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Ben Webster|Ben Webster Meets Oscar Peterson

Ben Webster Meets Oscar Peterson

Ben Webster & Oscar Peterson

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Another fine Webster release on Verve that sees the tenor great once again backed by the deluxe Oscar Peterson Trio. In keeping with the high standard of their Soulville collaboration of two years prior, Webster and the trio -- Peterson is joined by bassist Ray Brown and drummer Ed Thigpen -- use this 1959 date to conduct a clinic in ballad playing. And while Soulville certainly ranks as one of the tenor saxophonist's best discs, the Ben Webster Meets Oscar Peterson set gets even higher marks for its almost transcendent marriage of after-hours elegance and effortless mid-tempo swing -- none of Webster's boogie-woogie piano work to break up the mood here. Besides reinvigorating such lithe strollers as "Bye Bye Blackbird" (nice bass work by Brown here) and "This Can't Be Love," Webster and company achieve classic status for their interpretation of the Sinatra gem "In the Wee Small Hours of the Morning." And to reassure Peterson fans worried about scant solo time for their hero, the pianist lays down a healthy number of extended runs, unobtrusively shadowing Webster's vaporous tone and supple phrasing along the way. Not only a definite first-disc choice for Webster newcomers, but one of the jazz legend's all-time great records.

© Stephen Cook /TiVo

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Ben Webster Meets Oscar Peterson

Ben Webster

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1
The Touch Of Your Lips
00:06:20

Ben Webster, Tenor Saxophone, MainArtist, AssociatedPerformer - RAY BROWN, Double Bass, AssociatedPerformer - Ray Noble, ComposerLyricist - Ed Thigpen, Drums, AssociatedPerformer - Oscar Peterson, Piano, MainArtist, AssociatedPerformer - Norman Granz, Producer

℗ 1959 The Verve Music Group, a Division of UMG Recordings, Inc.

2
When Your Lover Has Gone
00:04:00

Einar Aaron Swan, ComposerLyricist - Ben Webster, MainArtist - Oscar Peterson, MainArtist - Norman Granz, Producer

℗ 1959 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Bye Bye Blackbird
00:06:46

Ben Webster, MainArtist - Mort Dixon, Author - Ray Henderson, Composer - Oscar Peterson, MainArtist - Norman Granz, Producer

℗ 1959 The Verve Music Group, a Division of UMG Recordings, Inc.

4
How Deep Is The Ocean (How High Is The Sky)
00:02:36

Ben Webster, MainArtist - Irving Berlin, ComposerLyricist - Oscar Peterson, MainArtist - Russell Garcia, Producer

℗ 1959 The Verve Music Group, a Division of UMG Recordings, Inc.

5
In The Wee Small Hours Of The Morning
00:03:13

Bob Hilliard, Author - Ben Webster, MainArtist - RAY BROWN, Double Bass, AssociatedPerformer - Ed Thigpen, Drums, AssociatedPerformer - Oscar Peterson, MainArtist - David A. Mann, Composer - Norman Granz, Producer

℗ 1959 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Sunday
00:03:58

Chester Conn, ComposerLyricist - Ned Miller, ComposerLyricist - Jule Styne, ComposerLyricist - Ben Webster, MainArtist - Oscar Peterson, MainArtist - Benny Krueger, ComposerLyricist - Norman Granz, Producer

℗ 1959 The Verve Music Group, a Division of UMG Recordings, Inc.

7
This Can't Be Love
00:09:58

Richard Rodgers, Composer - Lorenz Hart, Author - Ben Webster, MainArtist - Oscar Peterson, MainArtist - Norman Granz, Producer

℗ 1959 The Verve Music Group, a Division of UMG Recordings, Inc.

Albumbeschreibung

Another fine Webster release on Verve that sees the tenor great once again backed by the deluxe Oscar Peterson Trio. In keeping with the high standard of their Soulville collaboration of two years prior, Webster and the trio -- Peterson is joined by bassist Ray Brown and drummer Ed Thigpen -- use this 1959 date to conduct a clinic in ballad playing. And while Soulville certainly ranks as one of the tenor saxophonist's best discs, the Ben Webster Meets Oscar Peterson set gets even higher marks for its almost transcendent marriage of after-hours elegance and effortless mid-tempo swing -- none of Webster's boogie-woogie piano work to break up the mood here. Besides reinvigorating such lithe strollers as "Bye Bye Blackbird" (nice bass work by Brown here) and "This Can't Be Love," Webster and company achieve classic status for their interpretation of the Sinatra gem "In the Wee Small Hours of the Morning." And to reassure Peterson fans worried about scant solo time for their hero, the pianist lays down a healthy number of extended runs, unobtrusively shadowing Webster's vaporous tone and supple phrasing along the way. Not only a definite first-disc choice for Webster newcomers, but one of the jazz legend's all-time great records.

© Stephen Cook /TiVo

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