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Good Charlotte|Cardiology

Cardiology

Good Charlotte

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Ten years on from their debut, Good Charlotte jumped from Epic to Capitol, but more importantly, they decided to largely abandon the dance-punk nonsense of 2007’s Good Morning Revival for a time-honored back-to-basics move. They’ve returned to the bouncy punk-pop of their earliest years; they’re trying hard not to be blinded by the glittery lights of Hollywood; and they’re writing from the heart, hence the name Cardiology. Old habits do die hard, of course, and so do new ones: it doesn’t take long before the brothers Madden are writing fantasies of how “you’re my Bette Davis/I’m your Cary Grant”; by the end of the record, they’ve had an electronic relapse, dabbling chillouts and electronic rhythms. Ultimately, these are minor backslides in an album that revives the hook-happy punky pogo of Good Charlotte’s first albums while adding the new wrinkles, namely a willingness to indulge in pure power ballads and AAA pop, the latter in the form of the rose-tinted “1979,” an ode to the year of the Madden’s birth. “1979” may pander with its laundry list of classic rock albums, but it has the boldest hook here and is the leanest piece of pop, overshadowing the shellacked attempts to hold onto whatever footing at modern rock radio Good Charlotte still has. Maturity doesn’t necessarily suit the band -- there’s a natural, flat whine to Joel Madden’s voice that dooms him to eternal adolescence -- but every step Good Charlotte makes toward a comfortable middle age on Cardiology is a step that succeeds, producing music that resonates louder and longer than the flashy twaddle of Good Morning Revival.

© Stephen Thomas Erlewine /TiVo

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Cardiology

Good Charlotte

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1
Introduction To Cardiology
00:00:47

Good Charlotte, Programmer, MainArtist - Don Gilmore, Producer - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Mike Cashin, Asst. Recording Engineer, StudioPersonnel

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

2
Let The Music Play
00:04:12

Good Charlotte, MainArtist - Don Gilmore, Producer, Mixer, StudioPersonnel, ComposerLyricist - Ted Jensen, Mastering Engineer, StudioPersonnel - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist - Mike Cashin, Asst. Recording Engineer, StudioPersonnel

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

3
Counting The Days
00:02:51

Good Charlotte, MainArtist - Don Gilmore, Producer - JOHN FELDMANN, ComposerLyricist - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist - Mike Cashin, Asst. Recording Engineer, StudioPersonnel

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

4
Silver Screen Romance
00:03:10

Good Charlotte, MainArtist - Don Gilmore, ComposerLyricist - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

5
Like It's Her Birthday
00:03:30

Good Charlotte, MainArtist - Don Gilmore, ComposerLyricist - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC.

6
Last Night
00:03:40

Good Charlotte, MainArtist - Don Gilmore, ComposerLyricist - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC.

7
Sex On The Radio
00:03:16

Good Charlotte, Programmer, MainArtist - Sam Hollander, ComposerLyricist - Don Gilmore, Producer - John Hanes, Engineer, StudioPersonnel - Ted Jensen, Mastering Engineer, StudioPersonnel - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist - D. Katz , ComposerLyricist

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

8
Alive
00:03:14

Good Charlotte, Programmer, MainArtist - Don Gilmore, Producer, ComposerLyricist - Ted Jensen, Mastering Engineer, StudioPersonnel - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

9
Standing Ovation
00:03:39

Good Charlotte, Programmer, MainArtist - Don Gilmore, Producer - Ted Jensen, Mastering Engineer, StudioPersonnel - JOHN FELDMANN, ComposerLyricist - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

10
Harlow's Song (Can't Dream Without You)
00:03:34

Good Charlotte, MainArtist - LUKE WALKER, ComposerLyricist - Don Gilmore, Producer - John Hanes, Engineer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - Tim Roberts, Assistant Mixer, StudioPersonnel - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist - Mike Cashin, Asst. Recording Engineer, StudioPersonnel

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

11
Interlude: The Fifth Chamber
00:01:29

Good Charlotte, Programmer, MainArtist - Bart Hendrickson, Programming, AssociatedPerformer - Don Gilmore, Producer, ComposerLyricist - John Hanes, Engineer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - Tim Roberts, Assistant Mixer, StudioPersonnel - Ted Jensen, Mastering Engineer, StudioPersonnel - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

12
1979
00:02:59

Good Charlotte, MainArtist - Don Gilmore, Producer - Matt Squire, ComposerLyricist - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist - Mike Cashin, Asst. Recording Engineer, StudioPersonnel

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

13
There She Goes
00:03:22

Good Charlotte, MainArtist - Don Gilmore, Producer - Detail, ComposerLyricist - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist - Mike Cashin, Asst. Recording Engineer, StudioPersonnel

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

14
Right Where I Belong
00:03:52

Good Charlotte, MainArtist - Don Gilmore, Producer, Mixer, StudioPersonnel - Matt Squire, ComposerLyricist - Ted Jensen, Mastering Engineer, StudioPersonnel - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist - Mike Cashin, Asst. Recording Engineer, StudioPersonnel

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

15
Cardiology
00:02:56

Good Charlotte, MainArtist - LUKE WALKER, ComposerLyricist - Don Gilmore, Producer, Mixer, StudioPersonnel - Ted Jensen, Mastering Engineer, StudioPersonnel - Mark Kiczula, Recording Engineer, StudioPersonnel - Benji Madden, ComposerLyricist - Joel Madden, ComposerLyricist - Mike Cashin, Asst. Recording Engineer, StudioPersonnel

(C) 2010 Capitol Records, LLC ℗ 2010 Capitol Records, LLC

Albumbeschreibung

Ten years on from their debut, Good Charlotte jumped from Epic to Capitol, but more importantly, they decided to largely abandon the dance-punk nonsense of 2007’s Good Morning Revival for a time-honored back-to-basics move. They’ve returned to the bouncy punk-pop of their earliest years; they’re trying hard not to be blinded by the glittery lights of Hollywood; and they’re writing from the heart, hence the name Cardiology. Old habits do die hard, of course, and so do new ones: it doesn’t take long before the brothers Madden are writing fantasies of how “you’re my Bette Davis/I’m your Cary Grant”; by the end of the record, they’ve had an electronic relapse, dabbling chillouts and electronic rhythms. Ultimately, these are minor backslides in an album that revives the hook-happy punky pogo of Good Charlotte’s first albums while adding the new wrinkles, namely a willingness to indulge in pure power ballads and AAA pop, the latter in the form of the rose-tinted “1979,” an ode to the year of the Madden’s birth. “1979” may pander with its laundry list of classic rock albums, but it has the boldest hook here and is the leanest piece of pop, overshadowing the shellacked attempts to hold onto whatever footing at modern rock radio Good Charlotte still has. Maturity doesn’t necessarily suit the band -- there’s a natural, flat whine to Joel Madden’s voice that dooms him to eternal adolescence -- but every step Good Charlotte makes toward a comfortable middle age on Cardiology is a step that succeeds, producing music that resonates louder and longer than the flashy twaddle of Good Morning Revival.

© Stephen Thomas Erlewine /TiVo

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