Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Michel Camilo|Rhapsody In Blue

Rhapsody In Blue

Michel Camilo, Ernest Martinez Izquierdo, Barcelona Symphony Orchestra

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Jazz pianist Michel Camilo, working with the Barcelona Symphony Orchestra under Ernest Martinez Izquierdo, attempts here to make something new out of George Gershwin's heavily recorded Rhapsody in Blue and Concerto in F -- broadly speaking, he tries to tie these jazz-classical fusions more closely to their jazz roots. Given the fluency with which Gershwin moved between the worlds of classical music, jazz, and pop, the experiment would seem a worthwhile and interesting one, but the recording, at least for those with the usual ways of performing Gershwin in their ears, is likely to come off as neither fish nor fowl. Gershwin's genre-bending status is eloquently attested to by the multiple extant versions of the Rhapsody in Blue, which is heard here in its familiar arrangement by Ferde Grofé. Camilo, however, bases his solo part on Gershwin's original version, a freer, jazzier thing with a language reminiscent in some ways of Gershwin's own Song-Book improvisations. Camilo is an adept, exciting player with plenty of experience in classical music, but the effect of this combination is perhaps to plunk Gershwin's living room down in the middle of a symphonic stage. Or perhaps to give an idea of what Art Tatum might have sounded like playing the Rhapsody in Blue. The recording seems to blur some strands that Gershwin kept clear as he wove them together. The big, soupy lyricism that is such an essential component of the Rhapsody is partly lost. Camilo plays it straighter in the concerto, but this work too ends up sounding more like modern jazz than it should. Gershwin's music has always served as a stimulus for new creativity. And a bit of experiment is necessary to realize his aims fully. Perhaps Camilo's approach will emerge as the standard in time, but for now it's a detour down a Gershwin byway.
© TiVo

Plus d'informations

Rhapsody In Blue

Michel Camilo

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette liste de lecture et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 10,83 $ CA/mois

1
Rhapsody In Blue
00:16:44

George Gershwin, ComposerLyricist - Michel Camilo, Piano, MainArtist, AssociatedPerformer - Ernest Martinez Izquierdo, Conductor, MainArtist - Robert Friedrich, Mastering Engineer, Recording Engineer, StudioPersonnel - Jean-Marie Geijsen, Asst. Recording Engineer, StudioPersonnel - Barcelona Symphony Orchestra, Orchestra, MainArtist - Leendert van Zanten, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer - Thomas C. Moore, Editor, StudioPersonnel - Jack Renner, Asst. Recording Engineer, StudioPersonnel - Ed Meitner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

2
Concerto In F: I. Allegro
00:13:11

George Gershwin, ComposerLyricist - Michel Camilo, Piano, MainArtist, AssociatedPerformer - Ernest Martinez Izquierdo, Conductor, MainArtist - Robert Friedrich, Mastering Engineer, Recording Engineer, StudioPersonnel - Jean-Marie Geijsen, Asst. Recording Engineer, StudioPersonnel - Barcelona Symphony Orchestra, Orchestra, MainArtist - Leendert van Zanten, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer - Thomas C. Moore, Editor, StudioPersonnel - Jack Renner, Asst. Recording Engineer, StudioPersonnel - Ed Meitner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

3
Concerto In F: II. Adagio - Andante Con Moto
00:12:57

George Gershwin, ComposerLyricist - Michel Camilo, Piano, MainArtist, AssociatedPerformer - Ernest Martinez Izquierdo, Conductor, MainArtist - Robert Friedrich, Mastering Engineer, Recording Engineer, StudioPersonnel - Jean-Marie Geijsen, Asst. Recording Engineer, StudioPersonnel - Barcelona Symphony Orchestra, Orchestra, MainArtist - Leendert van Zanten, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer - Thomas C. Moore, Editor, StudioPersonnel - Jack Renner, Asst. Recording Engineer, StudioPersonnel - Ed Meitner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

4
Concerto In F: III. Allegro Agitato
00:06:30

George Gershwin, ComposerLyricist - Michel Camilo, Piano, MainArtist, AssociatedPerformer - Ernest Martinez Izquierdo, Conductor, MainArtist - Robert Friedrich, Mastering Engineer, Recording Engineer, StudioPersonnel - Jean-Marie Geijsen, Asst. Recording Engineer, StudioPersonnel - Barcelona Symphony Orchestra, Orchestra, MainArtist - Leendert van Zanten, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer - Thomas C. Moore, Editor, StudioPersonnel - Jack Renner, Asst. Recording Engineer, StudioPersonnel - Ed Meitner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

5
Prelude No. 2
00:06:38

George Gershwin, ComposerLyricist - Michel Camilo, Piano, MainArtist, AssociatedPerformer - Ernest Martinez Izquierdo, Conductor, MainArtist - Robert Friedrich, Mastering Engineer, Recording Engineer, StudioPersonnel - Jean-Marie Geijsen, Asst. Recording Engineer, StudioPersonnel - Barcelona Symphony Orchestra, Orchestra, MainArtist - Leendert van Zanten, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer - Thomas C. Moore, Editor, StudioPersonnel - Jack Renner, Asst. Recording Engineer, StudioPersonnel - Ed Meitner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

Chronique

Jazz pianist Michel Camilo, working with the Barcelona Symphony Orchestra under Ernest Martinez Izquierdo, attempts here to make something new out of George Gershwin's heavily recorded Rhapsody in Blue and Concerto in F -- broadly speaking, he tries to tie these jazz-classical fusions more closely to their jazz roots. Given the fluency with which Gershwin moved between the worlds of classical music, jazz, and pop, the experiment would seem a worthwhile and interesting one, but the recording, at least for those with the usual ways of performing Gershwin in their ears, is likely to come off as neither fish nor fowl. Gershwin's genre-bending status is eloquently attested to by the multiple extant versions of the Rhapsody in Blue, which is heard here in its familiar arrangement by Ferde Grofé. Camilo, however, bases his solo part on Gershwin's original version, a freer, jazzier thing with a language reminiscent in some ways of Gershwin's own Song-Book improvisations. Camilo is an adept, exciting player with plenty of experience in classical music, but the effect of this combination is perhaps to plunk Gershwin's living room down in the middle of a symphonic stage. Or perhaps to give an idea of what Art Tatum might have sounded like playing the Rhapsody in Blue. The recording seems to blur some strands that Gershwin kept clear as he wove them together. The big, soupy lyricism that is such an essential component of the Rhapsody is partly lost. Camilo plays it straighter in the concerto, but this work too ends up sounding more like modern jazz than it should. Gershwin's music has always served as a stimulus for new creativity. And a bit of experiment is necessary to realize his aims fully. Perhaps Camilo's approach will emerge as the standard in time, but for now it's a detour down a Gershwin byway.
© TiVo

À propos

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Back To Black

Amy Winehouse

Back To Black Amy Winehouse

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane
À découvrir également
Par Michel Camilo

Live At The Blue Note

Michel Camilo

Live At The Blue Note Michel Camilo

Spain Forever

Michel Camilo

Spain Forever Michel Camilo

Spain Again

Michel Camilo

Spain Again Michel Camilo

Essence

Michel Camilo

Essence Michel Camilo

Spain Forever Again

Michel Camilo

Spain Forever Again Michel Camilo

Listes de lecture

Dans la même thématique...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Orchestras

Bill Frisell

Orchestras Bill Frisell

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

Shadow

Lizz Wright

Shadow Lizz Wright