Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Alexander Melnikov - Dimitri Chostakovitch : Concertos pour piano - Sonate pour violon

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Dimitri Chostakovitch : Concertos pour piano - Sonate pour violon

Alexander Melnikov - Mahler Chamber Orchestra & Teodor Currentzis - Isabelle Faust

Digitales Booklet

Verfügbar in
logo Hi-Res
24-Bit 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

The programming of this recording by Alexander Melnikov seems to be no accident. The two large, witty, outward-looking piano concertos surround the more grave, inward-facing Violin Sonata the way a sonata's or concerto's two fast movements surround a slow movement. It's also a real reflection of Melnikov as a performer, schooled in the Russian tradition and mentored by Richter (the pianist of the first public performance of the Violin Sonata), who is as comfortable as a soloist as he is as a collaborative pianist playing chamber music. In that regard, Melnikov and Faust make their parts of the sonata equal partners in the music, bringing out the smallest details. It is generally held that the sonata is about death, and these two handle it with intensity and seriousness, but do not make it grim or frightful. In the concertos, Melnikov and conductor Teodor Currentzis are also well matched. In the slow movements, especially of the Concerto No. 2, Melnikov's touch is so soft and phrasing so lyrical as to give the music a sweetness normally associated with a Rachmaninov or Ravel concerto, and Currentzis follows his lead. The animation in the fast movements, where Shostakovich likes to use rapidly repeated notes, is not pointedly sharp, but is impressive and extremely engaging nonetheless. The finale of Concerto No. 1, when everyone -- including the very precise trumpeter Jeroen Berwaerts -- gets going together is almost precipitously exciting. Yet it is Melnikov's sensitivity of touch that distinguishes his performance of these works from others'.
© TiVo

Weitere Informationen

Dimitri Chostakovitch : Concertos pour piano - Sonate pour violon

Alexander Melnikov

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 70 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 70 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
I. Allegro
Mahler Chamber Orchestra
00:07:10

Alexander Melnikov, Primary - Mahler Chamber Orchestra, Primary - Teodor Currentzis, Primary - Dmitri Shostakovich, Composer - Teodor Currentzis, Conductor - Mahler Chamber Orchestra, Orchestra

2012 harmonia mundi France

2
II. Andante
Alexander Melnikov
00:07:42

Alexander Melnikov, Primary - Mahler Chamber Orchestra, Primary - Teodor Currentzis, Primary - Dmitri Shostakovich, Composer - Teodor Currentzis, Conductor - Mahler Chamber Orchestra, Orchestra

2012 harmonia mundi France

3
III. Allegro
Malher Chamber Orchestra
00:05:40

Alexander Melnikov, Primary - Mahler Chamber Orchestra, Primary - Teodor Currentzis, Primary - Dmitri Shostakovich, Composer - Teodor Currentzis, Conductor - Malher Chamber Orchestra, Orchestra

2012 harmonia mundi France

4
I. Andante
Isabelle Faust
00:10:32

Alexander Melnikov, Primary - Isabelle Faust, Primary - Dmitri Shostakovich, Composer

2012 harmonia mundi France

5
II. Allegretto
Isabelle Faust
00:06:43

Alexander Melnikov, Primary - Isabelle Faust, Primary - Dmitri Shostakovich, Composer

2012 harmonia mundi France

6
III. Largo
Alexander Melnikov
00:13:59

Alexander Melnikov, Primary - Isabelle Faust, Primary - Dmitri Shostakovich, Composer

2012 harmonia mundi France

7
I. Allegro moderato
Mahler Chamber Orchestra
00:05:56

Alexander Melnikov, Primary - Jeroen Berwaerts, Primary - Teodor Currentzis, Primary - Mahler Chamber Orchestra, Primary - Dmitri Shostakovich, Composer - Teodor Currentzis, Conductor - Mahler Chamber Orchestra, Orchestra

2012 harmonia mundi France

8
II. Lento
Jeroen Berwaerts
00:08:30

Alexander Melnikov, Primary - Jeroen Berwaerts, Primary - Teodor Currentzis, Primary - Mahler Chamber Orchestra, Primary - Dmitri Shostakovich, Composer - Teodor Currentzis, Conductor - Mahler Chamber Orchestra, Orchestra

2012 harmonia mundi France

9
III. Moderato
Jeroen Berwaerts
00:01:27

Alexander Melnikov, Primary - Teodor Currentzis, Primary - Jeroen Berwaerts, Primary - Mahler Chamber Orchestra, Primary - Dmitri Shostakovich, Composer - Teodor Currentzis, Conductor - Mahler Chamber Orchestra, Orchestra

