Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Diana Ross - Supertonic: Instrumental Mixes

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Supertonic: Instrumental Mixes

Diana Ross

Verfügbar in
16-Bit CD Quality 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Wählen Sie die Audio-Qualität

Um das Album zu diesem Preis zu kaufen, abonnieren Sie Sublime+

Text in englischer Sprache verfügbar

Supertonic: Mixes can be disregarded on principle as pointless, as yet another batch of contemporary club makeovers that couldn't possibly surpass the originals. On the contrary, there's at least an eager audience for such a project. When it was released, four of the nine tracks had already topped Billboard's club chart, claiming the kind of record that no one likely thought to look up or even think up beforehand (most are consecutive number one remixes of number one hits, touted by the Motown caretakers at Universal). In addition to providing the edits of those remixes -- "Ain't No Mountain High Enough," "I'm Coming Out/Upside Down," "The Boss," and "Love Hangover" -- there are new versions of five other Ross classics, ranging chronologically from "Remember Me" (1970) to "It's My House" (1979). Each remix, dutiful and concise, is tasteful house that detracts only slightly from the rich musicality of the source material. The original multi-track master recordings are the foundation, modernized with minimal flash and drum programming that doesn't bludgeon. More importantly, Ross' voice is never removed from the spotlight, and Kupper even preserves Ashford & Simpson's background vocals. Issued with identical track lists for download/streaming, CD, and vinyl, this was no doubt put together with the last format in mind, as the duration is only 35 minutes, designed for front-to-back home listening.
© Andy Kellman /TiVo

Weitere Informationen

Supertonic: Instrumental Mixes

Diana Ross

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 50 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 50 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
I'm Coming Out / Upside Down Eric Kupper Instrumental Remix
00:07:26

NILE RODGERS, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - BERNARD EDWARDS, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - Diana Ross, Vocals, MainArtist, AssociatedPerformer - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings, Inc.

2
Love Hangover Eric Kupper Instrumental Remix
00:03:48

Marilyn McLeod, ComposerLyricist - Pamela Sawyer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel - Hal Davis, Producer

A Motown Records release; ℗ 2020 UMG Recordings Inc.

3
The Boss Eric Kupper Instrumental Remix
00:03:40

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings, Inc.

4
Surrender Eric Kupper Instrumental Remix
00:03:05

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings Inc.

5
Ain't No Mountain High Enough Eric Kupper Instrumental Remix
00:04:06

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings, Inc.

6
No One Gets The Prize Eric Kupper Instrumental Remix
00:05:21

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings Inc.

7
It's My House Eric Kupper Instrumental Remix
00:04:40

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings Inc.

8
Touch Me In The Morning Eric Kupper Instrumental Remix
00:04:19

Michael Masser, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel - Ron Miller, Producer, ComposerLyricist

A Motown Records release; ℗ 2020 UMG Recordings Inc.

9
Remember Me Eric Kupper Instrumental Remix
00:03:43

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings Inc.

Albumbeschreibung

Supertonic: Mixes can be disregarded on principle as pointless, as yet another batch of contemporary club makeovers that couldn't possibly surpass the originals. On the contrary, there's at least an eager audience for such a project. When it was released, four of the nine tracks had already topped Billboard's club chart, claiming the kind of record that no one likely thought to look up or even think up beforehand (most are consecutive number one remixes of number one hits, touted by the Motown caretakers at Universal). In addition to providing the edits of those remixes -- "Ain't No Mountain High Enough," "I'm Coming Out/Upside Down," "The Boss," and "Love Hangover" -- there are new versions of five other Ross classics, ranging chronologically from "Remember Me" (1970) to "It's My House" (1979). Each remix, dutiful and concise, is tasteful house that detracts only slightly from the rich musicality of the source material. The original multi-track master recordings are the foundation, modernized with minimal flash and drum programming that doesn't bludgeon. More importantly, Ross' voice is never removed from the spotlight, and Kupper even preserves Ashford & Simpson's background vocals. Issued with identical track lists for download/streaming, CD, and vinyl, this was no doubt put together with the last format in mind, as the duration is only 35 minutes, designed for front-to-back home listening.
© Andy Kellman /TiVo

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...
Mehr auf Qobuz
Von Diana Ross

Playlists

Das könnte Ihnen auch gefallen...
Alane Robin Schulz
Ride It Regard
Discovery Daft Punk
Carte Blanche DJ Snake
TIM Avicii
Panorama-Artikel...
Neo-Soul in 10 Alben

Mitte der 90er Jahre, als der Hip-Hop sein goldenes Zeitalter erlebte, begann auch der Soul seine Revolution. Mit Erykah Badu, D'Angelo, Jill Scott und einigen anderen gewinnt das Genre die Klasse, Nüchternheit und Raffinesse zurück, die die Alben von Marvin Gaye, Curtis Mayfield oder Roberta Flack belebt haben. Nach den Jahren der ultrakommerziellen sirupartigen R&B-Herrschaft belebt der Neo-Soul (oder auch Nu-Soul), der viel mehr Underground war, die Flamme des ursprünglichen Soul, in seinen Arrangements wie in seinen Texten. Eine kleine aber sehr einflussreiche Bewegung.

10 Songs, die den French Touch entstehen ließen

Vor genau 20 Jahren überschwemmte der French Touch die Clubs und Radiosender auf der ganzen Welt und verschaffte damit Frankreich einen guten Platz auf der elektromusikalischen Landkarte. Qobuz erzählt die Geschichte jener zehn Titel, die für das goldene Zeitalter der französischen Produzenten ausschlaggebend waren.

Motown, der Sound des jungen Amerika

Das von Berry Gordy gegründete Label feiert bald seinen 60. Geburtstag und ist nach wie vor für Pop und Soul die Referenz schlechthin. Eine Hitfabrik mit Arbeitern wie Diana Ross, Marvin Gaye, Smokey Robinson, Stevie Wonder, Michael Jackson, Rick James oder den Temptations…

Aktuelles...