![The Fall|Totale's Turns (It's Now Or Never) [Expanded Edition] (Live; Expanded Edition)](https://static.qobuz.com/images/covers/70/28/5414939532870_600.jpg "The Fall|Totale's Turns (It's Now Or Never) [Expanded Edition] (Live; Expanded Edition)")
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Langue disponible : anglais
The first of what would be a veritable flock of live albums, some legit and some hovering on the edge of it, Totale's Turns, with the same lineup as Dragnet, found the Fall in a hilariously aggressive mood, as the statement of purpose "Intro" demonstrates. "The difference between you and us is that we have brains!" proclaims Smith, and from there it's off into their version of rock & roll hell. Song choices range over the first two albums and various singles, delivered with the at-once on form and shambling elan that characterized the band's rough and ready early days. The Riley/Scanlon guitar team performs their own brand of anti-guitar hero guitar heroics, scratchy, twanging, cutting, kicking into rave-up energy more often than not. The Leigh/Hanley rhythm section matches it all quite well, leaving Smith to be the howling, sneering, gurgling, and perfectly charismatic center of attention. There aren't as many one-off side comments as might be thought, but at one point he does note to the audience that "last orders are at half past ten." Some brilliant performances are to be had -- "Rowche Rumble" kicks into gear with just Leigh and Smith setting the rhythm and the pace before everyone else pours it on, a straightforward, endlessly cycling riff driving everything before it. "Muzorewi's Daughter" immediately follows, its tense exchange between slow, rolling beats and explosive chorus fully intact and even more ragged. Two of the band's most famous early numbers get some great run-throughs -- "Spector vs. Rector" has a brief intro about "those flowers, take them away" before shifting into a stuttering, lurching groove somehow perfectly suited to Smith's delivery. Meanwhile, "No Xmas for John Quays" concludes the album with all the murky and righteous kick one could want, the keyboards at the end adding even more craziness.
© Ned Raggett /TiVo
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Mark E. Smith, Composer - The Fall, Performance, MainArtist
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
Mark E. Smith, Composer - Stephen Hanley, Composer - Craig Scanlon, Composer - The Fall, Performance, MainArtist - Marc Riley, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
Mark Smith, Composer - Craig Scanlon, Composer - The Fall, Performance, MainArtist - Marc Riley, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
Mark E. Smith, Composer - The Fall, Performance, MainArtist - Kay Carroll, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
Mark E. Smith, Composer - Craig Scanlon, Composer - The Fall, Performance, MainArtist - Yvonne Pawlett, Composer - Marc Riley, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
Mark E. Smith, Composer - The Fall, Performance, MainArtist - Craig Scanlan, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
Mark E. Smith, Composer - Stephen Hanley, Composer - Craig Scanlon, Composer - The Fall, Performance, MainArtist - Marc Riley, Composer - Mike Leigh, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
The Fall, Performance, MainArtist
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
Mark Smith, Composer - Craig Scanlon, Composer - The Fall, Performance, MainArtist - Mark Riley, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
Mark E. Smith, Composer - Stephen Hanley, Composer - Craig Scanlon, Composer - The Fall, Performance, MainArtist - Mark Riley, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
Mark E. Smith, Composer - The Fall, Performance, MainArtist
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 Sanctuary Records Group Ltd., a BMG Company
Mark E. Smith, Composer - Stephen Hanley, Composer - Craig Scanlon, Composer - The Fall, Performance, MainArtist - Marc Riley, Composer - Paul Hanley, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 BBC. Licensed courtesy of BBC Worldwide to Sanctuary Records Group Ltd., a BMG Company
The Fall, Performance, MainArtist
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 BBC. Licensed courtesy of BBC Worldwide to Sanctuary Records Group Ltd., a BMG Company
Mark E. Smith, Composer - Stephen Hanley, Composer - Craig Scanlon, Composer - The Fall, Performance, MainArtist - Mark Riley, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 BBC. Licensed courtesy of BBC Worldwide to Sanctuary Records Group Ltd., a BMG Company
Mark E. Smith, Composer - Craig Scanlon, Composer - The Fall, Performance, MainArtist - Mark Riley, Composer
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1980 BBC. Licensed courtesy of BBC Worldwide to Sanctuary Records Group Ltd., a BMG Company
Chronique
The first of what would be a veritable flock of live albums, some legit and some hovering on the edge of it, Totale's Turns, with the same lineup as Dragnet, found the Fall in a hilariously aggressive mood, as the statement of purpose "Intro" demonstrates. "The difference between you and us is that we have brains!" proclaims Smith, and from there it's off into their version of rock & roll hell. Song choices range over the first two albums and various singles, delivered with the at-once on form and shambling elan that characterized the band's rough and ready early days. The Riley/Scanlon guitar team performs their own brand of anti-guitar hero guitar heroics, scratchy, twanging, cutting, kicking into rave-up energy more often than not. The Leigh/Hanley rhythm section matches it all quite well, leaving Smith to be the howling, sneering, gurgling, and perfectly charismatic center of attention. There aren't as many one-off side comments as might be thought, but at one point he does note to the audience that "last orders are at half past ten." Some brilliant performances are to be had -- "Rowche Rumble" kicks into gear with just Leigh and Smith setting the rhythm and the pace before everyone else pours it on, a straightforward, endlessly cycling riff driving everything before it. "Muzorewi's Daughter" immediately follows, its tense exchange between slow, rolling beats and explosive chorus fully intact and even more ragged. Two of the band's most famous early numbers get some great run-throughs -- "Spector vs. Rector" has a brief intro about "those flowers, take them away" before shifting into a stuttering, lurching groove somehow perfectly suited to Smith's delivery. Meanwhile, "No Xmas for John Quays" concludes the album with all the murky and righteous kick one could want, the keyboards at the end adding even more craziness.
© Ned Raggett /TiVo
À propos
- 1 disque(s) - 15 piste(s)
- Durée totale : 01:01:40
- Artistes principaux : The Fall
- Compositeur : Various Composers
- Maison de disque : Castle Communications
- Genre : Pop/Rock Rock
© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company
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