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Sublime|Robbin' The Hood

Robbin' The Hood

Sublime

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16-Bit/44.1 kHz Stereo

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Pieced together rather quickly, Robbin' the Hood wasn't really intended to be the follow-up to Sublime's debut, 40oz. to Freedom, but what is shocking is how much better the record is than its predecessor. Boasting a wider range of influences -- including elements of reggae and old-school hip-hop -- the record is a loose, infectious blend of styles that rides along on its own sense of energy. Brad Nowell's songwriting might still be at a rudimentary level, but the group sounds more muscular and musical than before, demonstrating that the breakthrough of its sole major-label record, Sublime, wasn't an accident.
© Stephen Thomas Erlewine /TiVo

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Robbin' The Hood

Sublime

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1
Waiting For Bud
00:01:02

Bradley Nowell, ComposerLyricist - Sublime, Producer, MainArtist - W. Mc Glone, ComposerLyricist

℗ 1994 Gasoline Alley Records Inc.

2
Steady B Loop Dub
00:01:23

Bradley Nowell, ComposerLyricist - Sublime, Producer, MainArtist

℗ 1994 Gasoline Alley Records Inc.

3
Raleigh Soliloquy Pt. I Explicit
00:01:46

Bradley Nowell, ComposerLyricist - Sublime, Producer, MainArtist - Raleigh Theodore Sakers, FeaturedArtist

℗ 1994 Gasoline Alley Records Inc.

4
Pool Shark
00:00:56

Bradley Nowell, ComposerLyricist - Sublime, Producer, MainArtist

℗ 1994 Gasoline Alley Records Inc.

5
Steppin' Razor
00:02:25

Sublime, Producer, MainArtist - Joe Higgs, ComposerLyricist

℗ 1994 Gasoline Alley Records Inc.

6
Greatest-Hits Explicit
00:02:53

Bradley Nowell, ComposerLyricist - Miguel, Producer - Dario Baldan Bembo, Recording Engineer, StudioPersonnel - Eric Wilson, Recording Engineer, StudioPersonnel - Sublime, MainArtist - Brad Nowell, Recording Engineer, StudioPersonnel

℗ 1994 Gasoline Alley Records Inc.

7
Free Loop Explicit
00:03:09

Bradley Nowell, ComposerLyricist - Sublime, Producer, MainArtist

℗ 1994 Gasoline Alley Records Inc.

8
Q-Ball Explicit
00:00:44

Bradley Nowell, ComposerLyricist - Sublime, Producer, MainArtist

℗ 1994 Gasoline Alley Records Inc.

9
Saw Red
00:01:57

Bradley Nowell, ComposerLyricist - Miguel, Producer, Mixer, StudioPersonnel - Warren Fitzgerald, Mixer, StudioPersonnel - Barrington Levy, ComposerLyricist - Dario Baldan Bembo, Recording Engineer, StudioPersonnel - GWEN STEFANI, FeaturedArtist - Eric Wilson, Recording Engineer, StudioPersonnel - Sublime, MainArtist - Brad Nowell, Recording Engineer, StudioPersonnel - Donnell Cameron, Engineer, StudioPersonnel

℗ 1994 Gasoline Alley Records Inc.

10
Work That We Do
00:02:34

Bradley Nowell, ComposerLyricist - Eric Wilson, Bass Guitar, AssociatedPerformer - Sublime, MainArtist - Floyd Gaugh, Drums, AssociatedPerformer - Brad Nowell, Guitar, Vocals, AssociatedPerformer - Michael Happoldt, Producer

℗ 1994 Gasoline Alley Records Inc.

11
Lincoln Highway Dub
00:02:21

Bradley Nowell, ComposerLyricist - Mike, Recording Engineer, StudioPersonnel - Eric Wilson, Bass Guitar, AssociatedPerformer - Sublime, Producer, MainArtist - Floyd Gaugh, Drums, AssociatedPerformer - Brad Nowell, Guitar, Vocals, Recording Engineer, AssociatedPerformer, StudioPersonnel

℗ 1994 Gasoline Alley Records Inc.

12
Pool Shark (Acoustic Version)
00:01:32

Bradley Nowell, ComposerLyricist - Sublime, MainArtist - Michael Happoldt, Producer, Mixer, Engineer, StudioPersonnel

℗ 1993 Gasoline Alley, J.V.

