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Lisa Ekdahl|Grand Songs

Grand Songs

Lisa Ekdahl

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Vingt ans après ses débuts, Lisa Ekdahl s’amuse avec l’espièglerie, la finesse et la classe qu’on lui connaît à revisiter des perles pop, d’hier et d’aujourd’hui. Avec Grand Songs, la Suédoise fait même dans les grands écarts, reprenant Billie Eilish (Wish You Were Gay) comme les Beatles (I Should Have Known Better), Bob Dylan (Most of the Time) ou Beyoncé (If I Were a Boy), sans oublier Diana Ross et les Supremes (Stop! In the Name of Love), les Monkeys (Take a Giant Step) et James Taylor (You Can Close Your Eyes). Dès ses débuts et comme tout vocaliste jazz digne de ce nom, elle a excellé dans cet exercice périlleux qui permet aussi de mettre en avant la singularité d’un timbre vocal. Côté écrin, elle alterne ici entre quintet de jazz et grand orchestre avec cordes et les séquences intimistes s’éclipsent au profit d’un peu d’hédonisme luxuriant. Mais c’est quand elle ose le contrepied total qu’Ekdahl est la plus pertinente. À l’image de sa délicieuse version bossa d’I Should Have Known Better) et de sa reprise très jazz fifties d’If I Were a Boy, les deux temps forts d’un disque bien réconfortant. © Marc Zisman/Qobuz

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Grand Songs

Lisa Ekdahl

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1
Wish You Were Gay
00:03:08

Desmond Foster, Background Vocal - Lisa Ekdahl, Producer, MainArtist, AssociatedPerformer - Per Texas Johansson, Clarinet, Bass Clarinet, Tenor Saxophone - Mathias Blomdahl, Producer, Arranger, Acoustic Guitar, Electric Guitar, Mixing Engineer, Bass, Bongos, Background Vocal - Vanna Rosenberg, Background Vocal - FINNEAS, Composer - Billie Eilish O'Connell, Lyricist - Andreas Nordell, Bass, Background Vocal - Milton Öhrström, Piano, Vibraphone - Ola Winkler, Drums, Percussion

(P) 2021 Lisa Ekdahl AB under exclusive License to Sony Music Entertainment

2
You've Lost That Lovin' Feelin'
00:04:20

PHIL SPECTOR, Composer, Lyricist - Desmond Foster, Background Vocal - Lisa Ekdahl, Producer, MainArtist, AssociatedPerformer - Mann and Weil, Lyricist - Per Texas Johansson, Clarinet, Bass Clarinet, Tenor Saxophone - Mathias Blomdahl, Producer, Arranger, Acoustic Guitar, Electric Guitar, Mixing Engineer, Bass, Bongos, Background Vocal - Vanna Rosenberg, Background Vocal - Andreas Nordell, Bass, Background Vocal - Milton Öhrström, Piano, Vibraphone - Ola Winkler, Drums, Percussion

(P) 2021 Lisa Ekdahl AB under exclusive License to Sony Music Entertainment

3
If I Were a Boy
00:03:34

Toby GAD, Composer, Lyricist - BC Jean, Composer, Lyricist - Desmond Foster, Background Vocal - Lisa Ekdahl, Producer, MainArtist, AssociatedPerformer - Per Texas Johansson, Clarinet, Bass Clarinet, Tenor Saxophone - Mathias Blomdahl, Producer, Arranger, Acoustic Guitar, Electric Guitar, Mixing Engineer, Bass, Bongos, Background Vocal - Vanna Rosenberg, Background Vocal - Andreas Nordell, Bass, Background Vocal - Milton Öhrström, Piano, Vibraphone - Ola Winkler, Drums, Percussion

(P) 2021 Lisa Ekdahl AB under exclusive License to Sony Music Entertainment

4
Stop! In the Name of Love
00:03:49

Lamont Dozier, Composer, Lyricist - Brian Holland, Composer, Lyricist - Desmond Foster, Background Vocal - Lisa Ekdahl, Producer, MainArtist, AssociatedPerformer - Per Texas Johansson, Clarinet, Bass Clarinet, Tenor Saxophone - Mathias Blomdahl, Producer, Arranger, Acoustic Guitar, Electric Guitar, Mixing Engineer, Bass, Bongos, Background Vocal - Vanna Rosenberg, Background Vocal - Andreas Nordell, Bass, Background Vocal - Milton Öhrström, Piano, Vibraphone - Ola Winkler, Drums, Percussion

(P) 2021 Lisa Ekdahl AB under exclusive License to Sony Music Entertainment

5
Most of the Time
00:03:50

Bob Dylan, Composer, Lyricist - Desmond Foster, Background Vocal - Erik Arvinder, Arranger - Lisa Ekdahl, Producer, MainArtist, AssociatedPerformer - Per Texas Johansson, Clarinet, Bass Clarinet, Tenor Saxophone - Mathias Blomdahl, Producer, Arranger, Acoustic Guitar, Electric Guitar, Mixing Engineer, Bass, Bongos, Background Vocal - Vanna Rosenberg, Background Vocal - Andreas Nordell, Bass, Background Vocal - Milton Öhrström, Piano, Vibraphone - Ola Winkler, Drums, Percussion

