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Kandace Springs' career started rolling when her father, session vocalist Scat Springs, handed a demo to Evan Rogers and Carl Sturken. Industry veterans of 30-plus years, from Shannon to Rihanna, the duo signed her to their production company, which led to an audition for Blue Note president Don Was. The Nashville native sang "I Can't Make You Love Me," popularized by Bonnie Raitt, whose recording just happened to be co-produced with Was. Blue Note deal secured, she uploaded a cover of Sam Smith's "Stay with Me" that prompted Prince to have her play at Paisley Park during the 30th anniversary celebration of Purple Rain. Springs made her recorded debut a couple months later. Co-written with the likes of Rogers, Sturken, and Pop & Oak, the self-titled EP of hip-hop soul primed her for placement in a class with similarly classic-meets-contemporary artists like Jazmine Sullivan and Elle Varner. It left Springs feeling that her sound should instead reflect her early jazz influences with stripped-down live instrumentation -- a view shared by continued supporter Prince. Soul Eyes achieves that objective. Produced by Larry Klein with a constant rhythm section of Vinnie Colaiuta and Dan Lutz -- with additional instrumentation from the likes of Dean Parks, Pete Kuzma, and Terence Blanchard -- it's all shaped to place Springs front and center. The approach is emphasized by the title song, a sensitive update of Mal Waldron's 60-year-old standard that showcases Springs' measured piano playing as much as it does her lithe, lightly fiery voice. Apart from that and a loose but succinct version of War's "The World Is a Ghetto" -- the second-oldest composition -- the reinterpreted songs are relatively modern, highlighted by Shelby Lynne's "Thought It Would Be Easier." Springs co-wrote three cuts, the best and most energetic of which is easily "Novocaine Heart." Due to its neatly serpentine groove and inquisitive, positive outlook, lovers of late-'70s/early-'80s crossover jazz could easily be forgiven for thinking it was first waxed by Judy Roberts or Googie & Tom Coppola. The album closes with the lone song Springs wrote by herself, a striking piano ballad. As natural as the album feels, Springs seems eager to impress her elders and stay true to her inspirations, rather than build from them -- like she's bottling some of her energy and individuality. Less straight-ahead, more distinctive releases are hopefully in her future.
© Andy Kellman /TiVo
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Kandace Springs, Main Artist, Piano - Pete Kuzma, Keyboards, Organ - Larry Klein, Celesta, Percussion, Producer - Jesse Harris, Acoustic Guitar, Author, Composer - Dan Lutz, Bass Guitar - Jeff Gartenbaum, Asst. Recording Engineer - Vinnie Colaiuta, Drums - Dean Parks, Guitar - Vanessa Parr, Recording Engineer - Tim Palmer, Mixer - Travis Kennedy, Assistant Mixer - Jake Valentine, Asst. Recording Engineer - BEANLY SONGS
℗ 2016 Blue Note Records
Kandace Springs, Main Artist, Piano - Terence Blanchard, Featured Artist, Trumpet - Jeff Gartenbaum, Asst. Recording Engineer - Jake Valentine, Asst. Recording Engineer - Nick Guttmann, Engineer - Dean Parks, Guitar - Dan Lutz, Bass Guitar - Vanessa Parr, Recording Engineer - Tim Palmer, Mixer - Matt Grondin, Engineer - Travis Kennedy, Assistant Mixer - Larry Klein, Producer - Vinnie Colaiuta, Drums - Mal Waldron, Composer - Prestige Music Co.
