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Sister Carol|Direct Hit!

Direct Hit!

Sister Carol

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Sister Carol has been around long enough to become a reggae icon, and is one of the few strong females to consistently release records. But this is her first live disc, and that's always the test. She acquits herself very well, covering roots with plenty of conscious lyrics and handling dancehall rhythms and speed very well on songs like "Call Mi Sister Carol" and "Can't Stop Reggae," which veers close to R&B territory with its backing vocals sweetening the sound. While there's a definite rawness to it in parts, that's merely an indication no one's been messing with tapes later on in the studio -- and makes it all the more real. Of course, "Black Cinderella" is here, and the whole affair rounds off with her biggest hit, "Wild Thing," but this is a full show, with "Womb-Man" and "Rasta Girl" paying tribute to women and "70 Sump'm Pieces of Bob" paying homage to Bob Marley, giving guitarist/singer Junior Jazz a workout (and a fine voice he has, too). With a small but strong band behind her, her set is as much about spreading the gospel of reggae and strong women as it is about entertainment. "Natty Live Up" is a statement of strength about being a Rasta, and "Herbal Is Natural" and "Herbal Affair" speak for themselves as the Rasta sacrament. But after all that seriousness, her "Wild Thing" is playful joy -- with a political edge at times, but made for release rather than education -- and a perfect end to her show, including the truly wild lead guitar break. While she's never achieved the prominence she deserves, Sister Carol remains an important reggae performer and a female symbol who can deliver the goods on-stage.

© Chris Nickson /TiVo

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Direct Hit!

Sister Carol

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1
Fanfare
00:02:31

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

2
Conquering Lion
00:00:39

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

3
Mi Love the Father
00:02:42

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

4
Black Cinderella
00:05:58

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

5
Promises
00:03:45

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

6
Call Mi Sister Carol
00:03:19

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

7
Can't Stop Reggae
00:05:27

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

8
Reggae Arena
00:05:00

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

9
Womb-Man
00:04:27

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

10
Rasta Girl
00:06:56

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

11
70 Sup'm Pieces of Bob
00:06:21

Junior Jazz, FeaturedArtist - null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

12
Ram the Party / Run Things / My Children / International Style (Medley)
00:06:54

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

13
Cut & Clear
00:03:39

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

14
Natty Live Up
00:05:12

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

15
Herbal Is Natural
00:02:55

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

16
Herbal Affair
00:04:11

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

17
Wild Thing
00:04:59

null, MusicPublisher - Sister Carol, Composer, MainArtist

(C) 2009 © Black Cinderella Music (P) 2009 (P) Black Cinderella Music

Chronique

Sister Carol has been around long enough to become a reggae icon, and is one of the few strong females to consistently release records. But this is her first live disc, and that's always the test. She acquits herself very well, covering roots with plenty of conscious lyrics and handling dancehall rhythms and speed very well on songs like "Call Mi Sister Carol" and "Can't Stop Reggae," which veers close to R&B territory with its backing vocals sweetening the sound. While there's a definite rawness to it in parts, that's merely an indication no one's been messing with tapes later on in the studio -- and makes it all the more real. Of course, "Black Cinderella" is here, and the whole affair rounds off with her biggest hit, "Wild Thing," but this is a full show, with "Womb-Man" and "Rasta Girl" paying tribute to women and "70 Sump'm Pieces of Bob" paying homage to Bob Marley, giving guitarist/singer Junior Jazz a workout (and a fine voice he has, too). With a small but strong band behind her, her set is as much about spreading the gospel of reggae and strong women as it is about entertainment. "Natty Live Up" is a statement of strength about being a Rasta, and "Herbal Is Natural" and "Herbal Affair" speak for themselves as the Rasta sacrament. But after all that seriousness, her "Wild Thing" is playful joy -- with a political edge at times, but made for release rather than education -- and a perfect end to her show, including the truly wild lead guitar break. While she's never achieved the prominence she deserves, Sister Carol remains an important reggae performer and a female symbol who can deliver the goods on-stage.

© Chris Nickson /TiVo

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