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Warren Zevon|Stand in the Fire

Stand in the Fire

Warren Zevon

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Langue disponible : anglais

After the release of Warren Zevon's fourth album, Bad Luck Streak in Dancing School, he was clean and sober for the first time in years, and on-stage he was determined to make the most of his newfound strength and self-control. While his songs long had a dark and frantic undercurrent, Zevon was now capable of playing a no-holds-barred rock show where he could bring the sharper edges of his music to the forefront. Anyone who saw Zevon on what he called "The Dog Ate the Part We Didn't Like Tour" can attest to the fact he was in superb form, playing music that rocked hard while displaying intelligence, passion, and a sharply corrosive wit, and Stand in the Fire, recorded during a five-night stand at L.A.'s Roxy near the end of the tour, captures Zevon and his band at their peak. The musicians (anchored by flashy lead guitarist David Landau) pour out these tunes with plenty of fire, and the songs rock a lot harder than anything Zevon had summoned in the studio at that point. And the artist proved he was a superb rock & roll frontman on this tour, singing with mean-spirited glee (for a change, "Werewolves of London" and "I'll Sleep When I'm Dead" sound just as menacing as they were meant to be) and spewing hilarious bile at every turn (his ad-libbed "the Ayatollah has his problems, too" on "Mohammed's Radio" alone is worth the price of admission). The set list is dominated by Zevon's better-known tunes of the period, though there are two otherwise unrecorded originals (the OK title cut and the blazing "The Sin"), and a rave-up encore on "Bo Diddley's a Gunslinger" that revels in the joyous surrealism of the lyrics, and if one might have hoped for a more imaginative selection of material, these guys nail everything on deck. No one argues that Warren Zevon is a gifted singer and songwriter, but Stand in the Fire proves that, when he wants to, he can also rock with the best of 'em.

© Mark Deming /TiVo

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Stand in the Fire

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1
Stand in the Fire (2007 Remaster; Live)
00:03:37

Warren Zevon, Vocals, Writer, MainArtist

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

2
Jeannie Needs a Shooter (2007 Remaster; Live)
00:04:11

Warren Zevon, Vocals, Writer, MainArtist - Bruce Springsteen, Writer

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

3
Excitable Boy (2007 Remaster; Live)
00:04:03

Warren Zevon, Vocals, Writer, MainArtist - LeRoy P. Marinell, Composer, Writer

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

4
Mohammed's Radio (2007 Remaster; Live)
00:04:50

Warren Zevon, Composer, Lyricist, Vocals, Writer, MainArtist

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

5
Werewolves of London (2007 Remaster; Live)
00:04:59

Waddy Wachtel, Writer - Warren Zevon, Vocals, Writer, MainArtist - LeRoy P. Marinell, Writer

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

6
Lawyers, Guns and Money (2007 Remaster; Live)
00:03:58

Warren Zevon, Composer, Vocals, Writer, MainArtist

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

7
The Sin (2007 Remaster; Live)
00:03:18

Warren Zevon, Vocals, Writer, MainArtist

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

8
Poor, Poor Pitiful Me (2007 Remaster; Live)
00:04:18

Warren Zevon, Vocals, Writer, MainArtist

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

9
I'll Sleep When I'm Dead (2007 Remaster; Live)
00:04:46

Warren Zevon, Composer, Lyricist, Vocals, Writer, MainArtist

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

10
Bo Diddley's a Gunslinger / Bo Diddley (2007 Remaster; Live)
00:04:32

ELLAS MCDANIEL, Writer - Warren Zevon, Vocals, MainArtist - BO DIDDLEY, Writer

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

11
Johnny Strikes up the Band
00:03:58

Warren Zevon, Composer, Lyricist, Vocals, Writer, MainArtist

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company for the United States and WEA International Inc. for the world outside of the United States.

12
Play It All Night Long
00:04:34

Rick Marotta, Drums - Warren Zevon, Producer, Guitar, Writer, MainArtist - Leland Sklar, Bass Guitar - Greg Ladanyi, Producer

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company

13
Frank and Jesse James
00:04:28

Jackson Browne, Producer - Waddy Wachtel, Guitar - Warren Zevon, Composer, Lyricist, Piano, Vocals, Writer, MainArtist - Phil Everly, Harmony Vocals - BOB GLAUB, Bass Guitar - David Lindley, Banjo - Larry Zack, Drums

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company for United States and WEA International Inc. for the world outside of the United States.

14
Hasten Down the Wind
00:04:33

Jackson Browne, Producer - Waddy Wachtel, Guitar - Warren Zevon, Piano, Vocals, Writer, MainArtist - Phil Everly, Harmony Vocals - BOB GLAUB, Bass Guitar - David Lindley, Banjo - Larry Zack, Drums

© 2007 Rhino Entertainment Company, a Warner Music Group company ℗ 2007 Elektra Entertainment Company for United States and WEA International Inc. for the world outside of the United States.

Chronique

After the release of Warren Zevon's fourth album, Bad Luck Streak in Dancing School, he was clean and sober for the first time in years, and on-stage he was determined to make the most of his newfound strength and self-control. While his songs long had a dark and frantic undercurrent, Zevon was now capable of playing a no-holds-barred rock show where he could bring the sharper edges of his music to the forefront. Anyone who saw Zevon on what he called "The Dog Ate the Part We Didn't Like Tour" can attest to the fact he was in superb form, playing music that rocked hard while displaying intelligence, passion, and a sharply corrosive wit, and Stand in the Fire, recorded during a five-night stand at L.A.'s Roxy near the end of the tour, captures Zevon and his band at their peak. The musicians (anchored by flashy lead guitarist David Landau) pour out these tunes with plenty of fire, and the songs rock a lot harder than anything Zevon had summoned in the studio at that point. And the artist proved he was a superb rock & roll frontman on this tour, singing with mean-spirited glee (for a change, "Werewolves of London" and "I'll Sleep When I'm Dead" sound just as menacing as they were meant to be) and spewing hilarious bile at every turn (his ad-libbed "the Ayatollah has his problems, too" on "Mohammed's Radio" alone is worth the price of admission). The set list is dominated by Zevon's better-known tunes of the period, though there are two otherwise unrecorded originals (the OK title cut and the blazing "The Sin"), and a rave-up encore on "Bo Diddley's a Gunslinger" that revels in the joyous surrealism of the lyrics, and if one might have hoped for a more imaginative selection of material, these guys nail everything on deck. No one argues that Warren Zevon is a gifted singer and songwriter, but Stand in the Fire proves that, when he wants to, he can also rock with the best of 'em.

© Mark Deming /TiVo

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