Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Miles Davis - Ascenseur pour l'échafaud

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Ascenseur pour l'échafaud

Miles Davis

Verfügbar in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Jazz and film noir are perfect bedfellows, as evidenced by the soundtrack of Louis Malle's Ascenseur Pour L'Echafaud (Lift to the Scaffold). This dark and seductive tale is wonderfully accentuated by the late-'50s cool or bop music of Miles Davis, played with French jazzmen -- bassist Pierre Michelot, pianist René Urtreger, and tenor saxophonist Barney Wilen -- and American expatriate drummer Kenny Clarke. This recording evokes the sensual nature of a mysterious chanteuse and the contrasting scurrying rat race lifestyle of the times, when the popularity of the automobile, cigarettes, and the late-night bar scene were central figures. Davis had seen a screening of the movie prior to his making of this music, and knew exactly how to portray the smoky hazed or frantic scenes though sonic imagery, dictated by the trumpeter mainly in D-minor and C-seventh chords. Michelot is as important a figure as the trumpeter because he sets the tone, as on the stalking "Visite du Vigile." While the mood of the soundtrack is generally dour and somber, the group collectively picks up the pace exponentially on "Diner au Motel." At times the distinctive Davis trumpet style is echoed into dire straits or death wish motifs, as on "Generique" or "L'Assassinat de Carala," respectively. Clarke is his usual marvelous self, and listeners should pay close attention to the able Urtreger, by no means a virtuoso but a capable and flexible accompanist. This recording can stand proudly alongside Duke Ellington's music from Anatomy of a Murder and the soundtrack of Play Misty for Me as great achievements of artistic excellence in fusing dramatic scenes with equally compelling modern jazz music.
© Michael G. Nastos /TiVo

Weitere Informationen

Ascenseur pour l'échafaud

Miles Davis

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 70 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 70 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
Générique (Bande originale du film "Ascenseur pour l'échafaud")
00:02:48

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1958 Decca Records France, Mit freundlicher Genehmigung der Universal Music International

2
L'assassinat de Carala (Bande originale du film "Ascenseur pour l'échafaud")
00:02:09

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1958 Decca Records France

3
Sur l'autoroute (Bande originale du film "Ascenseur pour l'échafaud")
00:02:18

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1958 Decca Records France

4
Julien dans l'ascenseur (Bande originale du film "Ascenseur pour l'échafaud")
00:02:09

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1958 Decca Records France

5
Florence sur les Champs-Élysées (Bande originale du film "Ascenseur pour l'échafaud")
00:02:52

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1958 Decca Records France

6
Dîner au motel (Bande originale du film "Ascenseur pour l'échafaud")
00:03:57

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1958 Decca Records France

7
Évasion de Julien (Bande originale du film "Ascenseur pour l'échafaud")
00:00:53

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1958 Decca Records France

8
Visite du vigile (Bande originale du film "Ascenseur pour l'échafaud")
00:02:03

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1958 Decca Records France

9
Au bar du Petit Bac (Bande originale du film "Ascenseur pour l'échafaud")
00:02:52

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1958 Decca Records France

10
Chez le photographe du motel (Bande originale du film "Ascenseur pour l'échafaud")
00:03:50

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1958 Decca Records France

11
Nuit sur les Champs-Élysées (Take 1 - Bande originale du film "Ascenseur pour l'échafaud")
00:02:25

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

12
Nuit sur les Champs-Élysées (Take 2 - Bande originale du film "Ascenseur pour l'échafaud")
00:05:22

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

13
Nuit sur les Champs-Élysées (Take 3 - Bande originale du film "Ascenseur pour l'échafaud")
00:02:53

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

14
Nuit sur les Champs-Élysées (Take 4 - Bande originale du film "Ascenseur pour l'échafaud")
00:03:00

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

15
Assassinat (Take 1 - Bande originale du film "Ascenseur pour l'échafaud")
00:02:03

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

16
Assassinat (Take 2 - Bande originale du film "Ascenseur pour l'échafaud")
00:02:11

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

17
Assassinat (Take 3 - Bande originale du film "Ascenseur pour l'échafaud")
00:02:10

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

18
Dîner au motel (Take 2 - Bande originale du film "Ascenseur pour l'échafaud")
00:03:57

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

19
Final (Take 1 - Bande originale du film "Ascenseur pour l'échafaud")
00:03:05

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

20
Final (Take 2 - Bande originale du film "Ascenseur pour l'échafaud")
00:03:01

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

21
Final (Take 3 - Bande originale du film "Ascenseur pour l'échafaud")
00:04:05

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

22
L'interrogatoire de Julien (Take 1 - Bande originale du film "Ascenseur pour l'échafaud")
00:05:15

Miles Davis, Composer, Trumpet, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 2017 Decca Records France

23
Évasion de Julien (Take 2 - Bande originale du film "Ascenseur pour l'échafaud")
00:01:57

