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Mama Cass|Dream A Little Dream

Dream A Little Dream

Mama Cass

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Langue disponible : anglais

At the time the Mamas & the Papas broke up in 1968, it was painfully obvious that Dunhill Records was placing all their bets on Elliot as far as a successful solo recording career. They certainly had good reason. While Elliot wasn't always the lead voice on the hits (Denny Doherty usually was), she provided the sound that brought the vocal majesty together, as well as an image. The "final" Mamas single, "Dream a Little Dream," was now billed as a "Mama Cass" single, and Dunhill quickly brought her into the studio for an album. The result is one of her finest, and an important sociological record, too. It can easily be described as the sound of Laurel Canyon in 1968, with songs by Graham Nash (whom Elliot was in the process of introducing to Stills and Crosby), John Sebastian, and Robbie Robertson. John Simon exquisitely produced this album, employing his "nuts and bolts" technique that was so effective on his work with the Band. It was a great start for her solo career. Unfortunately after this, Elliot fell into the record industry machinery, and quickly began turning out bubblegum hits that weren't really where she was at. This sounds like a place closer to her heart, and to listeners' hearts as well.

© Matthew Greenwald /TiVo

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Dream A Little Dream

Mama Cass

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1
Dream A Little Dream Of Me
00:03:41

Gus Kahn, Author - JOHN SIMON, Producer - Wilbur Schwandt, Author - Fabian Andre, Author - Mama Cass, MainArtist

℗ 1968 UMG Recordings, Inc.

2
California Earthquake
00:02:41

JOHN SIMON, Producer - John Hartford, ComposerLyricist - Mama Cass, MainArtist

℗ 1968 UMG Recordings, Inc.

3
The Room Nobody Lives In
00:03:09

John Sebastian, ComposerLyricist - JOHN SIMON, Producer - Mama Cass, MainArtist

℗ 1968 UMG Recordings, Inc.

4
Talkin' To Your Toothbrush
00:02:22

JOHN SIMON, Producer, ComposerLyricist - Mama Cass, MainArtist

℗ 1968 UMG Recordings, Inc.

5
Blues For Breakfast
00:02:55

JOHN SIMON, Producer - Mama Cass, MainArtist - Richard G. Manuel, ComposerLyricist

℗ 1968 UMG Recordings, Inc.

6
You Know Who I Am
00:04:03

Leonard Cohen, ComposerLyricist - JOHN SIMON, Producer, Programmer - Mama Cass, MainArtist

℗ 1968 UMG Recordings, Inc.

7
Rubber Band
00:03:29

Cyrus Faryar, ComposerLyricist - JOHN SIMON, Producer - Mama Cass, MainArtist

℗ 1968 UMG Recordings, Inc.

8
Long Time Loving You
00:01:58

Stuart Scharf, ComposerLyricist - JOHN SIMON, Producer - Mama Cass, MainArtist

℗ 1968 UMG Recordings, Inc.

9
Jane, The Insane Dog Lady
00:02:02

JOHN SIMON, Producer, ComposerLyricist - Mama Cass, MainArtist

℗ 1968 UMG Recordings, Inc.

10
What Was I Thinking Of
00:04:02

JOHN SIMON, Producer, Programmer - Mama Cass, MainArtist - Leah Cohen, ComposerLyricist

℗ 1968 UMG Recordings, Inc.

11
Burn Your Hatred
00:02:03

Graham nash, ComposerLyricist - JOHN SIMON, Producer, Programmer - Mama Cass, MainArtist

℗ 1968 UMG Recordings, Inc.

12
Sweet Believer
00:04:56

Cyrus Faryar, ComposerLyricist - JOHN SIMON, Producer - Mama Cass, MainArtist

℗ 1968 UMG Recordings, Inc.

Chronique

At the time the Mamas & the Papas broke up in 1968, it was painfully obvious that Dunhill Records was placing all their bets on Elliot as far as a successful solo recording career. They certainly had good reason. While Elliot wasn't always the lead voice on the hits (Denny Doherty usually was), she provided the sound that brought the vocal majesty together, as well as an image. The "final" Mamas single, "Dream a Little Dream," was now billed as a "Mama Cass" single, and Dunhill quickly brought her into the studio for an album. The result is one of her finest, and an important sociological record, too. It can easily be described as the sound of Laurel Canyon in 1968, with songs by Graham Nash (whom Elliot was in the process of introducing to Stills and Crosby), John Sebastian, and Robbie Robertson. John Simon exquisitely produced this album, employing his "nuts and bolts" technique that was so effective on his work with the Band. It was a great start for her solo career. Unfortunately after this, Elliot fell into the record industry machinery, and quickly began turning out bubblegum hits that weren't really where she was at. This sounds like a place closer to her heart, and to listeners' hearts as well.

© Matthew Greenwald /TiVo

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