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Mose Allison - The Word From Mose

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The Word From Mose

Mose Allison

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This iconoclastic performer has sometimes been described as a country blues player, perhaps leading to images of a blind man standing on a corner playing a guitar with a bottleneck slide. In reality, Mose Allison is from a much more cosmopolitan tradition, and the country blues adage comes from attempts to describe the sound he gets playing light, swinging jazz with a distinctly rural, Southern influence. This album, from one of many he recorded for Atlantic, actually contains examples of him taking material from the real country blues heritage and reworking it into his own style, to brilliant effect. His "New Parchman Farm" is a fantastic piece, as he changes what was once a stark, depressing prison blues into something else again. Perhaps this version would be more suited to white-collar criminals such as the Watergate mob, basking in upper-class prisons complete with tennis courts. At any rate, this is a performance that only the most hardened individual would be able to listen to without a smile cracking their face. Like most of Allison's releases, this one suffers from a handful of tracks that although not quite throwaway, surely lack the substance of the best songs here.
© Eugene Chadbourne /TiVo

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The Word From Mose

Mose Allison

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1
Foolkiller (LP Version)
00:02:25

Mose Allison, Piano, Vocals, Writer, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Ron Lundberg, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1964 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States

2
One of These Days (LP Version)
00:03:00

Mose Allison, Piano, Vocals, Writer, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Ron Lundberg, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1964 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States

3
Look Here (LP Version)
00:02:12

Mose Allison, Piano, Vocals, Writer, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Ron Lundberg, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1964 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States

4
Days Like This (LP Version)
00:02:50

Mose Allison, Piano, Vocals, Writer, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Ron Lundberg, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1964 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States

5
Your Red Wagon (LP Version)
00:02:14

Mose Allison, Piano, Vocals, MainArtist - Richard Jones, Writer - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Gene De Paul, Writer - Don Raye, Writer - Ron Lundberg, Drums - Nesushi Ergegun, Producer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1964 Atlantic Recording Corporation

6
Wild Man on the Loose (LP Version)
00:02:04

Mose Allison, Composer, Piano, Vocals, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Ron Lundberg, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1966 Atlantic Recording Corp.

7
Rollin' Stone (LP Version)
00:02:58

Mose Allison, Piano, Vocals, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Muddy Waters, Writer - Ron Lundberg, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1964 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States

8
New Parchman (LP Version)
00:03:03

Mose Allison, Piano, Vocals, Writer, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Ron Lundberg, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1964 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States

9
Don't Forget to Smile (LP Version)
00:02:45

Mose Allison, Piano, Vocals, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Ron Lundberg, Drums - Mose Allisson, Composer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1964 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States

10
I'm Not Talking (LP Version)
00:02:31

Mose Allison, Piano, Vocals, Writer, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Ron Lundberg, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1964 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States

11
Lost Mind (LP Version)
00:04:07

Mose Allison, Piano, Vocals, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Percy Mayfield, Composer, Lyricist, Writer - Ron Lundberg, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1964 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States

Albumbeschreibung

This iconoclastic performer has sometimes been described as a country blues player, perhaps leading to images of a blind man standing on a corner playing a guitar with a bottleneck slide. In reality, Mose Allison is from a much more cosmopolitan tradition, and the country blues adage comes from attempts to describe the sound he gets playing light, swinging jazz with a distinctly rural, Southern influence. This album, from one of many he recorded for Atlantic, actually contains examples of him taking material from the real country blues heritage and reworking it into his own style, to brilliant effect. His "New Parchman Farm" is a fantastic piece, as he changes what was once a stark, depressing prison blues into something else again. Perhaps this version would be more suited to white-collar criminals such as the Watergate mob, basking in upper-class prisons complete with tennis courts. At any rate, this is a performance that only the most hardened individual would be able to listen to without a smile cracking their face. Like most of Allison's releases, this one suffers from a handful of tracks that although not quite throwaway, surely lack the substance of the best songs here.
© Eugene Chadbourne /TiVo

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