Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
It must suck to be the Knack. First off, there was the huge unexpected success of their debut album, Get the Knack, followed almost immediately by the equally unexpected career-damaging "Knuke the Knack" underground campaign. If that wasn't bad enough, their superior sophomore release, ...But the Little Girls Understand, was universally and unfairly dismissed as an inferior rehash of the debut. After such a tumultuous two-year roller coaster ride, the boys in the Knack took a well-deserved breather. When their third album, Round Trip, emerged in 1981, Doug Fieger and the boys in the Knack had matured ten-fold and had created their best album to date. Produced by Jack Douglas, Round Trip had more musical layers than any Knack album before (or since). "Just Wait and See," "Radiating Love," "Boys Go Crazy," and "She Likes the Beat" were instant Knack classics, but with more skin and bone. "Lil' Cal's Big Mistake" could've been an unreleased Blood, Sweat & Tears track. "Africa" was Weather Report on pop-flavored steroids. "We Are Waiting" and "Sweet Dreams" sound like outtakes from the last John Lennon sessions (Douglas produced Double Fantasy). Two of the Knack's best tracks are here, and both are worth the price of admission alone. "Pay the Devil (Ooo, Baby, Ooo)" is a beautifully haunting ballad while "Another Lousy Day in Paradise" is the Knack's entire musical essence squeezed into one three-minute pop song. Brilliant. A few weeks after this brilliant album was released (to poor reviews, it should be said), the Knack split up. While they were at their creative high, they were at their commercial and critical low. Again, it must suck to be the Knack.
© Steve "Spaz" Schnee /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Berton Averre, Composer - Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, Composer - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Berton Averre, Composer - Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, Composer - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Berton Averre, ComposerLyricist - Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, ComposerLyricist - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, Composer - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Berton Averre, Composer - Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, Composer - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, Composer - The Knack, MainArtist - John Corey, Composer
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, Composer - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Berton Averre, Composer - Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, Composer - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, Composer - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Berton Averre, Composer - Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, Composer - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Berton Averre, Composer - Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Berton Averre, Composer - Jack Douglas, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Doug Fieger, Composer - The Knack, MainArtist
(C) 2010 Capitol Records, LLC ℗ 2002 Capitol Records, LLC
Albumbeschreibung
It must suck to be the Knack. First off, there was the huge unexpected success of their debut album, Get the Knack, followed almost immediately by the equally unexpected career-damaging "Knuke the Knack" underground campaign. If that wasn't bad enough, their superior sophomore release, ...But the Little Girls Understand, was universally and unfairly dismissed as an inferior rehash of the debut. After such a tumultuous two-year roller coaster ride, the boys in the Knack took a well-deserved breather. When their third album, Round Trip, emerged in 1981, Doug Fieger and the boys in the Knack had matured ten-fold and had created their best album to date. Produced by Jack Douglas, Round Trip had more musical layers than any Knack album before (or since). "Just Wait and See," "Radiating Love," "Boys Go Crazy," and "She Likes the Beat" were instant Knack classics, but with more skin and bone. "Lil' Cal's Big Mistake" could've been an unreleased Blood, Sweat & Tears track. "Africa" was Weather Report on pop-flavored steroids. "We Are Waiting" and "Sweet Dreams" sound like outtakes from the last John Lennon sessions (Douglas produced Double Fantasy). Two of the Knack's best tracks are here, and both are worth the price of admission alone. "Pay the Devil (Ooo, Baby, Ooo)" is a beautifully haunting ballad while "Another Lousy Day in Paradise" is the Knack's entire musical essence squeezed into one three-minute pop song. Brilliant. A few weeks after this brilliant album was released (to poor reviews, it should be said), the Knack split up. While they were at their creative high, they were at their commercial and critical low. Again, it must suck to be the Knack.
© Steve "Spaz" Schnee /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:44:37
- Künstler: The Knack
- Komponist: Various Composers
- Label: Capitol Records
- Genre: Pop/Rock Rock
© 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.