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P!nk

explicit

Erschienen am 17.02.23 bei RCA Records Label
Künstler: P!nk
Genre: Pop

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On her ninth album, P!nk proves to be something her tough-edged younger self might never have imagined: graceful. At 43, she's long abandoned the sometimes seductive, sometimes challenging snarl of her early work, as well as the party-girl persona of albums like Funhouse. The scene is set with "When I Get There," a piano-and-strings ballad for her father, who died in 2021. ("Is there a bar up there/ Where you've got a favorite chair … Is there a place you go/ To watch the sunset, oh.") P!nk has said that the album was partly inspired, as so many records of this era are, by the pandemic and, in her case, seeing her young son so ill with Covid-19. "The panic is temporary/ But I'll be permanent ... As scary as it gets/ It's just turbulent," she sings on "Turbulence," offering pragmatism and the wisdom, born from experience, that shocks will pass. She's also a gracious collaborator, letting her duet partners sound like themselves rather than bending them completely to her polished pop sound. The Lumineers bring along familiar marching drum rolls and Wesley Schultz's warm vocals for "Long Way to Go." Likewise, "Kids In Love," with the Swedish siblings of First Aid Kit, is as airy and folky as anything by that duo. And you can tell P!nk is a true fan of Chris Stapleton. "Just Say I'm Sorry," their closing collaboration, sounds like a Stapleton song: romantic, nostalgic, with a Roy Orbison-esque melody and the country singer's evocative guitar tone. His voice is as powerful as P!nk's—it's not so much leather and lace as leather and brightly colored leather—yet neither of them overpowers the other. But look, P!nk is still here to have a good time. The title track, co-written with Snow Patrol's Johnny McDaid, glitters with EDM beats. And she called up old collaborators Max Martin and Shellback, who produced her 2010 hit "Raise Your Glass," to help concoct "Never Gonna Not Dance Again"—a sunny, shimmering disco number with tropical-breeze horns and rhythmic "d-d-d-dance" stuttering that sounds a whole lot like Justin Timberlake's "Can't Stop the Feeling." Writer/producer Greg Kurstin, a favorite of female artists including Kelly Clarkson, Sia and P!nk herself (he worked on 2012's The Truth About Love album), layers on post-punk guitars and a pop-punk chant ("Oh no! Here we go!") to help the singer tap into the spitfire of her early work with "Hate Me": "She's loud and drunk/ Let's take her down to size … I'm the villain you made me," P!nk sings. "Last Call" has a light country flavor, "Feel Something" offers R&B vibes and tender acoustics from experimental guitarist Nate Mercereau, and "Lost Cause" could be a Disney ballad with its soaring chorus. And, lest you forget the amazing vocal leaps and tricks P!nk is capable of, "Our Song" slathers on expansive range and Broadway-worthy drama to remind the world: it's all about that voice. © Shelly Ridenour/Qobuz

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When I Get There