Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Maybe the 2000 presidential election had energized him, but Tim Wilson is more belligerently right-wing than usual on I Should've Married My Father-in-Law. The sexism and racism in which he generally indulges are present, but they take a back seat to his interest in taking potshots at liberal Democrats here. An aspiring country singer with an abysmal voice, Wilson devotes ten out of 23 tracks and more than half of the album's running time to his satiric songs, among them "Hollywood," which posits that reactionary would-be actors had better become liberals if they're going to make it in the movies (who does he have in mind, himself?), and "Brady Bill (Gunfighter Without a Gun)," a boneheaded attack on gun control. "You ever notice the people who are against guns are the people that oughta be shot?," he asks in one of the standup segments, and then cites an example, Rosie O'Donnell, speculating about how much firepower would be necessary to take the portly talk-show host down. Though he professes not to be a Republican, the most criticism he can muster for the Grand Old Party is to make fun of South Carolina Senator Strom Thurmond's age. (Thurmond's politics don't bother him, of course.) Wilson laces his remarks with four-letter words, all of which are bleeped out, though it's obvious what he's saying, thus sparing his album a parental advisory sticker and making these tracks ready for morning "zoo" radio play, where they doubtless got their widest dissemination. But though he frequently succeeds in being offensive, Wilson is only occasionally funny. He seems to think that if you substitute a few words in "Stairway to Heaven" and sing it badly, the result will be hilarious instead of embarrassing. Wrong.
© William Ruhlmann /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Bonnie Bramlett, Vocals, AssociatedPerformer - Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer - Chris DiPetta, Composer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Robert Plant, Composer - Jimmy Page, Composer - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Producer, MainArtist - Tom Becci, Producer, Executive Producer - Sean Burke, Drums, AssociatedPerformer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer
(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Albumbeschreibung
Maybe the 2000 presidential election had energized him, but Tim Wilson is more belligerently right-wing than usual on I Should've Married My Father-in-Law. The sexism and racism in which he generally indulges are present, but they take a back seat to his interest in taking potshots at liberal Democrats here. An aspiring country singer with an abysmal voice, Wilson devotes ten out of 23 tracks and more than half of the album's running time to his satiric songs, among them "Hollywood," which posits that reactionary would-be actors had better become liberals if they're going to make it in the movies (who does he have in mind, himself?), and "Brady Bill (Gunfighter Without a Gun)," a boneheaded attack on gun control. "You ever notice the people who are against guns are the people that oughta be shot?," he asks in one of the standup segments, and then cites an example, Rosie O'Donnell, speculating about how much firepower would be necessary to take the portly talk-show host down. Though he professes not to be a Republican, the most criticism he can muster for the Grand Old Party is to make fun of South Carolina Senator Strom Thurmond's age. (Thurmond's politics don't bother him, of course.) Wilson laces his remarks with four-letter words, all of which are bleeped out, though it's obvious what he's saying, thus sparing his album a parental advisory sticker and making these tracks ready for morning "zoo" radio play, where they doubtless got their widest dissemination. But though he frequently succeeds in being offensive, Wilson is only occasionally funny. He seems to think that if you substitute a few words in "Stairway to Heaven" and sing it badly, the result will be hilarious instead of embarrassing. Wrong.
© William Ruhlmann /TiVo
Informationen zu dem Album
- 1 Disc(s) - 23 Track(s)
- Gesamte Laufzeit: 00:44:26
- Künstler: Tim Wilson
- Komponist: Various Composers
- Label: Capitol Nashville
- Genre: Hörbücher Humor
© 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.