Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
San Francisco's strident Deerhoof is a much-loved deconstructionist art-pop outfit. The band is part no wave skronk, part Yoko Ono meets the B-52's, and part weirdo J-pop, and continues to push the musical envelope on each new recording. Reveille is a pretty good example of what Deerhoof is capable of. Quite a few of its songs are instrumental, for the most part, helter-skelterish flare-ups with primitive Casio-like bloops and bleeps, angular fizz-pop guitars, and epileptic drum freakouts. Those few songs that feature Satomi Matsuzaki's purring falsetto -- her very presence elevates this band above most avant pop groups -- have a simplicity and sugar-soaked sweetness, enticing listeners with charm before boxing their ears with an all-out aural assault. Reveille begins with an unassuming spoken word opening before launching into a variety of sounds. "All Rise" has a baseball stadium-cum-church organ feel, and "Days & Nights in the Forest" starts off with progressive jazz elements before introducing other elements. Though Deerhoof reportedly has to be seen performing live -- when the bandmembers are able to temper and balance the explosive quiet-loud of their tunes -- to be fully appreciated and to get the full effect, this album is as good a place to start your journey as any of the group's recordings.
© Bryan Thomas /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette liste de lecture et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 10,83 $ CA/mois
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Chronique
San Francisco's strident Deerhoof is a much-loved deconstructionist art-pop outfit. The band is part no wave skronk, part Yoko Ono meets the B-52's, and part weirdo J-pop, and continues to push the musical envelope on each new recording. Reveille is a pretty good example of what Deerhoof is capable of. Quite a few of its songs are instrumental, for the most part, helter-skelterish flare-ups with primitive Casio-like bloops and bleeps, angular fizz-pop guitars, and epileptic drum freakouts. Those few songs that feature Satomi Matsuzaki's purring falsetto -- her very presence elevates this band above most avant pop groups -- have a simplicity and sugar-soaked sweetness, enticing listeners with charm before boxing their ears with an all-out aural assault. Reveille begins with an unassuming spoken word opening before launching into a variety of sounds. "All Rise" has a baseball stadium-cum-church organ feel, and "Days & Nights in the Forest" starts off with progressive jazz elements before introducing other elements. Though Deerhoof reportedly has to be seen performing live -- when the bandmembers are able to temper and balance the explosive quiet-loud of their tunes -- to be fully appreciated and to get the full effect, this album is as good a place to start your journey as any of the group's recordings.
© Bryan Thomas /TiVo
À propos
- 1 disque(s) - 16 piste(s)
- Durée totale : 00:33:45
- Artistes principaux : Deerhoof
- Maison de disque : Joyful Noise Recordings
- Genre : Pop/Rock Rock Alternatif et Indé
2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings
Pourquoi acheter sur Qobuz ?
-
Écoutez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de musique en continu en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.