Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

R.E.M. - Document (The I.R.S. Years Vintage 1987)

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Document (The I.R.S. Years Vintage 1987)

R.E.M.

Verfügbar in
16-Bit CD Quality 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt -- who would go on to produce every R.E.M. album in the following decade -- is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger. In other words, it's not only a commercial breakthrough, but a creative breakthrough as well, offering evidence of R.E.M.'s growing depth and maturity, and helping usher in the P.C. era in the process.
© Stephen Thomas Erlewine /TiVo

Weitere Informationen

Document (The I.R.S. Years Vintage 1987)

R.E.M.

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 70 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 70 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
Finest Worksong
00:03:49

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

2
Welcome To The Occupation
00:02:47

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

3
Exhuming McCarthy
00:03:20

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

4
Disturbance At The Heron House
00:03:32

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

5
Strange
00:02:32

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

6
It's The End Of The World As We Know It (And I Feel Fine)
00:04:05

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

7
The One I Love
00:03:16

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records Inc.

8
Fireplace
00:03:23

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

9
Lightnin' Hopkins
00:03:20

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

10
King Of Birds
00:04:09

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

11
Oddfellows Local 151
00:05:21

R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

12
Finest Worksong (Other Mix)
00:03:46

R.E.M., Producer - Scott Litt, Producer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

13
Last Date
00:02:16

R.E.M., Main Artist

(C) 1993 Capitol Records, Inc. ℗ 1993 Capitol Records, LLC

14
The One I Love (Live/1987)
00:04:05

R.E.M., Main Artist - Geoff Gans, Guitar

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC. All rights reserved.

15
Medley: Time After Time/Red Rain/So. Central Rain (I'm Sorry) (Live From Vara Radio, Utrecht, Holland/1987)
00:08:22

R.E.M., Main Artist

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

16
Disturbance At The Heron House (Live At McCabes Guitar Shop/1987)
00:03:26

R.E.M., Main Artist

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

17
Finest Worksong (Lengthy Club Mix)
00:05:51

R.E.M., Producer - Scott Litt, Producer

(C) 1993 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC

Albumbeschreibung

R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt -- who would go on to produce every R.E.M. album in the following decade -- is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger. In other words, it's not only a commercial breakthrough, but a creative breakthrough as well, offering evidence of R.E.M.'s growing depth and maturity, and helping usher in the P.C. era in the process.
© Stephen Thomas Erlewine /TiVo

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Crime Of The Century [2014 - HD Remaster]

Supertramp

Aqualung

Jethro Tull

Aqualung Jethro Tull

Thick as a Brick

Jethro Tull

Thick as a Brick Jethro Tull

Misplaced Childhood

Marillion

Mehr auf Qobuz
Von R.E.M.

Radio Free Europe

R.E.M.

Automatic For The People (25th Anniversary Edition)

R.E.M.

Out Of Time (25th Anniversary Edition)

R.E.M.

Automatic For The People

R.E.M.

In Time: The Best Of R.E.M. 1988-2003

R.E.M.

Playlists

Das könnte Ihnen auch gefallen...

Solar Power

Lorde

Solar Power Lorde

Happier Than Ever (Explicit)

Billie Eilish

evermore (Explicit)

Taylor Swift

evermore (Explicit) Taylor Swift

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

Terra Firma

Tash Sultana

Terra Firma Tash Sultana
Panorama-Artikel...
Der Grunge in 10 Alben

Vor dreißig Jahren wurde Seattle zu DER Hauptstadt des Rock. Dies lag am Grunge. Dieser “schmutzige” Stil und diese “Scheiß drauf”-Einstellung, die den Spuren des Punk, Heavy Metal und Alternativ folgte, schlug wie ein Blitz in den Underground ein und wurde zu einem Welterfolg. In den 90er Jahren erstickte dieses Genre, das von einem System zu schnell verneint wurde, in seiner eigenen Karikatur. Ein Rückblick auf zehn repräsentative Alben.

Nirvana, Ende des Rock…

34 Jahre ist es her, dass Nirvana, dieser total unerwartete Schlenker der Punkbewegung, am Ende des 20. Jahrhunderts das Licht der Welt erblickte. Blitzkarriere, internationale Hits, Fans in rauen Mengen und tragisches Nachspiel für einen in aller Welt bekannten Sonderling. Die Band von Kurt Cobain war vielleicht ganz einfach die letzte Rockgruppe der Geschichte. Das allerletzte derartige Phänomen einer ganzen Generation, wenn nicht sogar ihr letzter Mythos.

Jack White, Retter des Rock

Egal, ob mit den White Stripes oder als Solokünstler, Jack White hat alle Etappen des Rock miterlebt, auch die schwierigen. Das Genie prophezeit mit seinen tausend Projekten: Rockmusik wird energiegeladen zurückkommen. Und bis das geschehen soll, nehmen wir das Phänomen White noch einmal genauer unter die Lupe.

Aktuelles...