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Alt-J|The Dream

The Dream

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Le groupe au nom le plus cryptique des années 2010 s’était vite fait une place dans la scène indie pop anglaise avec son premier album An Awesome Wave (un titre inspiré par l’écrivain Bret Easton Ellis), couronné d’un Mercury Prize en 2012 grâce au succès de leur tube Breezeblocks. Dix ans plus tard, la formation de Leeds, un peu trop souvent comparée à Radiohead, est devenue une valeur sûre des programmateurs de festival et peut se permettre de prendre cinq ans pour donner un successeur à Relaxer, qui avait, lui, échoué aux portes du Mercury en 2017.

The Dream ne change pas les termes de l’équation établie par le trio composé de Joe Newman (chant, guitare), Gus Unger-Hamilton (claviers) et Thom Green (batterie), avec ce folk-rock parfois bluesy, parfois mâtiné d’électronique, mais toujours vaporeux, étouffé, comme si tout était enregistré à travers une boîte de ouate, à l’image du Bane qui ouvre ce quatrième essai, enregistré entre deux confinements en 2020. Il y a ici largement de quoi satisfaire les fans du groupe avec des mélodies toujours accrocheuses, notamment les efficaces singles U&ME et Hard Drive Gold. On retiendra aussi The Actor, un titre tout en guitares psyché censé raconter la mort de John Belushi, décédé en 1981 d’une overdose à l’hôtel Château Marmont à Los Angeles (“Why do I keep on returning to you? Cocaine, cocaine”). Et puis Joe Newman n’hésite pas à sortir la machine à larmoyer sur la ballade acoustique Get Better ou sur Chicago, qui mêle des vocalises plaintives avec un arpège de piano et un Thom Green presque techno derrière ses fûts, pour un des plus jolis titres d’un album qui se conclut par un doublé (Walk a Mile et Powders) de blues ultra-planant. © Smaël Bouaici/Qobuz

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The Dream

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1
Bane
00:05:10

Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Highgate School Choir, Vocals - Will Gardner, Strings Conductor - Charlie Andrew, Producer, Programmer, MixingEngineer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Organ, Backing Vocals, Writer, Synthesizer - Tim Rundle, Crumhorn - Andy Marshall, Double Bass - Thom Sonny Green, Composer, Drums, Percussion, Programmer, Writer - Katie Earl, AssistantEngineer - Reinoud Ford, Cello - Matt Glasbey, Engineer, Additional Production, MixingEngineer, RecordingEngineer - David Force, Bagpipes, Crumhorn - George Collins, AssistantEngineer

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

2
U&ME
00:03:18

Matthew Ward, Violin - Joe Newman, Composer, Guitar, Additional Percussion, Vocals, Writer - Dick Beetham, Masterer - Highgate School Choir, Vocals - Kirsty Mangan, Violin - Will Gardner, Conductor - Charlie Andrew, Producer, Mixer, Additional Percussion, Programming - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Organ, Additional Percussion, Backing Vocals, Writer, Synthesizer - Tim Rundle, Crumhorn - Andy Marshall, Double Bass - Ciaran McCabe, Violin - Thom Sonny Green, Composer, Drums, Percussion, Additional Percussion, Programmer, Writer - Katie Earl, AssistantEngineer - Reinoud Ford, Cello - Matt Glasbey, Mixer, Recorded by - David Force, Crumhorn - Caliegh Wallace, Backing Vocals - Tyler DeFord, Sound Effects (SFX)

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

3
Hard Drive Gold
00:02:38

Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Highgate School Choir, Vocals - Charlie Andrew, Producer, Mixer, Programmer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Backing Vocals, Writer, Bass, Synthesizer - Thom Sonny Green, Composer, Drums, Percussion, Programmer, Writer - Katie Earl, AssistantEngineer - Matt Glasbey, Mixer, Recorded by - George Collins, AssistantEngineer - Anna-Zara Newman, Spoken Voice Vocals - Cordelia Unger-Hamilton, Spoken Voice Vocals

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

4
Happier When You’re Gone Explicit
00:04:00

Matthew Ward, Violin - Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Kirsty Mangan, Violin - Will Gardner, Conductor - Charlie Andrew, Producer, Mixer, Programmer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Organ, Backing Vocals, Writer, Synthesizer - Andy Marshall, Double Bass - Ciaran McCabe, Violin - Thom Sonny Green, Composer, Drums, Percussion, Programmer, Writer - Katie Earl, AssistantEngineer - Reinoud Ford, Cello - Matt Glasbey, Mixer, Recorded by - April Unger-Hamilton, Backing Vocals - Sarah Andrew, Bassoon

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

5
The Actor Explicit
00:04:00

Matthew Ward, Violin - Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Kirsty Mangan, Violin - Will Gardner, Conductor - Charlie Andrew, Producer, Mixer, Programmer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Backing Vocals, Writer, Synthesizer - Andy Marshall, Double Bass - Ciaran McCabe, Violin - Thom Sonny Green, Composer, Drums, Percussion, Programmer, Writer - Reinoud Ford, Cello - Matt Glasbey, Mixer, Recorded by - April Unger-Hamilton, Backing Vocals

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

6
Get Better
00:05:51

Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Trevor Mires, Trombone - Charlie Andrew, Producer, Mixer, Programmer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Organ, Backing Vocals, Writer, Synthesizer - Thom Sonny Green, Composer, Drums, Percussion, Programmer, Writer - Matt Glasbey, Mixer, Recorded by - April Unger-Hamilton, Spoken Voice Vocals

