Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
A new era is starting for George FitzGerald. One of many British producers to relocate in Berlin in the last ten years to study techno music, he has ended his stay in Germany to move back to London and raise his newborn. An album that aims to illustrate the confusion in FitzGerald’s mind: “I wanted to mirror the uncanniness you feel when a massive event happens in your life. Everything looks and sounds the same, but it’s somehow different.” From an outsider’s point of view, it’s quite easy to see what has changed with FitzGerald. In 2010, he released his first EP The Let Down with Hotflush, the label run by Scuba, at the time a leading figure in post-dubstep. Six years later, his album Fading Love revealed the Englishman’s pop-house side. And All That Must Be confirms the new face of a producer – by his own admission − weary of club music.
FitzGerald is switching playground, but this is in no means to slow down his career, as this album seems to have been masterfully crafted for mainstream audiences. The radio-friendly Burns is already a huge hit with its arpeggiator and catchy gimmick made of cut and paste vocals (“ha ha ha/ha ho ha”) that seem to be everywhere nowadays. Furthermore, Frieda sounds like something the Kalkbrenner brothers and Flume could have composed together in a studio, while Roll Back is an electronic ballad sung by English artist Lil Silva, which is bound to haunt the YouTube channels of “The Sound You Need” and “Majestic Casual” any time now. The kind of album that could be entrusted to the ears of any electronic music neophyte and make them want to reach deeper into the genre. © Smaël Bouaici/Qobuz
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Duncan Tootill, Producer - Domino US, MusicPublisher
2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd
George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Duncan Tootill, Producer - Domino US, MusicPublisher
2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd
George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Little Cub, Composer - Duncan Tootill, Producer - Domino US, MusicPublisher
2018 Domino Recording Co Ltd 2017 Domino Recording Co Ltd
George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Lil Silva, MainArtist - Blue May, Mixer - TJ Carter, Composer, Lyricist, Producer - Duncan Tootill, Producer - Domino US, MusicPublisher
2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd
George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Duncan Tootill, Producer - Domino US, MusicPublisher
2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd
Copyright Control, MusicPublisher - George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Hudson Scott, Composer, Lyricist, FeaturedArtist - Duncan Tootill, Composer, Lyricist, Producer - Domino US, MusicPublisher
2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd
Bonobo, MainArtist - Simon Green, Composer, Lyricist, Producer - George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Kobalt Music Publishing LTD, MusicPublisher - Blue May, Mixer - Duncan Tootill, Producer - Domino US, MusicPublisher
2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd
Tracey Thorn, MainArtist - Copyright Control, MusicPublisher - George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Oli Bayston, Composer, Lyricist - Duncan Tootill, Producer - Domino US, MusicPublisher
2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd
Copyright Control, MusicPublisher - Lou Rhodes, Composer, Lyricist - George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Duncan Tootill, Composer, Lyricist, Producer - Domino US, MusicPublisher
2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd
George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Duncan Tootill, Producer - Domino US, MusicPublisher
2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd
Albumbeschreibung
A new era is starting for George FitzGerald. One of many British producers to relocate in Berlin in the last ten years to study techno music, he has ended his stay in Germany to move back to London and raise his newborn. An album that aims to illustrate the confusion in FitzGerald’s mind: “I wanted to mirror the uncanniness you feel when a massive event happens in your life. Everything looks and sounds the same, but it’s somehow different.” From an outsider’s point of view, it’s quite easy to see what has changed with FitzGerald. In 2010, he released his first EP The Let Down with Hotflush, the label run by Scuba, at the time a leading figure in post-dubstep. Six years later, his album Fading Love revealed the Englishman’s pop-house side. And All That Must Be confirms the new face of a producer – by his own admission − weary of club music.
FitzGerald is switching playground, but this is in no means to slow down his career, as this album seems to have been masterfully crafted for mainstream audiences. The radio-friendly Burns is already a huge hit with its arpeggiator and catchy gimmick made of cut and paste vocals (“ha ha ha/ha ho ha”) that seem to be everywhere nowadays. Furthermore, Frieda sounds like something the Kalkbrenner brothers and Flume could have composed together in a studio, while Roll Back is an electronic ballad sung by English artist Lil Silva, which is bound to haunt the YouTube channels of “The Sound You Need” and “Majestic Casual” any time now. The kind of album that could be entrusted to the ears of any electronic music neophyte and make them want to reach deeper into the genre. © Smaël Bouaici/Qobuz
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:44:26
- Künstler: George Fitzgerald
- Komponist: Various Composers
- Label: Double Six Records
- Genre: Electronic
2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.
Playlists