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On Rosanne Cash's final recording for Columbia's Nashville division she pulled out all the stops. Already known for her unflinching honesty, she took it to its most poignant and searing extreme on Interiors. Cash produced the record herself and wrote or co-wrote all the material here. A country record it's not, but that hardly matters. This is a pop record with teeth and ache and broken hearts strewn all over the place. In fact, Interiors has the feel of a battlefield emptied of everything but its ghosts. The album is a collection of ten songs linked thematically by the chronicling of the tension, dysfunction, and ultimate dissolution of Cash's marriage to Rodney Crowell caused by dishonesty, infidelity, substance abuse, and physical distance; and she owns her side of the street with courage without laying blame. Carefully wrought with subtle instrumentation surrounding her fearless yet wavering vocals. Acoustic guitars, pianos, brushed drums, an occasional organ, a bass almost hidden under layers of ethereal grace -- these are the musical trappings that frame Cash's voice as she sets about a task so seemingly painful it's almost uncomfortable to listen to. It's as if the listener is granted a private audience with her heart and innermost thoughts. Everything is here: the disillusionment, the anger, the vain hope of reconciliation, and finally the acceptance and resignation that endings are a part of life and serve their purpose. While these ten tracks are virtually inseparable from one another, there are standouts such as "Dance With the Tiger" written with John Stewart, "Real Woman" written with Crowell, "Mirror Image," "I Want a Cure," and the harrowing closer, "Paralyzed," where Cash is accompanied only by a piano. Here she lets her current position be known, that seeing the end of this relationship leaves her in the clutches of being unable to move from the emotional space she is in. This album is full of a truth that most would rather not acknowledge, but it is morally and spiritually instructive in terms of its lyrical content, and musically it is her masterpiece. In fact, it's proof that art can redeem what cannot be in human terms.
© Thom Jurek /TiVo
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Barbara Santoro, Background Vocal - Eddie Bayers, Drums - Jim Hanson, Bass - Richard Bennett, Acoustic Baritone Guitar - Richard Bennett, Guitar - Richard Bennett, Mandolin - Rodney Crowell, Producer - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Rosanne Cash, Vocal - Steuart Smith, Electric Guitar - Vince Santoro, Tambourine
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Eddie Bayers, Drums - John Stewart, Composer - John Stewart, Lyricist - Maura O'Connell, Background Vocal - Michael Rhodes, Bass - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Rosanne Cash, Vocal - Steuart Smith, Acoustic Baritone Guitar - Vince Melamed, Keyboards
1990 Sony Music Entertainment Inc.
Eddie Bayers, Drums - J. Tittle, Composer - J. Tittle, Lyricist - Michael Lawler, Keyboards - R. Cash, Composer - R. Cash, Lyricist - Rodney Crowell, Performer - Rosanne Cash, Performer - Rosanne Cash, Producer - Rosanne Cash, Vocal - Steuart Smith, Acoustic Baritone Guitar - Vince Melamed, Keyboards
1990 Sony Music Entertainment Inc.
Barbara Santoro, Background Vocal - Eddie Bayers, Drums - Jim Hanson, Background Vocal - Jim Hanson, Bass - Richard Bennett, Acoustic Baritone Guitar - Rodney Crowell, Composer - Rodney Crowell, Lyricist - Rodney Crowell, Producer - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Rosanne Cash, Vocal - Steuart Smith, Electric Guitar - Tommy Spurlock, Steel Guitar - Vince Melamed, Keyboards - Vince Santoro, Background Vocal
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Eddie Bayers, Drums - Michael Blaustone, Shaker - Rosanne Cash, Background Vocal - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Steuart Smith, Acoustic Baritone Guitar - Steuart Smith, Electric Guitar - Vince Melamed, Keyboards
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Eddie Bayers, Drums - Mark O'Connor, Mandolin - Michael Rhodes, Bass - R. Cash, Composer - R. Cash, Lyricist - Rodney Crowell, Background Vocal - Rosanne Cash, Background Vocal - Rosanne Cash, Performer - Rosanne Cash, Producer - Steuart Smith, Acoustic Baritone Guitar - Steuart Smith, Electric Guitar
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Eddie Bayers, Drums - Jerry Douglas, Dobro - Jim Photoglo, Background Vocal - Mark O'Connor, Mandolin - Michael Rhodes, Acoustic Bass - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Rosanne Cash, Vocal - Steuart Smith, Acoustic Baritone Guitar - Steuart Smith, Electric Guitar - Vince Melamed, Keyboards