℗ 2016 Blue Note Records
Kandace Springs, Main Artist, Piano - Dan Lutz, Bass Guitar - Pete Kuzma, Organ - Jeff Gartenbaum, Asst. Recording Engineer - Larry Klein, Percussion, Producer - Vanessa Parr, Recording Engineer - Jake Valentine, Asst. Recording Engineer - Dean Parks, Guitar - Vinnie Colaiuta, Drums - Tim Palmer, Mixer - Travis Kennedy, Assistant Mixer - Judy Tzuke, Author, Composer
℗ 2016 Blue Note Records
Kandace Springs, Main Artist, Organ - Larry Klein, Percussion, Producer - Dan Lutz, Bass Guitar - Travis Kennedy, Assistant Mixer - Tim Palmer, Mixer - Dean Parks, Piano - Pete Kuzma, Organ - Vanessa Parr, Recording Engineer - Jeff Gartenbaum, Asst. Recording Engineer - Vinnie Colaiuta, Drums - Jake Valentine, Asst. Recording Engineer - Shelby Lynne, Author, Composer - Bill Bottrell, Author, Composer
℗ 2016 Blue Note Records
Kandace Springs, Author, Composer, Main Artist, Piano - Vanessa Parr, Recording Engineer - Tim Palmer, Mixer - Jake Valentine, Asst. Recording Engineer - Travis Kennedy, Assistant Mixer - Dan Lutz, Bass Guitar - Jeff Gartenbaum, Asst. Recording Engineer - Pete Kuzma, Organ - Dean Parks, Guitar - Larry Klein, Percussion, Producer - Vinnie Colaiuta, Drums - Pete Korpela, Conga - Evan Rogers, Author, Composer - Carl Sturken, Author, Composer - Bayjun Beat - Bayun Beat Music - Xavier Drive Music/SRP Publishing LLC/Songs of Universal, Inc (BMI)
℗ 2016 Blue Note Records
Kandace Springs, Author, Composer, Main Artist, Piano - Dean Parks, Guitar - Dan Lutz, Bass Guitar - Vanessa Parr, Recording Engineer - Jesse Harris, Acoustic Guitar, Author, Composer - Jeff Gartenbaum, Asst. Recording Engineer - Pete Kuzma, Keyboards, Organ - Larry Klein, Producer - Tim Palmer, Mixer - Jake Valentine, Asst. Recording Engineer - Vinnie Colaiuta, Drums - Travis Kennedy, Assistant Mixer - BEANLY SONGS - Xavier Drive Music/SRP Publishing LLC/Songs of Universal, Inc (BMI)
℗ 2016 Blue Note Records
Kandace Springs, Author, Composer, Main Artist, Piano - Terence Blanchard, Featured Artist, Trumpet - Travis Kennedy, Assistant Mixer - Jake Valentine, Asst. Recording Engineer - Larry Klein, Producer - Pete Kuzma, Organ - Tim Palmer, Mixer - Vanessa Parr, Recording Engineer - Dean Parks, Guitar - Vinnie Colaiuta, Drums - Dan Lutz, Bass Guitar - Jeff Gartenbaum, Asst. Recording Engineer - Greg Wells, Author, Composer - Lindy Robbins, Author, Composer - Firehouse Cat Music - Hey Kiddo Music (ASCAP) administered by Kobalt Music Group, Ltd - Xavier Drive Music/SRP Publishing LLC/Songs of Universal, Inc (BMI)
℗ 2016 Blue Note Records
Kandace Springs, Author, Composer, Main Artist, Piano - Travis Kennedy, Assistant Mixer - Vanessa Parr, Recording Engineer - Jake Valentine, Asst. Recording Engineer - Pete Korpela, Percussion - Larry Klein, Producer, Vibraphone - Tim Palmer, Mixer - Dan Lutz, Bass Guitar - Dean Parks, Guitar - Pete Kuzma, Organ - Vinnie Colaiuta, Drums - Jeff Gartenbaum, Asst. Recording Engineer - Evan Rogers, Author, Composer - Carl Sturken, Author, Composer - Jimmy Harry, Author, Composer - Bayjun Beat - Curvature Music Administered by Kobalt Music (ASCAP) - Xavier Drive Music/SRP Publishing LLC/Songs of Universal, Inc (BMI)
℗ 2016 Blue Note Records
Kandace Springs, Main Artist, Organ - Travis Kennedy, Assistant Mixer - Jake Valentine, Asst. Recording Engineer - Vinnie Colaiuta, Drums - Jeff Gartenbaum, Asst. Recording Engineer - Dan Lutz, Bass Guitar - Dean Parks, Guitar - Vanessa Parr, Recording Engineer - Pete Korpela, Conga - Larry Klein, Producer - Tim Palmer, Mixer - Pete Kuzma, Organ - B.B. Dickerson, Author, Composer - Charles Miller, Author, Composer - Harold Brown, Author, Composer - Howard Scott, Author, Composer - Lee Oskar, Author, Composer - Lonnie Jordan, Author, Composer - "Papa" Dee Allen, Author, Composer
