Catégories :
Panier 0

Votre panier est vide

Low|I Could Live In Hope

I Could Live In Hope

Low

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

Like so many of their contemporaries, Low are repeatedly lumped into numerous derivative and nondescript headings intended to encompass slow-paced, instrument-driven music that maintains an indie aesthetic. Quite simply, no category can truly reveal the beauty and glory of Low's debut record I Could Live in Hope. Sad core? Not even close! I Could Live in Hope is an incredibly joyous journey of spirit and songwriting sensibility. The record remains patient and sparse throughout (just guitar, bass, high hat, and snare, and angelic vocals by the husband and wife team of Alan Sparhawk and Mimi Parker), but succeeds beautifully. Low truly behold the gift of understatement.
Working with long-time producer and New York underground mainstay Kramer, Low examine their own fears and haunting experiences, occasionally linking them with Biblical references, while consoling listeners with warm layers of ethereal vocals and waves of guitar reverberation. Tracks are simple one-word titles but that's all that they require -- too much information would spoil the record's elegance. And that's probably why they open the record with "Words," a song about the overuse and misuse of language, that sets the tone for the entire album, right up to their plaintive and passionate cover of "You Are My Sunshine." Every small nuance of production is evident -- Sparhawk's fingers not quite connecting on a chord change or sliding over a fret and echoing infinitely -- making I Could Live in Hope a true testament to both Low and Kramer's penchant for capturing the lushest of soundscapes.

© Ken Taylor /TiVo

Plus d'informations

I Could Live In Hope

Low

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette liste de lecture et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 10,83 $ CA/mois

1
Words
00:05:48

Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Composer, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Composer, Percussion, Vocals, AssociatedPerformer - John Nichols, Composer, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

2
Fear
00:02:15

Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Composer, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Composer, Percussion, Vocals, AssociatedPerformer - John Nichols, Composer, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

3
Cut
00:05:46

Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Composer, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Composer, Percussion, Vocals, AssociatedPerformer - John Nichols, Composer, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

4
Slide
00:03:49

Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Composer, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Composer, Percussion, Vocals, AssociatedPerformer - John Nichols, Composer, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

5
Lazy
00:05:38

Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Composer, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Composer, Percussion, Vocals, AssociatedPerformer - John Nichols, Composer, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

6
Lullaby
00:09:49

Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Composer, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Composer, Percussion, Vocals, AssociatedPerformer - John Nichols, Composer, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

7
Sea
00:01:48

Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Composer, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Composer, Percussion, Vocals, AssociatedPerformer - John Nichols, Composer, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

8
Down
00:07:27

Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Composer, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Composer, Percussion, Vocals, AssociatedPerformer - John Nichols, Composer, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

9
Drag
00:05:15

Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Composer, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Composer, Percussion, Vocals, AssociatedPerformer - John Nichols, Composer, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

10
Rope
00:06:15

Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Composer, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Composer, Percussion, Vocals, AssociatedPerformer - John Nichols, Composer, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

11
Sunshine
00:02:59

Charles Mitchell, Composer - Jimmie Davis, Composer - Steve Watson, Asst. Recording Engineer, StudioPersonnel - Kramer, Producer - Alan Sparhawk, Guitar, Vocals, AssociatedPerformer - Low, MainArtist - MIMI PARKER, Percussion, Vocals, AssociatedPerformer - John Nichols, AssociatedPerformer, Bass (Vocal)

(C) 1994 Vernon Yard Recordings, a division of Virgin Records, Inc ℗ 1994 Vernon Yard Recordings, a division of Virgin Records, Inc.

Chronique

Like so many of their contemporaries, Low are repeatedly lumped into numerous derivative and nondescript headings intended to encompass slow-paced, instrument-driven music that maintains an indie aesthetic. Quite simply, no category can truly reveal the beauty and glory of Low's debut record I Could Live in Hope. Sad core? Not even close! I Could Live in Hope is an incredibly joyous journey of spirit and songwriting sensibility. The record remains patient and sparse throughout (just guitar, bass, high hat, and snare, and angelic vocals by the husband and wife team of Alan Sparhawk and Mimi Parker), but succeeds beautifully. Low truly behold the gift of understatement.
Working with long-time producer and New York underground mainstay Kramer, Low examine their own fears and haunting experiences, occasionally linking them with Biblical references, while consoling listeners with warm layers of ethereal vocals and waves of guitar reverberation. Tracks are simple one-word titles but that's all that they require -- too much information would spoil the record's elegance. And that's probably why they open the record with "Words," a song about the overuse and misuse of language, that sets the tone for the entire album, right up to their plaintive and passionate cover of "You Are My Sunshine." Every small nuance of production is evident -- Sparhawk's fingers not quite connecting on a chord change or sliding over a fret and echoing infinitely -- making I Could Live in Hope a true testament to both Low and Kramer's penchant for capturing the lushest of soundscapes.

© Ken Taylor /TiVo

À propos

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Making Movies

Dire Straits

Making Movies Dire Straits

Love Over Gold

Dire Straits

Love Over Gold Dire Straits

Blue Train

John Coltrane

Blue Train John Coltrane

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits
À découvrir également
Par Low

Ones and Sixes

Low

Voleur

Low

Voleur Low

The Invisible Way (Édition StudioMasters)

Low

Docteur

Low

Docteur Low

Long Division

Low

Listes de lecture

Dans la même thématique...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Now And Then

The Beatles

Now And Then The Beatles

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Dark Matter

Pearl Jam

Dark Matter Pearl Jam