13
Cisco Kid Explicit
00:04:32

Bradley Nowell, ComposerLyricist - Keith Elam, ComposerLyricist - Sublime, Producer, MainArtist

℗ 1994 Gasoline Alley Records Inc.

14
Raleigh Soliloquy Pt. II Explicit
00:03:38

Bradley Nowell, ComposerLyricist - Sublime, Producer, MainArtist - Raleigh Theodore Sakers, FeaturedArtist

℗ 1994 Gasoline Alley Records Inc.

15
S.T.P. (Album Version) Explicit
00:02:59

Bradley Nowell, ComposerLyricist - Dario Baldan Bembo, Recording Engineer, StudioPersonnel - Eric Wilson, Recording Engineer, StudioPersonnel - Sublime, Producer, MainArtist - Brad Nowell, Recording Engineer, StudioPersonnel

℗ 1994 Gasoline Alley Records Inc.

16
Boss D.J.
00:02:51

Bradley Nowell, ComposerLyricist - Mike, Recording Engineer, StudioPersonnel - Eric Wilson, Bass Guitar, AssociatedPerformer - Sublime, Producer, MainArtist - Floyd Gaugh, Drums, AssociatedPerformer - Brad Nowell, Guitar, Vocals, Recording Engineer, AssociatedPerformer, StudioPersonnel

℗ 1994 Gasoline Alley Records Inc.

17
I Don't Care Too Much For Reggae Dub Explicit
00:05:20

Sublime, Producer, MainArtist, ComposerLyricist

℗ 1994 Gasoline Alley Records Inc.

18
Falling Idols (Album Version)
00:02:37

Dario Baldan Bembo, Recording Engineer, StudioPersonnel - Eric Wilson, Recording Engineer, StudioPersonnel - Sublime, Producer, MainArtist - Brad Nowell, Recording Engineer, StudioPersonnel - Ross Fletcher, ComposerLyricist - Randy Bradbury, ComposerLyricist - Greg Lowther, ComposerLyricist - David Quackenbush, ComposerLyricist - Willard Pangborn III, ComposerLyricist

℗ 1994 Gasoline Alley Records Inc.

19
All You Need
00:02:45

Bradley Nowell, ComposerLyricist - Joe, Recording Engineer, StudioPersonnel - Eric Wilson, Bass Guitar, AssociatedPerformer - Sublime, Recording Engineer, MainArtist, StudioPersonnel - Floyd Gaugh, Drums, AssociatedPerformer - Brad Nowell, Guitar, Vocals, AssociatedPerformer - Michael Happoldt, Producer - Donnell Cameron, Recording Engineer, StudioPersonnel

℗ 1994 Gasoline Alley Records Inc.

20
Freeway Time In LA County Jail
00:03:17

Bradley Nowell, ComposerLyricist - Sublime, Producer, MainArtist

℗ 1994 Gasoline Alley Records Inc.

21
Mary (Album Version) Explicit
00:01:33

Bradley Nowell, ComposerLyricist - Sublime, Producer, MainArtist

℗ 1994 Gasoline Alley Records Inc.

22
Raleigh Soliloquy Pt. III
00:00:47

Bradley Nowell, ComposerLyricist - Sublime, MainArtist - Raleigh Theodore Sakers, FeaturedArtist - Elephant Levitation, Producer

℗ 1994 Gasoline Alley Records Inc.

23
Don't Push Explicit
00:02:36

Bradley Nowell, Producer, ComposerLyricist - Marshall Goodman, ComposerLyricist - Sublime, MainArtist - Steve McNeil, Mixer, Engineer, StudioPersonnel

℗ 1994 Gasoline Alley Records Inc.

Chronique

Pieced together rather quickly, Robbin' the Hood wasn't really intended to be the follow-up to Sublime's debut, 40oz. to Freedom, but what is shocking is how much better the record is than its predecessor. Boasting a wider range of influences -- including elements of reggae and old-school hip-hop -- the record is a loose, infectious blend of styles that rides along on its own sense of energy. Brad Nowell's songwriting might still be at a rudimentary level, but the group sounds more muscular and musical than before, demonstrating that the breakthrough of its sole major-label record, Sublime, wasn't an accident.
© Stephen Thomas Erlewine /TiVo

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