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Lamb of God|Sacrament

Sacrament

Lamb of God

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16-Bit/44.1 kHz Stereo

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Virginia metalcore kings Lamb of God get personal on the blistering Sacrament, an 11-track onslaught of machine gun riffs and larynx-shredding vocals filtered through an immaculately mapped-out rhythm section that owes as much to progressive rock as it does traditional heavy metal. Producer Machine, who helped craft 2004's Ashes of the Wake into one of the best metal records of the year, has returned, tightening his wrench and experimenting on Randy Blythe's voice like a fever-mad scientist. Longtime fans will no doubt debate the virtues of Sacrament's commercial bullet, the scathing White Zombie-meets-Megadeth single "Redneck," but the rest of the album is as brutal as anything they've ever done. Melodic opener "Walk with Me in Hell" culls inspiration from Piece of Mind-era Iron Maiden, "Pathetic" wraps itself around a sinewy lead that sounds like a snake swallowing dinner, and "Blacken the Cursed Sun," easily one of the best metal songs of 2006, shows further evidence of the band's potential to become the American version of Opeth. If Sacrament suffers from anything, it's a pounding sense of sameness. They rarely stray from the "Drop D" tuning, resulting in a second half that tends to blur, shake, and sputter out a bit, but there's no denying Lamb of God's almost unnerving power to conjure wind from the tiniest of stereo speakers.

© James Christopher Monger /TiVo

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Sacrament

Lamb of God

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1
Walk with Me In Hell
00:05:11

Lamb of God, Associated Performer, Main Artist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - David Randall Blythe, Composer, Lyricist - Josh Wilbur, Engineer - Mark Morton, Composer, Lyricist - Will Adler, Composer, Lyricist - Ian Whalen, Engineer - John Campbell, Composer, Lyricist - Jeremy Miller, Assistant Engineer - Chris Adler, Composer, Lyricist - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music Entertainment

2
Again We Rise Explicit
00:04:30

Lamb of God, Associated Performer, Main Artist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - David Randall Blythe, Composer, Lyricist - Josh Wilbur, Engineer - Mark Morton, Composer, Lyricist - Will Adler, Composer, Lyricist - Ian Whalen, Engineer - John Campbell, Composer, Lyricist - Jeremy Miller, Assistant Engineer - Chris Adler, Composer, Lyricist - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music Entertainment

3
Redneck Explicit
00:03:40

Lamb of God, Associated Performer, Main Artist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - David Randall Blythe, Composer, Lyricist - Josh Wilbur, Engineer - Mark Morton, Composer, Lyricist - Will Adler, Composer, Lyricist - Ian Whalen, Engineer - John Campbell, Composer, Lyricist - Jeremy Miller, Assistant Engineer - Chris Adler, Composer, Lyricist - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music Entertainment

4
Pathetic
00:04:31

Lamb of God, Associated Performer, Main Artist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - David Randall Blythe, Composer, Lyricist - Josh Wilbur, Engineer - Mark Morton, Composer, Lyricist - Will Adler, Composer, Lyricist - Ian Whalen, Engineer - John Campbell, Composer, Lyricist - Jeremy Miller, Assistant Engineer - Chris Adler, Composer, Lyricist - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music Entertainment

5
Foot to the Throat
00:03:13

Lamb of God, Associated Performer, Main Artist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - David Randall Blythe, Composer, Lyricist - Josh Wilbur, Engineer - Mark Morton, Composer, Lyricist - Will Adler, Composer, Lyricist - Ian Whalen, Engineer - John Campbell, Composer, Lyricist - Jeremy Miller, Assistant Engineer - Chris Adler, Composer, Lyricist - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music Entertainment

6
Descending
00:03:35

Lamb of God, Associated Performer, Main Artist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - David Randall Blythe, Composer, Lyricist - Josh Wilbur, Engineer - Mark Morton, Composer, Lyricist - Will Adler, Composer, Lyricist - Ian Whalen, Engineer - John Campbell, Composer, Lyricist - Jeremy Miller, Assistant Engineer - Chris Adler, Composer, Lyricist - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music EntertainmentENT

