Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Gryphon|Midnight Mushrumps

Midnight Mushrumps

Gryphon

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

The group was still doing some folk-type vocal numbers on this, their second album, but it was clearly moving in the direction of progressive rock. The 18-minute title track by Richard Harvey took up one whole side of the original LP, and incorporated medieval, baroque, and classical-era influences in its structure. That track is probably what attracted Yes (and, more specifically, Steve Howe) to the group in time for them to be booked as an opening act on the progressive rock supergroup's 1975 tour. The tempo changes come just often enough to keep the material from being remotely stilted or boring, and the radical shifts in dynamics make this a rather sonically impressive piece -- and the melodies are gorgeous. The resulting album is a strange brand of "progressive folk," never veering too far from traditional English and European source material, but played within structures as appropriate to the concert hall as they were to the club or the pub. New member Philip Nestor (bass, vocals) added considerably to the weightiness of the band's sound. For an unofficial member, organist Ernest Hart (who would join on the next album) plays a surprisingly important and visible role here, vastly expanding the range of their sound so that Gryphon seems like it can fill a full-sized concert hall. The shorter vocal piece "The Ploughboy's Dream" is also handled on a far more sophisticated level than the work on the first album. Amazingly, the highlight may be the closer, a hybrid folk/rock/classical instrumental called "Ethelion," which showcases each member's major instruments (including one of the most delectable and appropriate drum solos in rock music history).

© Bruce Eder /TiVo

Weitere Informationen

Midnight Mushrumps

Gryphon

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 14.99 CHF/Monat

1
Midnight Mushrumps
00:19:06

Richard Harvey, Keyboards, Mandolin, Organ, Additional Recorder, Vocals, Crumhorn, Harmonium - Gryphon, Composer, MainArtist - Graeme Taylor, Guitar, Vocals - Brian Gulland, Bassoon, Additional Recorder, Vocals, Crumhorn - Dave Oberlé, Drums, Percussion, Timpani, Lead Vocals - Phillip Nestor, Bass Guitar, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1974 Sanctuary Records Group Ltd., a BMG Company

2
The Ploughboy's Dream
00:03:04

Richard Harvey, Keyboards, Mandolin, Organ, Additional Recorder, Vocals, Crumhorn, Harmonium - Gryphon, Composer, Performance, MainArtist - Graeme Taylor, Guitar, Vocals - Brian Gulland, Bassoon, Additional Recorder, Vocals, Crumhorn - Dave Oberlé, Drums, Percussion, Timpani, Lead Vocals - Phillip Nestor, Bass Guitar, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1974 Sanctuary Records Group Ltd., a BMG Company

3
The Last Flash of Gaberdine Taylor
00:03:56

Richard Harvey, Keyboards, Mandolin, Organ, Additional Recorder, Vocals, Crumhorn, Harmonium - Gryphon, Composer, MainArtist - Graeme Taylor, Guitar, Vocals - Brian Gulland, Bassoon, Additional Recorder, Vocals, Crumhorn - Dave Oberlé, Drums, Percussion, Timpani, Lead Vocals - Phillip Nestor, Bass Guitar, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1974 Sanctuary Records Group Ltd., a BMG Company

4
Gulland Rock
00:05:19

Richard Harvey, Keyboards, Mandolin, Organ, Additional Recorder, Vocals, Crumhorn, Harmonium - Gryphon, Composer, MainArtist - Graeme Taylor, Guitar, Vocals - Brian Gulland, Bassoon, Additional Recorder, Vocals, Crumhorn - Dave Oberlé, Drums, Percussion, Timpani, Lead Vocals - Phillip Nestor, Bass Guitar, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1974 Sanctuary Records Group Ltd., a BMG Company

5
Dubbel Dutch
00:05:35

Richard Harvey, Keyboards, Mandolin, Organ, Additional Recorder, Vocals, Crumhorn, Harmonium - Gryphon, Composer, MainArtist - Graeme Taylor, Guitar, Vocals - Brian Gulland, Bassoon, Additional Recorder, Vocals, Crumhorn - Dave Oberlé, Drums, Percussion, Timpani, Lead Vocals - Phillip Nestor, Bass Guitar, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1974 Sanctuary Records Group Ltd., a BMG Company

6
Ethelion
00:05:17

Richard Harvey, Keyboards, Mandolin, Organ, Additional Recorder, Vocals, Crumhorn, Harmonium - Gryphon, Composer, MainArtist - Graeme Taylor, Guitar, Vocals - Brian Gulland, Bassoon, Additional Recorder, Vocals, Crumhorn - Dave Oberlé, Drums, Percussion, Timpani, Lead Vocals - Phillip Nestor, Bass Guitar, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1974 Sanctuary Records Group Ltd., a BMG Company

Albumbeschreibung

The group was still doing some folk-type vocal numbers on this, their second album, but it was clearly moving in the direction of progressive rock. The 18-minute title track by Richard Harvey took up one whole side of the original LP, and incorporated medieval, baroque, and classical-era influences in its structure. That track is probably what attracted Yes (and, more specifically, Steve Howe) to the group in time for them to be booked as an opening act on the progressive rock supergroup's 1975 tour. The tempo changes come just often enough to keep the material from being remotely stilted or boring, and the radical shifts in dynamics make this a rather sonically impressive piece -- and the melodies are gorgeous. The resulting album is a strange brand of "progressive folk," never veering too far from traditional English and European source material, but played within structures as appropriate to the concert hall as they were to the club or the pub. New member Philip Nestor (bass, vocals) added considerably to the weightiness of the band's sound. For an unofficial member, organist Ernest Hart (who would join on the next album) plays a surprisingly important and visible role here, vastly expanding the range of their sound so that Gryphon seems like it can fill a full-sized concert hall. The shorter vocal piece "The Ploughboy's Dream" is also handled on a far more sophisticated level than the work on the first album. Amazingly, the highlight may be the closer, a hybrid folk/rock/classical instrumental called "Ethelion," which showcases each member's major instruments (including one of the most delectable and appropriate drum solos in rock music history).

© Bruce Eder /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

The Studio Albums 2009 – 2018

Mark Knopfler

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Mehr auf Qobuz
Von Gryphon

Raindance

Gryphon

Raindance Gryphon

Life Ain't Fair

Gryphon

Life Ain't Fair Gryphon

WubTalk

Gryphon

WubTalk Gryphon

Gryphon

Gryphon

Gryphon Gryphon

Red Queen to Gryphon Three

Gryphon

Das könnte Ihnen auch gefallen...

War Of Being

TesseracT

War Of Being TesseracT

Emerson, Lake & Palmer

Emerson, Lake & Palmer

Emerson, Lake & Palmer Emerson, Lake & Palmer

True Live Crime

RPWL

Misplaced Childhood

Marillion

Wet Dream

Richard Wright

Wet Dream Richard Wright