℗ 2016 Blue Note Records
Kandace Springs, Main Artist, Piano - Vanessa Parr, Recording Engineer - Pete Kuzma, Organ - Dean Parks, Guitar - Jeff Gartenbaum, Asst. Recording Engineer - Larry Klein, Producer - Vinnie Colaiuta, Drums - Jake Valentine, Asst. Recording Engineer - Tim Palmer, Mixer - Jesse Harris, Acoustic Guitar - Travis Kennedy, Assistant Mixer - Dan Lutz, Bass Guitar - Shelby Lynne, Author, Composer - Curb Magnasong Music Publishing
℗ 2016 Blue Note Records
Kandace Springs, Author, Composer, Main Artist, Piano - Travis Kennedy, Assistant Mixer - Jeff Gartenbaum, Asst. Recording Engineer - Vanessa Parr, Recording Engineer - Tim Palmer, Mixer - Larry Klein, Producer - Jake Valentine, Asst. Recording Engineer - Xavier Drive Music/SRP Publishing LLC/Songs of Universal, Inc (BMI)
℗ 2016 Blue Note Records
Albumbeschreibung
Kandace Springs' career started rolling when her father, session vocalist Scat Springs, handed a demo to Evan Rogers and Carl Sturken. Industry veterans of 30-plus years, from Shannon to Rihanna, the duo signed her to their production company, which led to an audition for Blue Note president Don Was. The Nashville native sang "I Can't Make You Love Me," popularized by Bonnie Raitt, whose recording just happened to be co-produced with Was. Blue Note deal secured, she uploaded a cover of Sam Smith's "Stay with Me" that prompted Prince to have her play at Paisley Park during the 30th anniversary celebration of Purple Rain. Springs made her recorded debut a couple months later. Co-written with the likes of Rogers, Sturken, and Pop & Oak, the self-titled EP of hip-hop soul primed her for placement in a class with similarly classic-meets-contemporary artists like Jazmine Sullivan and Elle Varner. It left Springs feeling that her sound should instead reflect her early jazz influences with stripped-down live instrumentation -- a view shared by continued supporter Prince. Soul Eyes achieves that objective. Produced by Larry Klein with a constant rhythm section of Vinnie Colaiuta and Dan Lutz -- with additional instrumentation from the likes of Dean Parks, Pete Kuzma, and Terence Blanchard -- it's all shaped to place Springs front and center. The approach is emphasized by the title song, a sensitive update of Mal Waldron's 60-year-old standard that showcases Springs' measured piano playing as much as it does her lithe, lightly fiery voice. Apart from that and a loose but succinct version of War's "The World Is a Ghetto" -- the second-oldest composition -- the reinterpreted songs are relatively modern, highlighted by Shelby Lynne's "Thought It Would Be Easier." Springs co-wrote three cuts, the best and most energetic of which is easily "Novocaine Heart." Due to its neatly serpentine groove and inquisitive, positive outlook, lovers of late-'70s/early-'80s crossover jazz could easily be forgiven for thinking it was first waxed by Judy Roberts or Googie & Tom Coppola. The album closes with the lone song Springs wrote by herself, a striking piano ballad. As natural as the album feels, Springs seems eager to impress her elders and stay true to her inspirations, rather than build from them -- like she's bottling some of her energy and individuality. Less straight-ahead, more distinctive releases are hopefully in her future.
© Andy Kellman /TiVo
Informationen zu dem Album
- 1 Disc(s) - 11 Track(s)
- Gesamte Laufzeit: 00:42:44
- Künstler: Kandace Springs
- Komponist: Various Composers
- Label: Blue Note Records
- Genre: Jazz
© 2016 Blue Note Records ℗ 2016 Blue Note Records
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