2012 harmonia mundi France

10
IV. Allegro con brio
Mahler Chamber Orchestra
00:06:25

Alexander Melnikov, Primary - Jeroen Berwaerts, Primary - Teodor Currentzis, Primary - Mahler Chamber Orchestra, Primary - Dmitri Shostakovich, Composer - Teodor Currentzis, Conductor - Mahler Chamber Orchestra, Orchestra

2012 harmonia mundi France

Albumbeschreibung

The programming of this recording by Alexander Melnikov seems to be no accident. The two large, witty, outward-looking piano concertos surround the more grave, inward-facing Violin Sonata the way a sonata's or concerto's two fast movements surround a slow movement. It's also a real reflection of Melnikov as a performer, schooled in the Russian tradition and mentored by Richter (the pianist of the first public performance of the Violin Sonata), who is as comfortable as a soloist as he is as a collaborative pianist playing chamber music. In that regard, Melnikov and Faust make their parts of the sonata equal partners in the music, bringing out the smallest details. It is generally held that the sonata is about death, and these two handle it with intensity and seriousness, but do not make it grim or frightful. In the concertos, Melnikov and conductor Teodor Currentzis are also well matched. In the slow movements, especially of the Concerto No. 2, Melnikov's touch is so soft and phrasing so lyrical as to give the music a sweetness normally associated with a Rachmaninov or Ravel concerto, and Currentzis follows his lead. The animation in the fast movements, where Shostakovich likes to use rapidly repeated notes, is not pointedly sharp, but is impressive and extremely engaging nonetheless. The finale of Concerto No. 1, when everyone -- including the very precise trumpeter Jeroen Berwaerts -- gets going together is almost precipitously exciting. Yet it is Melnikov's sensitivity of touch that distinguishes his performance of these works from others'.
© TiVo

Informationen zu dem Album

Auszeichnungen:

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Aqualung

Jethro Tull

Aqualung Jethro Tull

Crime Of The Century [2014 - HD Remaster]

Supertramp

Thick as a Brick

Jethro Tull

Thick as a Brick Jethro Tull

Misplaced Childhood

Marillion

Mehr auf Qobuz
Von Alexander Melnikov

Johannes Brahms: Piano Concerto No. 1 & Tragic Overture - Cherubini: Éliza (Overture)

Alexander Melnikov

Schumann : Piano Concerto, Piano Trio Op. 80

Alexander Melnikov

Debussy : Préludes du 2e Livre, La Mer

Alexander Melnikov

Prokofiev : Piano Sonatas, Vol. 2 (Nos 4, 7, 9)

Alexander Melnikov

Four pianos, Four Pieces

Alexander Melnikov

Four pianos, Four Pieces Alexander Melnikov

Playlists

Das könnte Ihnen auch gefallen...

Chopin: Complete Nocturnes

Jan Lisiecki

Schubert: Winterreise

Mark Padmore

Schubert: Winterreise Mark Padmore

Souvenirs d'Italie

Maurice Steger

Souvenirs d'Italie Maurice Steger

El Nour

Fatma Said

El Nour Fatma Said

Exiles

Max Richter

Exiles Max Richter
Panorama-Artikel...
Filmkomponisten - Bombast und Sanftmut

Ohne Musik wären die meisten Filme nur halb so spannend oder berührend. Deswegen sind erfolgreiche Filmkomponisten wie John Williams und Hans Zimmer gerade in Hollywood sehr gefragt.

Komponistinnen, diese Unbekannten

In der Geschichte der Musik gibt es, seit der antiken griechischen Dichterin Sappho, zahlreiche Komponistinnen, die der ausschließlich männlichen und oft sehr chauvinistischen Welt der Komponisten - die noch heute unsere Vorstellung und Wertschätzung der westlichen klassischen Musik prägen - Nuancierungen hinzugefügt haben. Ein Rückblick in die Geschichten begabter Frauen, die allzu oft ignoriert worden sind.

Philippe Jaroussky - "Ich bin eher Musiker als Sänger"

Philippe Jaroussky ist nicht erst seit der Eröffnung der Elbphilharmonie der wohl bekannteste Countertenor der Gegenwart. Im Interview spricht er über den näher kommenden Abschied vom Singen – und warum Countertenöre immer noch Außenseiter sind.

Aktuelles...