7
Blacken the Cursed Sun
00:05:28

Lamb of God, Associated Performer, Main Artist - David Randall Blythe, Composer, Lyricist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - Mark Morton, Composer, Lyricist - Josh Wilbur, Engineer - Will Adler, Composer, Lyricist - John Campbell, Composer, Lyricist - Chris Adler, Composer, Lyricist - Ian Whalen, Engineer - Jeremy Miller, Assistant Engineer - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music Entertainment

8
Forgotten (Lost Angels) Explicit
00:03:05

Lamb of God, Associated Performer, Main Artist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - David Randall Blythe, Composer, Lyricist - Josh Wilbur, Engineer - Mark Morton, Composer, Lyricist - Will Adler, Composer, Lyricist - Ian Whalen, Engineer - John Campbell, Composer, Lyricist - Jeremy Miller, Assistant Engineer - Chris Adler, Composer, Lyricist - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music Entertainment

9
Requiem Explicit
00:04:11

Lamb of God, Associated Performer, Main Artist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - David Randall Blythe, Composer, Lyricist - Josh Wilbur, Engineer - Mark Morton, Composer, Lyricist - Will Adler, Composer, Lyricist - Ian Whalen, Engineer - John Campbell, Composer, Lyricist - Jeremy Miller, Assistant Engineer - Chris Adler, Composer, Lyricist - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music Entertainment

10
More Time to Kill Explicit
00:03:37

Lamb of God, Associated Performer, Main Artist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - David Randall Blythe, Composer, Lyricist - Josh Wilbur, Engineer - Mark Morton, Composer, Lyricist - Will Adler, Composer, Lyricist - Ian Whalen, Engineer - John Campbell, Composer, Lyricist - Jeremy Miller, Assistant Engineer - Chris Adler, Composer, Lyricist - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music Entertainment

11
Beating On Death's Door
00:05:07

Lamb of God, Associated Performer, Main Artist - MACHINE, Engineer, Mixing Engineer, Producer, Programmer - David Randall Blythe, Composer, Lyricist - Josh Wilbur, Engineer - Mark Morton, Composer, Lyricist - Will Adler, Composer, Lyricist - Ian Whalen, Engineer - John Campbell, Composer, Lyricist - Jeremy Miller, Assistant Engineer - Chris Adler, Composer, Lyricist - Brian Hoffa, Assistant Engineer - Clinton Bradley, Programmer

(P) 2006 Sony Music Entertainment

Chronique

Virginia metalcore kings Lamb of God get personal on the blistering Sacrament, an 11-track onslaught of machine gun riffs and larynx-shredding vocals filtered through an immaculately mapped-out rhythm section that owes as much to progressive rock as it does traditional heavy metal. Producer Machine, who helped craft 2004's Ashes of the Wake into one of the best metal records of the year, has returned, tightening his wrench and experimenting on Randy Blythe's voice like a fever-mad scientist. Longtime fans will no doubt debate the virtues of Sacrament's commercial bullet, the scathing White Zombie-meets-Megadeth single "Redneck," but the rest of the album is as brutal as anything they've ever done. Melodic opener "Walk with Me in Hell" culls inspiration from Piece of Mind-era Iron Maiden, "Pathetic" wraps itself around a sinewy lead that sounds like a snake swallowing dinner, and "Blacken the Cursed Sun," easily one of the best metal songs of 2006, shows further evidence of the band's potential to become the American version of Opeth. If Sacrament suffers from anything, it's a pounding sense of sameness. They rarely stray from the "Drop D" tuning, resulting in a second half that tends to blur, shake, and sputter out a bit, but there's no denying Lamb of God's almost unnerving power to conjure wind from the tiniest of stereo speakers.

© James Christopher Monger /TiVo

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