(P) 2021 Lisa Ekdahl AB under exclusive License to Sony Music Entertainment

6
I Should Have Known Better
00:03:25

John Lennon, Composer, Lyricist - Paul Mccartney, Composer, Lyricist - Desmond Foster, Background Vocal - Lisa Ekdahl, Producer, MainArtist, AssociatedPerformer - Per Texas Johansson, Clarinet, Bass Clarinet, Tenor Saxophone - Mathias Blomdahl, Producer, Arranger, Acoustic Guitar, Electric Guitar, Mixing Engineer, Bass, Bongos, Background Vocal - Vanna Rosenberg, Background Vocal - Andreas Nordell, Bass, Background Vocal - Milton Öhrström, Piano, Vibraphone - Ola Winkler, Drums, Percussion

(P) 2021 Lisa Ekdahl AB under exclusive License to Sony Music Entertainment

7
Till the Rivers All Run Dry
00:04:07

D. Williams, Composer - W. Holyfield, Lyricist - Desmond Foster, Background Vocal - Lisa Ekdahl, Producer, MainArtist, AssociatedPerformer - Per Texas Johansson, Clarinet, Bass Clarinet, Tenor Saxophone - Mathias Blomdahl, Producer, Arranger, Acoustic Guitar, Electric Guitar, Mixing Engineer, Bass, Bongos, Background Vocal - Vanna Rosenberg, Background Vocal - Andreas Nordell, Bass, Background Vocal - Milton Öhrström, Piano, Vibraphone - Ola Winkler, Drums, Percussion

(P) 2021 Lisa Ekdahl AB under exclusive License to Sony Music Entertainment

8
Dream a Little Dream of Me
00:03:06

Gus Kahn, Composer, Lyricist - Desmond Foster, Background Vocal - Lisa Ekdahl, Producer, MainArtist, AssociatedPerformer - Wilbur Schwandt, Composer, Lyricist - Fabian Andre, Composer, Lyricist - Per Texas Johansson, Clarinet, Bass Clarinet, Tenor Saxophone - Mathias Blomdahl, Producer, Arranger, Acoustic Guitar, Electric Guitar, Mixing Engineer, Bass, Bongos, Background Vocal - Vanna Rosenberg, Background Vocal - Andreas Nordell, Bass, Background Vocal - Milton Öhrström, Piano, Vibraphone - Ola Winkler, Drums, Percussion

(P) 2021 Lisa Ekdahl AB under exclusive License to Sony Music Entertainment

9
Take a Giant Step
00:03:48

Desmond Foster, Background Vocal - C. King, Composer, Lyricist - Lisa Ekdahl, Producer, MainArtist, AssociatedPerformer - G. Goffin, Composer, Lyricist - Per Texas Johansson, Clarinet, Bass Clarinet, Tenor Saxophone - Mathias Blomdahl, Producer, Arranger, Acoustic Guitar, Electric Guitar, Mixing Engineer, Bass, Bongos, Background Vocal - Vanna Rosenberg, Background Vocal - Andreas Nordell, Bass, Background Vocal - Milton Öhrström, Piano, Vibraphone - Ola Winkler, Drums, Percussion

(P) 2021 Lisa Ekdahl AB under exclusive License to Sony Music Entertainment

10
You Can Close Your Eyes
00:04:03

JAMES TAYLOR, Composer, Lyricist - Desmond Foster, Background Vocal - Lisa Ekdahl, Producer, MainArtist, AssociatedPerformer - Per Texas Johansson, Clarinet, Bass Clarinet, Tenor Saxophone - Mathias Blomdahl, Producer, Arranger, Acoustic Guitar, Electric Guitar, Mixing Engineer, Bass, Bongos, Background Vocal - Vanna Rosenberg, Background Vocal - Andreas Nordell, Bass, Background Vocal - Milton Öhrström, Piano, Vibraphone - Ola Winkler, Drums, Percussion

(P) 2021 Lisa Ekdahl AB under exclusive License to Sony Music Entertainment

Chronique

Vingt ans après ses débuts, Lisa Ekdahl s’amuse avec l’espièglerie, la finesse et la classe qu’on lui connaît à revisiter des perles pop, d’hier et d’aujourd’hui. Avec Grand Songs, la Suédoise fait même dans les grands écarts, reprenant Billie Eilish (Wish You Were Gay) comme les Beatles (I Should Have Known Better), Bob Dylan (Most of the Time) ou Beyoncé (If I Were a Boy), sans oublier Diana Ross et les Supremes (Stop! In the Name of Love), les Monkeys (Take a Giant Step) et James Taylor (You Can Close Your Eyes). Dès ses débuts et comme tout vocaliste jazz digne de ce nom, elle a excellé dans cet exercice périlleux qui permet aussi de mettre en avant la singularité d’un timbre vocal. Côté écrin, elle alterne ici entre quintet de jazz et grand orchestre avec cordes et les séquences intimistes s’éclipsent au profit d’un peu d’hédonisme luxuriant. Mais c’est quand elle ose le contrepied total qu’Ekdahl est la plus pertinente. À l’image de sa délicieuse version bossa d’I Should Have Known Better) et de sa reprise très jazz fifties d’If I Were a Boy, les deux temps forts d’un disque bien réconfortant. © Marc Zisman/Qobuz

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