Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Natalie Dessay|Haendel : Arias for Cleopatra from 'Giulio Cesare'

Haendel : Arias for Cleopatra from 'Giulio Cesare'

Natalie Dessay, Le Concert d`Astrée, Emmanuelle Haïm

Digitales Booklet

Verfügbar in
logo Hi-Res
24-Bit 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

The fact that the role of Handel's Cleopatra includes enough music to fill out a CD, and that, combined with the music's demands for immense virtuosity and versatility, makes it a daunting challenge and Natalie Dessay is impressive in her account of these excerpts. Dessay's singing is not entirely consistent throughout the album, recorded in 2010, whether because some arias are simply better suited to her voice than others, or because she was not at her best for some of the recording sessions. While the agility and precision of her coloratura are always intact, in some selections, such as the arias "Tutto può donna vezzosa," and "Venere bella," Dessay's voice sounds lighter than it does on albums from earlier in her career, and even a little breathy in her lower register. In other arias, though, she conveys the remarkable fullness and purity for which she is renowned. "Se pieta di me non senti" is breathtaking; her gleaming tone is practically voluptuous and she spins lines of miraculously velvety smoothness and searing emotional intensity. "Piangerò la sorte mia" and the substitution aria "Per dar vita all'idol mio" are other highlights that showcase Dessay at her most vocally and dramatically dazzling. Mezzo-soprano Sonia Prina as Caesar is a capable partner for Dessay in several recitatives and the duet, "Caro! Bella!" Emmanuelle Haïm and Le Concert d'Astrée, frequent collaborators with Dessay, bring their characteristic finesse, spirited intelligence, and dramatic urgency to the music, and the realizations of the continuo parts are especially inventive. Virgin Classics' sound is exceptionally vivid and present, with good balance.
© TiVo

Weitere Informationen

Haendel : Arias for Cleopatra from 'Giulio Cesare'

Natalie Dessay

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 70 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 70 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

Giulio Cesare in Egitto, HWV 17 (Georg Friedrich Händel)

1
Ouverture
Emmanuelle Haïm
00:02:41

Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

2
Atto primo - Scene 7 : Tutto può donna vezzosa (Cleopatra)
Natalie Dessay
00:04:57

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

3
Atto secondo - Scene 2 : Taci ! Che fia ? (Cesare, Nireno)
Emmanuelle Haïm
00:01:46

Sonia Prina, Contralto (Giulio Cesare) - Stephen Wallace, Countertenor (Nireno) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

4
Atto secondo - Scene 2 : V'adoro, pupille (Cleopatra)
Natalie Dessay
00:05:05

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

5
Atto secondo - Scene 7 : Esser qui deve in breve (Cleopatra)
Natalie Dessay
00:00:34

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

6
Atto secondo - Scene 7 : Venere bella (Cleopatra)
Natalie Dessay
00:05:02

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

7
Atto secondo - Scene 8 : Che sento ? Oh dio ! (Cleopatra)
Natalie Dessay
00:00:49

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

8
Atto secondo - Scene 8 : Se pietà di me non senti (Cleopatra)
Natalie Dessay
00:09:08

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company A Warner Classics/Erato release, ℗ 2011 Parlophone Records Limited

9
Atto secondo - Scene 8 : Per dar vita all'idol mio (Cleopatra)
Natalie Dessay
00:03:57

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

10
Sinfonia
Emmanuelle Haïm
00:01:11

Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

11
Atto terzo - Scene 3 : E pur così in un giorno (Cleopatra)
Natalie Dessay
00:00:37

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

12
Act 3 Scene 3 : No. 35, Aria, Piangerò la sorte mia" (Cleopatra)
Natalie Dessay
00:06:29

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company A Warner Classics/Erato release, ℗ 2011 Parlophone Records Limited

13
Atto terzo - Scene 3 : Troppo crudeli siete (Cleopatra)
Natalie Dessay
00:06:20

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

14
Atto terzo - Scene 7: Voi che mie fide ancelle (Cleopatra)
Natalie Dessay
00:01:41

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

15
Atto terzo - Scene 7 : Forzai l'ingresso a tua salvezza, o cara ! (Cesare, Cleopatra)
Emmanuelle Haïm
00:00:45

Sonia Prina, Contralto (Giulio Cesare) - Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

16
Atto terzo - Scene 7 : Da tempeste il legno infranto (Cleopatra)
Natalie Dessay
00:05:54

Natalie Dessay, Soprano (Cleopatra) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company A Warner Classics/Erato release, ℗ 2011 Parlophone Records Limited

17
Sinfonia
Emmanuelle Haïm
00:02:45

Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

18
Atto terzo - Scene ultima : Bellissima Cleopatra (Cesare, Cleopatra)
Emmanuelle Haïm
00:00:43

Natalie Dessay, Soprano (Cleopatra) - Sonia Prina, Contralto (Giulio Cesare) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Erato/Warner Classics, Warner Music UK Ltd

19
Act 3 : "Caro ! Bella !" (Cleopatra, Giulio Cesare)
Natalie Dessay
00:04:56

Natalie Dessay, Soprano (Cleopatra) - Sonia Prina, Contralto (Giulio Cesare) - Le Concert d'Astrée - Emmanuelle Haïm, Conductor - Georg Friedrich Händel, Composer

