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Peshay|Miles From Home

Miles From Home

Peshay

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Langue disponible : anglais

Long delayed because of release problems with Mo' Wax, Peshay's debut funnels his jazz influences -- not just the slick end of '70s fusion and disco, but the hard boppin' '60s as well -- into a solid album of breakbeat dance. The jazz'n'breaks angle is done better than most, thanks to input from two of the jungle scene's prime engineer/producers, Decoder and (on two tracks) Photek. The title track is an obvious highlight (it actually appeared on Mo' Wax as a single more than a year earlier), and the live bass and piano on "Live at 2:37" are a welcome attempt to continue integrating jazz improv with drum'n'bass. The rap track "End of Story" also works very well, with vocals by J-Live and beautiful Fender Rhodes playing by Illinton. For most of the album though, the results argue well on paper but end up a bit dry and overly respectful in the final analysis. Miles from Home has a few notable highs, but seems too polished and labored over to work as a truly great album. It's difficult to dispel the impression that it suffered from the extra studio time.

© John Bush /TiVo

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Miles From Home

Peshay

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1
Miles From Home (Album Version)
00:05:32

John Hansen, Double Bass, Keyboards, AssociatedPerformer - Peshay, Producer, Drum Programmer, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

2
Live At 2:37
00:06:15

Peshay, Producer, MainArtist, ComposerLyricist - Illinton, Producer - Lasse Jenson, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

3
End Of Story
00:03:59

J-Live, FeaturedArtist, ComposerLyricist - Peshay, Producer, MainArtist, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

4
Truly
00:04:45

Peshay, Producer, MainArtist, ComposerLyricist - Kym Mazelle, FeaturedArtist, ComposerLyricist - Illinton, Producer - Lasse Jenson, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

5
Pacific
00:07:43

Peshay, Producer, MainArtist, ComposerLyricist - Illinton, Producer - Lasse Jenson, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

6
Switch
00:06:03

Jimmy Ponder, ComposerLyricist - Peshay, Producer, Mixer, MainArtist, StudioPersonnel, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

7
Summer In The City
00:04:52

Valerie Etienne, FeaturedArtist, ComposerLyricist - Peshay, Producer, MainArtist, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

8
P Vs P
00:06:38

Photek, Producer - Peshay, MainArtist, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

9
Robotics
00:06:58

Peshay, Producer, MainArtist, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

10
Vegas
00:07:22

Peshay, Producer, MainArtist, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

11
Retro
00:07:58

Peshay, Producer, Mixer, MainArtist, StudioPersonnel, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

12
Theme
00:06:52

Peshay, Producer, MainArtist, ComposerLyricist

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

Chronique

Long delayed because of release problems with Mo' Wax, Peshay's debut funnels his jazz influences -- not just the slick end of '70s fusion and disco, but the hard boppin' '60s as well -- into a solid album of breakbeat dance. The jazz'n'breaks angle is done better than most, thanks to input from two of the jungle scene's prime engineer/producers, Decoder and (on two tracks) Photek. The title track is an obvious highlight (it actually appeared on Mo' Wax as a single more than a year earlier), and the live bass and piano on "Live at 2:37" are a welcome attempt to continue integrating jazz improv with drum'n'bass. The rap track "End of Story" also works very well, with vocals by J-Live and beautiful Fender Rhodes playing by Illinton. For most of the album though, the results argue well on paper but end up a bit dry and overly respectful in the final analysis. Miles from Home has a few notable highs, but seems too polished and labored over to work as a truly great album. It's difficult to dispel the impression that it suffered from the extra studio time.

© John Bush /TiVo

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