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Stefanie True|Dussek: Messe solomnelle in G Major, C. 256

Dussek: Messe solomnelle in G Major, C. 256

Richard Egarr, Academy Of Ancient Music

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Langue disponible : anglais

Jan Ladislav Dussek was perhaps Europe's greatest pianist until Beethoven came along, and much of his music involves the piano. He wrote works in many genres, however, including some substantial choral music at the end of his life that, in places, looked forward to Schubert. Consider this Messe Solemnelle in G major, an hourlong work that receives not only its world premiere recording but possibly its first performance in any form; it was discovered by Academy of Ancient Music director Richard Egarr in a Florence library. Physical CD buyers will get a weighty scholarly apparatus, but even online listeners will find an enjoyable work that could easily find its way into the choral repertory. Dussek's setting of the mass text is impressively varied: he has some splendid fugues, not always in the usual places (try the Kyrie II). The Resurrexit is marked by a big trumpet-and-timpani movement reminiscent of Haydn's Lord Nelson Mass, and in general, Dussek is closer to Haydn and to Beethoven's Mass in C major, Op. 86, of just a few years before, than he is to Mozart. There are operatic solos, and for these, one might hope, given the dimensions of the work, for more powerful singing than they receive here. There are non-contrapuntal choruses that have a warm, Schubertian quality even as they maintain considerable complexity. The most impressive example is the final Dona nobis pacem, weaving all of the forces together. The period instruments of Egarr's Academy of Ancient Music bring the work brilliantly to life even if the choir of 20 is a bit underpowered. In general, this album revives a lost work of real value, and it deserves the commercial success it has had.

© TiVo

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Dussek: Messe solomnelle in G Major, C. 256

Stefanie True

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Messe solomnelle in G Major, C. 256 (Jan Ladislav Dussek)

1
I. Kyrie I
Stefanie True
00:04:27

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Stefanie True, Artist, MainArtist - Morgan Pearse, Artist, MainArtist - Gwilym Bowen, Artist, MainArtist - Helen Charlston, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

2
II. Christe
Stefanie True
00:04:45

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Stefanie True, Artist, MainArtist - Gwilym Bowen, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

3
III. Kyrie
Choir of the AAM
00:01:00

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Choir of the AAM, Choir, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

4
IV. Kyrie II
Choir of the AAM
00:03:24

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Choir of the AAM, Choir, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

5
V. Gloria
Choir of the AAM
00:04:15

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Choir of the AAM, Choir, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

6
VI. Qui tollis
Stefanie True
00:03:44

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Stefanie True, Artist, MainArtist - Morgan Pearse, Artist, MainArtist - Gwilym Bowen, Artist, MainArtist - Helen Charlston, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

7
VII. Quoniam
Stefanie True
00:06:03

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Stefanie True, Artist, MainArtist - Morgan Pearse, Artist, MainArtist - Gwilym Bowen, Artist, MainArtist - Helen Charlston, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

8
VIII. Cum sancto
Choir of the AAM
00:03:27

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Choir of the AAM, Choir, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

9
IX. Credo
Choir of the AAM
00:02:46

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Choir of the AAM, Choir, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

10
X. Et incarnatus est
Stefanie True
00:02:00

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Stefanie True, Artist, MainArtist - Morgan Pearse, Artist, MainArtist - Gwilym Bowen, Artist, MainArtist - Helen Charlston, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

11
XI. Et resurrexit
Choir of the AAM
00:01:31

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Choir of the AAM, Choir, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

12
XII. Et in spiritum
Stefanie True
00:03:42

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Stefanie True, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

13
XIII. Qui locutus est
Choir of the AAM
00:01:04

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Choir of the AAM, Choir, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

14
XIV. Et vitam venturi
Stefanie True
00:01:50

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Stefanie True, Artist, MainArtist - Choir of the AAM, Choir, MainArtist - Morgan Pearse, Artist, MainArtist - Gwilym Bowen, Artist, MainArtist - Helen Charlston, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

15
XV. Sanctus
Choir of the AAM
00:02:15

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Choir of the AAM, Choir, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

16
XVI. Benedictus
Stefanie True
00:03:41

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Stefanie True, Artist, MainArtist - Morgan Pearse, Artist, MainArtist - Gwilym Bowen, Artist, MainArtist - Helen Charlston, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

17
XVII. Hosanna
Choir of the AAM
00:00:33

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Choir of the AAM, Choir, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

18
XVIII. Agnus Dei
Choir of the AAM
00:01:59

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Choir of the AAM, Choir, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

19
XIX. Dona nobis pacem
Stefanie True
00:07:43

Academy Of Ancient Music, Orchestra, MainArtist - Richard Egarr, Conductor, MainArtist - Jan Ladislav Dussek, Composer - Stefanie True, Artist, MainArtist - Choir of the AAM, Choir, MainArtist - Morgan Pearse, Artist, MainArtist - Gwilym Bowen, Artist, MainArtist - Helen Charlston, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

Chronique

Jan Ladislav Dussek was perhaps Europe's greatest pianist until Beethoven came along, and much of his music involves the piano. He wrote works in many genres, however, including some substantial choral music at the end of his life that, in places, looked forward to Schubert. Consider this Messe Solemnelle in G major, an hourlong work that receives not only its world premiere recording but possibly its first performance in any form; it was discovered by Academy of Ancient Music director Richard Egarr in a Florence library. Physical CD buyers will get a weighty scholarly apparatus, but even online listeners will find an enjoyable work that could easily find its way into the choral repertory. Dussek's setting of the mass text is impressively varied: he has some splendid fugues, not always in the usual places (try the Kyrie II). The Resurrexit is marked by a big trumpet-and-timpani movement reminiscent of Haydn's Lord Nelson Mass, and in general, Dussek is closer to Haydn and to Beethoven's Mass in C major, Op. 86, of just a few years before, than he is to Mozart. There are operatic solos, and for these, one might hope, given the dimensions of the work, for more powerful singing than they receive here. There are non-contrapuntal choruses that have a warm, Schubertian quality even as they maintain considerable complexity. The most impressive example is the final Dona nobis pacem, weaving all of the forces together. The period instruments of Egarr's Academy of Ancient Music bring the work brilliantly to life even if the choir of 20 is a bit underpowered. In general, this album revives a lost work of real value, and it deserves the commercial success it has had.

© TiVo

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