Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Few bands approach the sheer versatility of the Sadies, live or on disc. On Pure Diamond Gold (the follow-up to their stellar debut, Precious Moments), the band lurches from Johnny Cash-inspired storytelling country ("It's Nothing to Me," "I Tried Not To") to Shadowy Men on a Shadowy Planet influenced-surf instrumentals ("Rat Creek," "Venison Creek), while veering off into Nuggets-era garage rock ("Talkin' Down," "Walking Boss") and hillbilly rock and gospel ("16 Mile Creek," "16 Mile Creek Breakdown," "Higher Power"). Pure Diamond Gold consists of songs recorded on two separate occasions -- one a 24-track session with Steve Albini, the second an eight-track session (dubbed the "seven o'clock chicken" session) with Don Pyle (of Shadowy Men on a Shadowy Planet) -- however, despite the differences, the songs hang together well as a whole. In addition to the slew of strong tracks already mentioned, the Sadies best moments here come in the form of the haunting "Eastwinds" (with vocals provided by Catherine Irwin of Freakwater), the surrealistic plane crash narrative of "With a Splash," and the slow-building instrumental "Cloud Rider" (complete with "howling" provided by the family dog). For fans of country-tinged, twangy rock, it doesn't get much better than this.
© Robert Kaups /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette liste de lecture et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 10,83 $ CA/mois
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
The Sadies, MainArtist
1999 Bloodshot Records 1999 Bloodshot Records
Chronique
Few bands approach the sheer versatility of the Sadies, live or on disc. On Pure Diamond Gold (the follow-up to their stellar debut, Precious Moments), the band lurches from Johnny Cash-inspired storytelling country ("It's Nothing to Me," "I Tried Not To") to Shadowy Men on a Shadowy Planet influenced-surf instrumentals ("Rat Creek," "Venison Creek), while veering off into Nuggets-era garage rock ("Talkin' Down," "Walking Boss") and hillbilly rock and gospel ("16 Mile Creek," "16 Mile Creek Breakdown," "Higher Power"). Pure Diamond Gold consists of songs recorded on two separate occasions -- one a 24-track session with Steve Albini, the second an eight-track session (dubbed the "seven o'clock chicken" session) with Don Pyle (of Shadowy Men on a Shadowy Planet) -- however, despite the differences, the songs hang together well as a whole. In addition to the slew of strong tracks already mentioned, the Sadies best moments here come in the form of the haunting "Eastwinds" (with vocals provided by Catherine Irwin of Freakwater), the surrealistic plane crash narrative of "With a Splash," and the slow-building instrumental "Cloud Rider" (complete with "howling" provided by the family dog). For fans of country-tinged, twangy rock, it doesn't get much better than this.
© Robert Kaups /TiVo
À propos
- 1 disque(s) - 20 piste(s)
- Durée totale : 00:40:46
- Artistes principaux : The Sadies
- Maison de disque : Bloodshot Records
- Genre : Blues/Country/Folk Country
1999 Bloodshot Records 1999 Bloodshot Records
Pourquoi acheter sur Qobuz ?
-
Écoutez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de musique en continu en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.