© 2011 Erato/Warner Classics, Warner Music UK Ltd. A Warner Music Group Company ℗ 2011 Parlophone Records Limited, a Warner Music Group Company

Albumbeschreibung

The fact that the role of Handel's Cleopatra includes enough music to fill out a CD, and that, combined with the music's demands for immense virtuosity and versatility, makes it a daunting challenge and Natalie Dessay is impressive in her account of these excerpts. Dessay's singing is not entirely consistent throughout the album, recorded in 2010, whether because some arias are simply better suited to her voice than others, or because she was not at her best for some of the recording sessions. While the agility and precision of her coloratura are always intact, in some selections, such as the arias "Tutto può donna vezzosa," and "Venere bella," Dessay's voice sounds lighter than it does on albums from earlier in her career, and even a little breathy in her lower register. In other arias, though, she conveys the remarkable fullness and purity for which she is renowned. "Se pieta di me non senti" is breathtaking; her gleaming tone is practically voluptuous and she spins lines of miraculously velvety smoothness and searing emotional intensity. "Piangerò la sorte mia" and the substitution aria "Per dar vita all'idol mio" are other highlights that showcase Dessay at her most vocally and dramatically dazzling. Mezzo-soprano Sonia Prina as Caesar is a capable partner for Dessay in several recitatives and the duet, "Caro! Bella!" Emmanuelle Haïm and Le Concert d'Astrée, frequent collaborators with Dessay, bring their characteristic finesse, spirited intelligence, and dramatic urgency to the music, and the realizations of the continuo parts are especially inventive. Virgin Classics' sound is exceptionally vivid and present, with good balance.
© TiVo

Informationen zu dem Album

Auszeichnungen:

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Nevermind

Nirvana

Nevermind Nirvana

Back To Black

Amy Winehouse

Back To Black Amy Winehouse

Songs From The Big Chair

Tears For Fears

Songs From The Big Chair Tears For Fears

Eliminator

ZZ Top

Eliminator ZZ Top
Mehr auf Qobuz
Von Natalie Dessay

Natalie Dessay à l'opéra

Natalie Dessay

Nougaro : Sur l'écran noir de mes nuits blanches

Natalie Dessay

Entre elle et lui

Natalie Dessay

Entre elle et lui Natalie Dessay

Lakme Dessay Plasson

Natalie Dessay

Lakme Dessay Plasson Natalie Dessay

Baroque

Natalie Dessay

Baroque Natalie Dessay
Das könnte Ihnen auch gefallen...

Vivaldi : Arie e cantate per contralto

Delphine Galou

Pure Maria Callas - Callas Remastered

Maria Callas

Antonio Vivaldi

Cecilia Bartoli

Antonio Vivaldi Cecilia Bartoli

Prologue (Monteverdi, Caccini, Cavalli, Landi, Rossi...)

Francesca Aspromonte

Nicola Porpora : Opera Arias

Max Emanuel Cencic

Nicola Porpora : Opera Arias Max Emanuel Cencic
Panorama-Artikel...
10 Alben mit Jonas Kaufmann

Als gut aussehender romantischer Liebhaber hat der deutsche Sänger Jonas Kaufmann das Bild des Operntenors modernisiert, der oft als ewiger Schmierenkomödiant betrachtet wird. Neben einer kraftvollen und vielseitigen Stimme verfügt Jonas Kaufmann über ein riesiges Repertoire in mehreren Sprachen und fühlt sich in Opern von Wagner ebenso wie von Verdi oder Puccini wohl. Er ist ebenfalls ein ausgezeichneter Interpret von Liedern oder französischen Opern. Als großer Bewunderer von Fritz Wunderlich sang er zu Beginn seiner Karriere ganz klassisch in Ensembles an kleinen deutschen Theatern, bevor er sich auf eigene Füße stellte und eine phänomenale Karriere verfolgte. Nach einem aufgrund eines Hämatoms an den Stimmbändern chaotischen Jahr 2017 wirkt Jonas Kaufmann völlig erholt und arbeitet an vielen Projekten. Qobuz gibt in 10 Alben einen Überblick über seine Karriere.

Angela Gheorghiu. Die Frau, ihre Karriere, ihre Aufnahmen.

Charmant, witzig, verschmitzt, offen, so haben wir Angela Gheorghiu erlebt, als Qobuz sie anlässlich der Erscheinung ihres letzten Albums in Palermo besucht hatte. Mit Gerüchten sollte man vorsichtig sein, vor allem mit solchen, die in der Gheorghiu nur eine launische Harpyie sehen. Sie ist vielmehr eine Frau, die über ihr Image nachdenkt… und ihr Bestes geben will. Mit ihrer neuesten Veröffentlichung begibt sie sich auf eine Reise der Liebe in die unterschiedlichsten Länder…

Die Rivalen: Händel und Porpora in London

Nach der neuesten Veröffentlichung der Oper "Germanico in Germania" von Nicola Porpora setzt der Countertenor Max Emanuel Cencic seine Hommage an Nicola Porpora mit einem Rezital-Album fort, aufgenommen mit dem Ensemble Armonia Atenea unter der Leitung von George Petrou. In diesem bisher unveröffentlichten Artikel bringt er die wilde Rivalität zwischen Nicola Porpora und Georg Friedrich Händel während ihrer Zeit in London zur Sprache...

Aktuelles...