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

24
Le petit bal (Take 1 - Bande originale du film "Ascenseur pour l'échafaud")
00:02:40

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

25
Le petit bal (Take 2 - Bande originale du film "Ascenseur pour l'échafaud")
00:02:55

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

26
Séquence voiture (Take 1 - Bande originale du film "Ascenseur pour l'échafaud")
00:02:57

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

27
Séquence voiture (Take 2 - Bande originale du film "Ascenseur pour l'échafaud")
00:02:18

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Pierre Michelot, Double Bass, AssociatedPerformer - Barney Wilen, Tenor Saxophone, AssociatedPerformer - René Urtreger, Piano, AssociatedPerformer - Marcel Romano, Producer

℗ 1988 Decca Records France

Albumbeschreibung

Jazz and film noir are perfect bedfellows, as evidenced by the soundtrack of Louis Malle's Ascenseur Pour L'Echafaud (Lift to the Scaffold). This dark and seductive tale is wonderfully accentuated by the late-'50s cool or bop music of Miles Davis, played with French jazzmen -- bassist Pierre Michelot, pianist René Urtreger, and tenor saxophonist Barney Wilen -- and American expatriate drummer Kenny Clarke. This recording evokes the sensual nature of a mysterious chanteuse and the contrasting scurrying rat race lifestyle of the times, when the popularity of the automobile, cigarettes, and the late-night bar scene were central figures. Davis had seen a screening of the movie prior to his making of this music, and knew exactly how to portray the smoky hazed or frantic scenes though sonic imagery, dictated by the trumpeter mainly in D-minor and C-seventh chords. Michelot is as important a figure as the trumpeter because he sets the tone, as on the stalking "Visite du Vigile." While the mood of the soundtrack is generally dour and somber, the group collectively picks up the pace exponentially on "Diner au Motel." At times the distinctive Davis trumpet style is echoed into dire straits or death wish motifs, as on "Generique" or "L'Assassinat de Carala," respectively. Clarke is his usual marvelous self, and listeners should pay close attention to the able Urtreger, by no means a virtuoso but a capable and flexible accompanist. This recording can stand proudly alongside Duke Ellington's music from Anatomy of a Murder and the soundtrack of Play Misty for Me as great achievements of artistic excellence in fusing dramatic scenes with equally compelling modern jazz music.
© Michael G. Nastos /TiVo

Informationen zu dem Album

Auszeichnungen:

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Crime Of The Century [2014 - HD Remaster]

Supertramp

Aqualung

Jethro Tull

Aqualung Jethro Tull

Thick as a Brick

Jethro Tull

Thick as a Brick Jethro Tull

Misplaced Childhood

Marillion

Mehr auf Qobuz
Von Miles Davis

Merci Miles! Live at Vienne

Miles Davis

BD Music Presents Miles Davis

Miles Davis

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

Music From and Inspired by The Film Birth Of The Cool

Miles Davis

Playlists

Das könnte Ihnen auch gefallen...

Le Jazz de Cabu - Une petite histoire du swing de Louis Armstrong à Miles Davis...

Various Artists

On Vacation

Till Brönner

On Vacation Till Brönner

Sunset In The Blue (Deluxe Version)

Melody Gardot

Another Land

Dave Holland

Another Land Dave Holland

BD Music Presents: Jazz en cuisine

Various Artists

Panorama-Artikel...
ECM in 10 Alben

Der schönste Klang nach der Stille. Dieser Ausspruch haftet ECM nun seit 50 Jahren an. Manfred Eicher, der charismatische Gründer des Münchner Labels befindet sich nicht außerhalb unserer Zeit, sondern lebt genauer gesagt in einer Zeit, die parallel zu der unseren existiert, und macht ECM zu einem herrlichen Planeten, auf dem Jazz anders klingt. Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea und viele andere haben ihre intensivsten Platten oft für ECM aufgenommen. Mehr als für Blue Note oder Impulse! Daher ist es unmöglich, die Geschichte dieses außergewöhnlichen Labels mit 10 Alben darzustellen. So werden die 10 ausgewählten Alben hier „nur eine weitere“ Geschichte von ECM erzählen

Chris Connor, eine vergessene Stimme

Vielleicht war sie ja die größte Sängerin auf dem Gebiet des Cool Jazz? Fast 12 Jahre nach ihrem Dahinscheiden gilt Chris Connors Stimme nach wie vor als eine der wonnevollsten ihrer Generation. Anders gesagt, es gibt nicht nur Anita O’Day und June Christy…

Aretha Franklin, die Königin von Atlantic

Zwischen 1967 und 1979 hat Aretha Franklin ihre größten Alben für das Label Atlantic Records aufgenommen. Diese Alben sind vom Gospel ihrer Kindheit geprägt und definieren, eingehüllt in Rhythm’n’Blues, die Konturen des modernen Soul neu.

Aktuelles...