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Masaaki Suzuki - Bach, J.S.: Cantatas, Vol. 38  - Bwv 52, 55, 82, 58

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Bach, J.S.: Cantatas, Vol. 38 - Bwv 52, 55, 82, 58

Masaaki Suzuki

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Classical music listeners who feel they're living in a dry spell would do well to consider that our time has its advantages like any other. The range of ambitious, entirely distinctive recordings of Bach's vocal music would be one -- any of the cantata series going on would be cause for celebration in itself. The cantata recordings of historical-instrument specialist Masaaki Suzuki and his Bach Collegium Japan excel not in the humanistic warmth of a John Eliot Gardiner, but in sheer, chiseled detail that almost makes you feel like you're one of the performers. This set of four essentially nonchoral cantatas (no choir is present here) provides a chance to hear Suzuki in the small-scale environment in which he is arguably at his best: each aria seems to float over a constellation of murmuring instruments, each of which has its place in Bach's cosmos. Suzuki has used various soloists and has been able to intelligently match them with repertoire, and nowhere more so than here. British soprano Carolyn Sampson, even if she clips the final vowel of the word "immerhin" a bit short, is an ideal partner to Suzuki; her voice is not large, but it's plenty attractive and beautifully alert to Suzuki's constantly shifting textures. Bass Peter Kooij is another standout in the title canatata "Ich habe genug, BWV 82" (rendered in the track list as "ich habe genung" and thus denting the steely perfection that is part of the BIS aesthetic). He specializes in just the sort of quietly sensuous, sustained, carefully phrased approach that is Suzuki's hallmark, and the result is a standout performance of that famed cantata. The instrumental passages are virtuoso accomplishments. Hear the opening "Sinfonia" (track 1) of the cantata "Falsche Welt, dir trau ich nict, BWV52," with its natural horns forced down to a preternaturally quiet dynamic level and silkily woven into the texture. BIS recording engineers, working in a specially designed chapel in Suzuki's hometown of Kobe, have delivered another sonic masterpiece. Another low-key triumph from Suzuki that will stand up to numerous hearings.
© TiVo

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Bach, J.S.: Cantatas, Vol. 38 - Bwv 52, 55, 82, 58

Masaaki Suzuki

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Falsche Welt, dir trau ich nicht, BWV 52 (Johann Sebastian Bach)

1
Sinfonia
Carolyn Sampson
00:04:14

Masaaki Suzuki, Conductor - Gerd Turk, tenor - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Peter Kooij, bass - Robin Blaze, alto

(C) 2008 BIS (P) 2008 BIS

2
Recitative. Falsche Welt, dir trau ich nicht! (Soprano)
Carolyn Sampson
00:01:02

Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Gerd Turk, tenor - Masaaki Suzuki, Conductor - Peter Kooij, bass - Robin Blaze, alto

(C) 2008 BIS (P) 2008 BIS

3
Aria. Immerhin, immerhin, wenn ich gleich verstossen bin! (Soprano)
Carolyn Sampson
00:03:26

Masaaki Suzuki, Conductor - Peter Kooij, bass - Robin Blaze, alto - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Gerd Turk, tenor

(C) 2008 BIS (P) 2008 BIS

4
Recitative. Gott ist getreu! (Soprano)
Carolyn Sampson
00:01:13

Masaaki Suzuki, Conductor - Peter Kooij, bass - Masaaki Suzuki, Conductor - Gerd Turk, tenor - Bach Collegium Japan, Orchestra - Robin Blaze, alto

(C) 2008 BIS (P) 2008 BIS

5
Aria. Ich halt es mit dem lieben Gott (Soprano)
Carolyn Sampson
00:03:31

Masaaki Suzuki, Conductor - Gerd Turk, tenor - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Robin Blaze, alto - Peter Kooij, bass

(C) 2008 BIS (P) 2008 BIS

6
Chorale. In dich hab ich gehoffet, Herr (Chorus)
Carolyn Sampson
00:01:01

Masaaki Suzuki, Conductor - Gerd Turk, tenor - Robin Blaze, alto - Bach Collegium Japan, Orchestra - Peter Kooij, bass - Masaaki Suzuki, Conductor

(C) 2008 BIS (P) 2008 BIS

Cantata, BWV 82 (Johann Sebastian Bach)

7
Aria. Ich habe genug (Bass)
Bach Collegium Japan
00:06:54

Masaaki Suzuki, Conductor - Peter Kooij, bass - Masaaki Suzuki, Conductor

(C) 2008 BIS (P) 2008 BIS

8
Recitative. Ich habe genug (Bass)
Bach Collegium Japan
00:01:08

Masaaki Suzuki, Conductor - Masaaki Suzuki, Conductor - Peter Kooij, bass

(C) 2008 BIS (P) 2008 BIS

9
Aria. Schlummert ein, ihr matten Augen (Bass)
Bach Collegium Japan
00:09:55

Masaaki Suzuki, Conductor - Peter Kooij, bass - Masaaki Suzuki, Conductor

(C) 2008 BIS (P) 2008 BIS

10
Recitative. Mein Gott! Wenn kommt das schone: Nun (Bass)
Bach Collegium Japan
00:00:50

Masaaki Suzuki, Conductor - Peter Kooij, bass - Masaaki Suzuki, Conductor

(C) 2008 BIS (P) 2008 BIS

11
Aria. Ich freue mich auf meinen Tod (Bass)
Bach Collegium Japan
00:03:39

Masaaki Suzuki, Conductor - Peter Kooij, bass - Masaaki Suzuki, Conductor

(C) 2008 BIS (P) 2008 BIS

Ich armer Mensch, ich Sundenknecht, BWV 55 (Johann Sebastian Bach)