1990 Sony Music Entertainment Inc.
Eddie Bayers, Drums - Mark O'Connor, Violin - Michael Rhodes, Bass - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Rosanne Cash, Vocal - Vince Melamed, Composer - Vince Melamed, Keyboards - Vince Melamed, Lyricist - Vince Melamed, Piano
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Eddie Bayers, Drums - Kristen DeLauer, Background Vocal - Michael Lawler, Keyboards - Michael Rhodes, Bass - Rosanne Cash, Background Vocal - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Steuart Smith, Acoustic Baritone Guitar - Steuart Smith, Electric Guitar
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Arlene Katz, Assistant Producer - Bernie Grundman, Mastering Engineer - Donivan Cowart, Recording Engineer - Edgar Meyer, Bass - Glenn Meadows, Mastering Engineer - Jamie Lupinetti, Assistant Producer - John Guess, Recording Engineer - John Jarvis, Keyboards - John Jarvis, Piano - Liz Gilbert, Assistant Producer - Mark O'Connor, Violin - Milan Bogdan, Recording Engineer - Roger Nichols, Recording Engineer - Rosanne Cash, Arranger - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Russ Martin, Recording Engineer - Steuart Smith, Arranger - Vince Melamed, Arranger
1990 Sony Music Entertainment Inc.
K. Sykes, Composer - K. Sykes, Lyricist - R. Cash, Composer - R. Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Rosanne Cash, Vocal
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Eddie Bayers, Drums - Jerry Douglas, Slide Guitar - Karl Wallinger, Composer - Karl Wallinger, Lyricist - Michael Lawler, Keyboards - Michael Rhodes, Bass - Pat Flynn, Acoustic Baritone Guitar - Rosanne Cash, Performer - Rosanne Cash, Producer - Rosanne Cash, Vocal - Steuart Smith, Electric Guitar
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Clifford Carter, Keyboards - Dennis McDermott, Drums - John Leventhal, Guitar - Larry Campbell, Mandolin - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Rosanne Cash, Vocal - Zev Katz, Bass
(P) 2005 SONY BMG MUSIC ENTERTAINMENT
Clifford Carter, Keyboards - Dennis McDermott, Drums - John Leventhal, Guitar - Larry Campbell, Mandolin - R. Cash, Composer - R. Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Producer - Rosanne Cash, Vocal - Zev Katz, Bass
(P) 2005 SONY BMG MUSIC ENTERTAINMENT
Chronique
On Rosanne Cash's final recording for Columbia's Nashville division she pulled out all the stops. Already known for her unflinching honesty, she took it to its most poignant and searing extreme on Interiors. Cash produced the record herself and wrote or co-wrote all the material here. A country record it's not, but that hardly matters. This is a pop record with teeth and ache and broken hearts strewn all over the place. In fact, Interiors has the feel of a battlefield emptied of everything but its ghosts. The album is a collection of ten songs linked thematically by the chronicling of the tension, dysfunction, and ultimate dissolution of Cash's marriage to Rodney Crowell caused by dishonesty, infidelity, substance abuse, and physical distance; and she owns her side of the street with courage without laying blame. Carefully wrought with subtle instrumentation surrounding her fearless yet wavering vocals. Acoustic guitars, pianos, brushed drums, an occasional organ, a bass almost hidden under layers of ethereal grace -- these are the musical trappings that frame Cash's voice as she sets about a task so seemingly painful it's almost uncomfortable to listen to. It's as if the listener is granted a private audience with her heart and innermost thoughts. Everything is here: the disillusionment, the anger, the vain hope of reconciliation, and finally the acceptance and resignation that endings are a part of life and serve their purpose. While these ten tracks are virtually inseparable from one another, there are standouts such as "Dance With the Tiger" written with John Stewart, "Real Woman" written with Crowell, "Mirror Image," "I Want a Cure," and the harrowing closer, "Paralyzed," where Cash is accompanied only by a piano. Here she lets her current position be known, that seeing the end of this relationship leaves her in the clutches of being unable to move from the emotional space she is in. This album is full of a truth that most would rather not acknowledge, but it is morally and spiritually instructive in terms of its lyrical content, and musically it is her masterpiece. In fact, it's proof that art can redeem what cannot be in human terms.
© Thom Jurek /TiVo
À propos
- 1 disque(s) - 14 piste(s)
- Durée totale : 00:51:04
- Artistes principaux : Rosanne Cash
- Compositeur : Various Composers
- Maison de disque : Columbia - Legacy
- Genre : Blues/Country/Folk Country
(P) 1990, 2005 SONY BMG MUSIC ENTERTAINMENT
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