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

7
Chicago
00:03:55

Matthew Ward, Violin - Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Kirsty Mangan, Violin - Will Gardner, Conductor - Charlie Andrew, Producer, Mixer, Programmer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Backing Vocals, Writer, Synthesizer - Andy Marshall, Double Bass - Ciaran McCabe, Violin - Thom Sonny Green, Composer, Drums, Percussion, Programmer, Writer - Reinoud Ford, Cello - Matt Glasbey, Mixer, Recorded by

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

8
Philadelphia
00:03:38

Matthew Ward, Violin - Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Kirsty Mangan, Violin - Will Gardner, Conductor - Charlie Andrew, Producer, Mixer, Programmer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Backing Vocals, Writer, Synthesizer - Andy Marshall, Double Bass - Ciaran McCabe, Violin - Thom Sonny Green, Composer, Drums, Percussion, Programmer, Writer - Reinoud Ford, Cello - Matt Glasbey, Mixer, Recorded by - Christie Valeriano, Backing Vocals

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

9
Walk a Mile
00:06:29

Matthew Ward, Violin - Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Andrew Cohen, Sound Effects (SFX) - Kirsty Mangan, Violin - George Eddy, Backing Vocals - Will Gardner, Conductor, Backing Vocals - Charlie Andrew, Producer, Mixer, Programmer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Backing Vocals, Writer, Bass, Synthesizer - Andy Marshall, Double Bass - Ciaran McCabe, Violin - Thom Sonny Green, Composer, Drums, Percussion, Programmer, Writer - Katie Earl, AssistantEngineer - Reinoud Ford, Cello - Matt Glasbey, Mixer, Recorded by - Arianna Cohen, Spoken Voice Vocals

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

10
Delta
00:01:00

Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Charlie Andrew, Producer, Mixer, Programmer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Backing Vocals, Writer, Synthesizer - Thom Sonny Green, Composer, Drums, Percussion, Programmer, Writer - Katie Earl, AssistantEngineer - Matt Glasbey, Mixer, Engineer, Additional Production, Recorded by, MixingEngineer, RecordingEngineer - George Collins, AssistantEngineer

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

11
Losing My Mind
00:04:42

Mark Newman, Spoken Voice Vocals - Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Charlie Andrew, Producer, Mixer, Programmer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Keyboards, Organ, Backing Vocals, Writer, Bass, Synthesizer - Thom Sonny Green, Composer, Drums, Percussion, Programmer, Writer - Katie Earl, AssistantEngineer - Matt Glasbey, Mixer, Recorded by, Spoken Voice Vocals - George Collins, AssistantEngineer

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

12
Powders
00:04:41

Joe Newman, Composer, Guitar, Vocals, Writer - Dick Beetham, Masterer - Charlie Andrew, Producer, Mixer, Programmer - alt-J, MainArtist - Gus Unger-Hamilton, Composer, Drums, Keyboards, Percussion, Programmer, Backing Vocals, Writer, Synthesizer - Thom Sonny Green, Composer, Writer, Spoken Voice Vocals - Katie Earl, AssistantEngineer - Matt Glasbey, Mixer, Recorded by - George Collins, AssistantEngineer - Arianna Cohen, Spoken Voice Vocals

under exclusive license to Atlantic Recording Corporation for North America, © 2022 Infectious Music Ltd. under exclusive license to Atlantic Recording Corporation for North America, ℗ 2022 Infectious Music Ltd

Chronique

Le groupe au nom le plus cryptique des années 2010 s’était vite fait une place dans la scène indie pop anglaise avec son premier album An Awesome Wave (un titre inspiré par l’écrivain Bret Easton Ellis), couronné d’un Mercury Prize en 2012 grâce au succès de leur tube Breezeblocks. Dix ans plus tard, la formation de Leeds, un peu trop souvent comparée à Radiohead, est devenue une valeur sûre des programmateurs de festival et peut se permettre de prendre cinq ans pour donner un successeur à Relaxer, qui avait, lui, échoué aux portes du Mercury en 2017.

The Dream ne change pas les termes de l’équation établie par le trio composé de Joe Newman (chant, guitare), Gus Unger-Hamilton (claviers) et Thom Green (batterie), avec ce folk-rock parfois bluesy, parfois mâtiné d’électronique, mais toujours vaporeux, étouffé, comme si tout était enregistré à travers une boîte de ouate, à l’image du Bane qui ouvre ce quatrième essai, enregistré entre deux confinements en 2020. Il y a ici largement de quoi satisfaire les fans du groupe avec des mélodies toujours accrocheuses, notamment les efficaces singles U&ME et Hard Drive Gold. On retiendra aussi The Actor, un titre tout en guitares psyché censé raconter la mort de John Belushi, décédé en 1981 d’une overdose à l’hôtel Château Marmont à Los Angeles (“Why do I keep on returning to you? Cocaine, cocaine”). Et puis Joe Newman n’hésite pas à sortir la machine à larmoyer sur la ballade acoustique Get Better ou sur Chicago, qui mêle des vocalises plaintives avec un arpège de piano et un Thom Green presque techno derrière ses fûts, pour un des plus jolis titres d’un album qui se conclut par un doublé (Walk a Mile et Powders) de blues ultra-planant. © Smaël Bouaici/Qobuz

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