Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Released in the summer of 1968 -- a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place -- weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" -- the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of "Susie Q," the backward guitars on "Gloomy," and the directionless, awkward jamming that concludes "Walking on the Water." Still, the band's sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp. Fogerty's songwriting is a little tentative. Not for nothing were two of the three singles pulled from the album covers (Dale Hawkins' "Susie Q," Screamin' Jay Hawkins' "I Put a Spell on You") -- he wasn't an accomplished tunesmith yet. Though "The Working Man" isn't bad, the true exception is that third single, "Porterville," an exceptional song with great hooks, an underlying sense of menace, and the first inkling of the working-class rage that fueled such landmarks as "Fortunate Son." It's the song that points the way to the breakthrough of Bayou Country, but the rest of the album shouldn't be dismissed, because judged simply against the rock & roll of its time, it rises above its peers.
© Stephen Thomas Erlewine /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Jay Hawkins, ComposerLyricist - Creedence Clearwater Revival, MainArtist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
John Fogerty, ComposerLyricist - Creedence Clearwater Revival, MainArtist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
Dale Hawkins, ComposerLyricist - Eleanor Broadwater, ComposerLyricist - Stanley J. Lewis, ComposerLyricist - Creedence Clearwater Revival, MainArtist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
Steve Cropper, ComposerLyricist - Wilson Pickett Jr., ComposerLyricist - Creedence Clearwater Revival, MainArtist - Eddie Lee Floyd, ComposerLyricist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
John Fogerty, ComposerLyricist - Creedence Clearwater Revival, MainArtist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
John Fogerty, ComposerLyricist - Creedence Clearwater Revival, MainArtist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
John Fogerty, ComposerLyricist - Creedence Clearwater Revival, MainArtist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
John Fogerty, ComposerLyricist - Creedence Clearwater Revival, MainArtist - Thomas Richard Fogerty, ComposerLyricist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
John Fogerty, ComposerLyricist - Creedence Clearwater Revival, MainArtist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
ELLAS MCDANIEL, ComposerLyricist - Creedence Clearwater Revival, MainArtist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
Wilson Pickett, Composer - Steve Cropper, Composer - Creedence Clearwater Revival, MainArtist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
Dale Hawkins, Composer - Eleanor Broadwater, Composer - Stanley J. Lewis, Composer - Creedence Clearwater Revival, MainArtist - Saul Zaentz, Producer
℗ 2008 Fantasy, Inc.
Albumbeschreibung
Released in the summer of 1968 -- a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place -- weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" -- the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of "Susie Q," the backward guitars on "Gloomy," and the directionless, awkward jamming that concludes "Walking on the Water." Still, the band's sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp. Fogerty's songwriting is a little tentative. Not for nothing were two of the three singles pulled from the album covers (Dale Hawkins' "Susie Q," Screamin' Jay Hawkins' "I Put a Spell on You") -- he wasn't an accomplished tunesmith yet. Though "The Working Man" isn't bad, the true exception is that third single, "Porterville," an exceptional song with great hooks, an underlying sense of menace, and the first inkling of the working-class rage that fueled such landmarks as "Fortunate Son." It's the song that points the way to the breakthrough of Bayou Country, but the rest of the album shouldn't be dismissed, because judged simply against the rock & roll of its time, it rises above its peers.
© Stephen Thomas Erlewine /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:54:48
- Künstler: Creedence Clearwater Revival
- Komponist: Various Composers
- Label: Craft Recordings
- Genre: Pop/Rock Rock
© 2008 Concord Music Group, Inc. ℗ 2008 Concord Music Group, Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.