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Perfume|Triangle

Triangle

Perfume

Disponible en
16-Bit/44.1 kHz Stereo

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Langue disponible : anglais

Perfume has always been a band heavily doused in a wash of Autotune, to the verge of sounding mechanical themselves. Of course, this is somewhat their allure -- a ‘live' version of electropop in the vein of {$Daft Punk}'s samples. The magic is performed primarily by producer {$Yakuta Nasutaka}, a master of the mixing board. At the same time, any individuality of the trio of girls nominally Perfume seems lost under the nearly-synthesized-speech that makes up the bulk of the album. The tracks flow into one another fluidly, almost to the point of being indistinguishable. Because the vocals are constantly tweaked, they become simply an instrument rather than a focal point. Instead, the highlights come from the productions themselves. An entirely entertaining deep funk in Edge. A tripped-up disco vibe in Night Flight. A {$Yoko Kanno}-like bit of mood music in Zero Gravity. For basic background music at a pop-heavy dance party, something like Triangle would be hard to beat. For musical exploration and complexity, it's an album that would be hard not to beat.

© Adam Greenberg /TiVo

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Triangle

Perfume

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1
Take Off
00:00:49

Perfume, MainArtist - Yasutaka Nakata, Composer, Producer, Recording Arranger, AssociatedPerformer

℗ 2009 AMUSE Inc.

2
Love The World
00:04:32

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2008 AMUSE Inc.

3
Dream Fighter
00:04:53

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2008 AMUSE Inc.

4
Edge (Triangle-Mix)
00:08:43

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2008 AMUSE Inc.

5
Night Flight
00:05:19

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2009 AMUSE Inc.

6
Kiss And Music
00:02:34

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2009 AMUSE Inc.

7
Zero Gravity
00:04:52

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2009 AMUSE Inc.

8
I Still Love U
00:04:32

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2009 AMUSE Inc.

9
The Best Thing
00:04:23

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2009 AMUSE Inc.

10
Speed Of Sound
00:03:59

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2009 AMUSE Inc.

11
One Room Disco
00:05:08

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2009 AMUSE Inc.

12
願い (Album-mix)
00:04:58

Perfume, Vocals, MainArtist, AssociatedPerformer - Yasutaka Nakata, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

℗ 2009 AMUSE Inc.

Chronique

Perfume has always been a band heavily doused in a wash of Autotune, to the verge of sounding mechanical themselves. Of course, this is somewhat their allure -- a ‘live' version of electropop in the vein of {$Daft Punk}'s samples. The magic is performed primarily by producer {$Yakuta Nasutaka}, a master of the mixing board. At the same time, any individuality of the trio of girls nominally Perfume seems lost under the nearly-synthesized-speech that makes up the bulk of the album. The tracks flow into one another fluidly, almost to the point of being indistinguishable. Because the vocals are constantly tweaked, they become simply an instrument rather than a focal point. Instead, the highlights come from the productions themselves. An entirely entertaining deep funk in Edge. A tripped-up disco vibe in Night Flight. A {$Yoko Kanno}-like bit of mood music in Zero Gravity. For basic background music at a pop-heavy dance party, something like Triangle would be hard to beat. For musical exploration and complexity, it's an album that would be hard not to beat.

© Adam Greenberg /TiVo

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