ 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company

4
Are We Running Out Of Love?
00:03:51

Amy Helm, MainArtist - Tony Mason, Drums - Daniel Norgren, Composer - Phil Cook, Organ, Piano - D. James Goodwin, Engineer - Josh Kaufman, Producer, Guitar, Mandolin - Michael Libramento, Mandolin, Bass - Connor Milton, Engineer

© 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company ℗ 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company

5
Carry It Alone
00:03:05

Amy Helm, Composer, Mandolin, MainArtist - Zach Djanikian, Composer - Tony Mason, Drums, Percussion - D. James Goodwin, Engineer - Josh Kaufman, Producer, Acoustic Guitar, Piano - Erin Rae Mckaskle, Composer - Michael Libramento, Organ, Bass - Connor Milton, Engineer

© 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company ℗ 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company

6
Wait For The Rain
00:03:56

Amy Helm, Composer, Drums, MainArtist - Tony Mason, Drums - ELIZABETH ZIMAN, Composer - D. James Goodwin, Engineer - Steve Salett, Composer - Josh Kaufman, Producer, Guitar, Mandolin, Organ, Piano, Bass - Michael Libramento, Tambourine - Connor Milton, Engineer

© 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company ℗ 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company

7
Sweet Mama
00:02:48

Amy Helm, MainArtist - Tony Mason, Drums, Percussion - Phil Cook, Organ, Piano, Harmonica - D. James Goodwin, Engineer - Steve Salett, Composer - Josh Kaufman, Producer, Electric Guitar, Bass - Michael Libramento, Tambourine - Connor Milton, Engineer

© 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company ℗ 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company

8
Calling Home
00:02:41

Stuart Bogie, Tenor Saxophone - Amy Helm, Composer, Piano, MainArtist - Tony Mason, Percussion - Phil Cook, Organ - D. James Goodwin, Engineer - Josh Kaufman, Producer, Drums, Electric Guitar, Bass, Wurlitzer - Jordan McLean, Trumpet - Michael Libramento, Tambourine - Connor Milton, Engineer

© 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company ℗ 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company

9
Terminal B
00:01:57

Amy Helm, Composer, Mandolin, Whistle, MainArtist - Phil Cook, Organ - D. James Goodwin, Engineer - Josh Kaufman, Producer, Drums, Organ, Percussion, Bass - Connor Milton, Engineer

© 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company ℗ 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company

10
Renegade Heart
00:04:23

Stuart Bogie, Tenor Saxophone - Amy Helm, Composer, MainArtist - Tony Mason, Drums - ELIZABETH ZIMAN, Composer - Phil Cook, Piano - D. James Goodwin, Engineer - Josh Kaufman, Producer, Electric Guitar - Jordan McLean, Trumpet - Michael Libramento, Organ, Bass - Connor Milton, Engineer - Michael Casey Taylor, Composer

© 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company ℗ 2021 Amy Helm Entertainment, LLC under exclusive license to Renew Records a BMG Company

Albumbeschreibung

What the Flood Leaves Behind is singer/songwriter Amy Helm's third solo album. She recorded it at Levon Helm Studios (aka The Barn) in Woodstock, New York, where she cut 2015's Didn't It Rain. Helm grew up in and around the wooden studio, singing in countless Midnight Ramble Sessions that she helped produce. After time spent living in New York City and Los Angeles, she now lives near The Barn, a place of solace, shelter, and creativity that she calls a "temple of music." In these wild, dangerous times, who doesn't need such a place?
Josh Kaufman produced the record, and he contributed piano, guitar, and mandolin. Kaufman surrounds her with a sympathetic cast of players, while Helm plays mandolin, piano, and drums. Opener "Verse 23" was written for her by Hiss Golden Messenger's M.C. Taylor. It emerges from a simply strummed mandolin, guitars, and a bass drum. Helm's voice unfurls slowly but is full-throated, like a soul singer. She entwines gospel, folk, and country in her delivery: "You can have some of mine/for as long as it takes/What the flood leaves behind/Is what we've got to make." The guitars buoy her vocal and she rolls over and through that lyric. "Breathing," co-written with JT Nero, employs a choogling organ and horns playing strolling, bluesy R&B, as she offers empathy and support to a shattered beloved. "Cotton and the Cane," co-written with Mary Gauthier, is an unflinchingly honest midtempo ballad fueled by a graceful B-3. In the lyric, Helm offers love and eternal respect to family and ancestors, living and dead, despite shortcomings and addictions; she sings with unwavering devotion -- even the line "Heroin, I'm locked out again" is offered as a circumstantial fact rather than a judgment. She follows it immediately with Daniel Norgren's soaring "Are We Running Out of Love," framed by mandolins, drums, and guitars. Its ache and reflection are merely building blocks in her plea for healing and tolerance. The shambolic Southern garage rocker "Sweet Mama" sounds like Helm backed by Neil Young and Crazy Horse. "Calling Home" digs back into the country soul bag, as guitars, organ, drums, and horns shuffle around Helm, who calls for her dad's hand to guide her home in the middle of a long, lonesome dark night of the soul. "Carry It Alone" is a gentle, fingerpicked lament offered after a broken relationship. Helm digs into each line, openly revealing her protagonist's doubt, pain, and longing. Closer "Renegade Heart," co-written with Taylor and Elizabeth Ziman, leans her vocal into a gospel piano to anchor the song's poetic lyric. She offers "You're someone worth loving/You beautiful heart" before ethereal horns flow in from the margins underscoring the truth and conviction in her words as she repeats the last phrase and carries out the record. What the Flood Leaves Behind is free of artifice, its rootsy warm sound buoys this intimate homecoming by presenting the full scope of Helm's prodigious gifts as a singer, songwriter, interpreter, collaborator, and artist, making it a timeless Americana masterpiece.

© Thom Jurek /TiVo

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