12
Aria. Ich armer Mensch, ich Sundenknecht (Tenor)
Carolyn Sampson
00:06:06

Masaaki Suzuki, Conductor - Peter Kooij, bass - Robin Blaze, alto - Bach Collegium Japan Chorus, Choir - Masaaki Suzuki, Conductor - Gerd Turk, tenor - Bach Collegium Japan, Orchestra

(C) 2008 BIS (P) 2008 BIS

13
Recitative. Ich habe wider Gott gehandelt (Tenor)
Carolyn Sampson
00:01:32

Masaaki Suzuki, Conductor - Bach Collegium Japan Chorus, Choir - Gerd Turk, tenor - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Robin Blaze, alto - Peter Kooij, bass

(C) 2008 BIS (P) 2008 BIS

14
Aria. Erbarme dich! (Tenor)
Carolyn Sampson
00:04:24

Masaaki Suzuki, Conductor - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Gerd Turk, tenor - Robin Blaze, alto - Bach Collegium Japan Chorus, Choir - Peter Kooij, bass

(C) 2008 BIS (P) 2008 BIS

15
Recitative. Erbarme dich! (Tenor)
Carolyn Sampson
00:01:22

Masaaki Suzuki, Conductor - Robin Blaze, alto - Masaaki Suzuki, Conductor - Bach Collegium Japan Chorus, Choir - Gerd Turk, tenor - Bach Collegium Japan, Orchestra - Peter Kooij, bass

(C) 2008 BIS (P) 2008 BIS

16
Chorale. Bin ich gleich von dir gewichen (Chorus)
Carolyn Sampson
00:01:11

Masaaki Suzuki, Conductor - Gerd Turk, tenor - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Robin Blaze, alto - Bach Collegium Japan Chorus, Choir - Peter Kooij, bass

(C) 2008 BIS (P) 2008 BIS

Ach Gott, wie manches Herzeleid, BWV 58 (Johann Sebastian Bach)

17
Aria with Chorale. Ach Gott, wie manches Herzeleid (Soprano, Bass)
Carolyn Sampson
00:04:48

Masaaki Suzuki, Conductor - Hans-Joachim Drechsler, Conductor - Peter Kooij, bass - Bach Collegium Japan, Orchestra

(C) 2008 BIS (P) 2008 BIS

18
Recitative. Verfolgt dich gleich die arge Welt (Bass)
Carolyn Sampson
00:01:25

Masaaki Suzuki, Conductor - Peter Kooij, bass - Bach Collegium Japan, Orchestra - Hans-Joachim Drechsler, Conductor

(C) 2008 BIS (P) 2008 BIS

19
Aria. Ich bin vergnugt in meinem Leiden (Soprano)
Carolyn Sampson
00:04:22

Masaaki Suzuki, Conductor - Peter Kooij, bass - Bach Collegium Japan, Orchestra - Hans-Joachim Drechsler, Conductor

(C) 2008 BIS (P) 2008 BIS

20
Recitative. Kann es die Welt nicht lassen (Soprano)
Carolyn Sampson
00:01:11

Masaaki Suzuki, Conductor - Peter Kooij, bass - Bach Collegium Japan, Orchestra - Hans-Joachim Drechsler, Conductor

(C) 2008 BIS (P) 2008 BIS

21
Aria with Chorale. Ich hab fur mir ein schwere Reis (Soprano, Bass)
Carolyn Sampson
00:02:35

Masaaki Suzuki, Conductor - Peter Kooij, bass - Hans-Joachim Drechsler, Conductor - Bach Collegium Japan, Orchestra

(C) 2008 BIS (P) 2008 BIS

Albumbeschreibung

Classical music listeners who feel they're living in a dry spell would do well to consider that our time has its advantages like any other. The range of ambitious, entirely distinctive recordings of Bach's vocal music would be one -- any of the cantata series going on would be cause for celebration in itself. The cantata recordings of historical-instrument specialist Masaaki Suzuki and his Bach Collegium Japan excel not in the humanistic warmth of a John Eliot Gardiner, but in sheer, chiseled detail that almost makes you feel like you're one of the performers. This set of four essentially nonchoral cantatas (no choir is present here) provides a chance to hear Suzuki in the small-scale environment in which he is arguably at his best: each aria seems to float over a constellation of murmuring instruments, each of which has its place in Bach's cosmos. Suzuki has used various soloists and has been able to intelligently match them with repertoire, and nowhere more so than here. British soprano Carolyn Sampson, even if she clips the final vowel of the word "immerhin" a bit short, is an ideal partner to Suzuki; her voice is not large, but it's plenty attractive and beautifully alert to Suzuki's constantly shifting textures. Bass Peter Kooij is another standout in the title canatata "Ich habe genug, BWV 82" (rendered in the track list as "ich habe genung" and thus denting the steely perfection that is part of the BIS aesthetic). He specializes in just the sort of quietly sensuous, sustained, carefully phrased approach that is Suzuki's hallmark, and the result is a standout performance of that famed cantata. The instrumental passages are virtuoso accomplishments. Hear the opening "Sinfonia" (track 1) of the cantata "Falsche Welt, dir trau ich nict, BWV52," with its natural horns forced down to a preternaturally quiet dynamic level and silkily woven into the texture. BIS recording engineers, working in a specially designed chapel in Suzuki's hometown of Kobe, have delivered another sonic masterpiece. Another low-key triumph from Suzuki that will stand up to numerous hearings.
© TiVo

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