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Philip Mead|Crumb, G.: Piano Music

Crumb, G.: Piano Music

Philip Mead

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George Crumb's music is obviously a result of a fascination with sound. Philip Mead's performance of Crumb's solo piano works shows that he shares that fascination with variation in timbre, articulation, volume, and pitch. Mead is sensitive to the different types of sounds in these works, not only those played on or in the piano, but also those he has to voice himself. Each sound is distinct and the contrasts between them are distinct, with everything carefully colored. Mead fully and clearly realizes the meanings of titles and expression markings. The opening of Makrokosmos I, "Primeval Sounds," is not percussively barbaric, but a candid statement of the earth's creation. In Makrokosmos II, "A Prophecy of Nostradamus" is large and frightening, with a quiet passage hinting at the doom to come quoting the Dies Irae. Variation 13 of the Gnomic Variations, marked misterioso, is mysterious in a suspenseful, film noir way, while the "Berceuse for the Infant Jesu" in A Little Suite for Christmas has a gently singing and rocking quality. The two sets of Makrokosmos are favored by Mead, evidenced not only by the amount of space devoted to them in his program notes, but also by the care he takes with them. In A Little Suite for Christmas the distinctions between sounds can draw attention away from the overall scope and shape of the work, but in the Makrokosmos, this isn't a problem. There is a sense that Makrokosmos I is a set of miniatures, while Makrokosmos II has an overarching structure. Mead appreciates Crumb's music for what it is, playing it with honesty, sympathy, and straightforwardness, which allows the listener to appreciate it also.
© TiVo

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Crumb, G.: Piano Music

Philip Mead

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Makrokosmos I (George Crumb)

1
Part I: I. Primeval sounds (Cancer)
00:05:06

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

2
Part I: II. Proteus (Pisces)
00:01:07

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

3
Part I: III. Pastorale (Taurus)
00:02:03

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

4
Part I: IV. Crucifixus (Capricorn)
00:03:24

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

5
Part II: V. The Phantom Gondolier (Scorpio)
00:03:55

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

6
Part II: VI. Night-Spell I (Sagittarius)
00:04:28

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

7
Part II: VII. Music of Shadows (Libra)
00:03:09

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

8
Part II: VIII. The Magic Circle of Infinity (Leo)
00:02:14

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

9
Part III: IX. The Abyss of Time (Virgo)
00:03:08

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

10
Part III: X. The Spring-Fire (Aries)
00:01:49

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

11
Part III: XI. Dream Images (Gemini)
00:04:44

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

12
Part III: XII. Spiral Galaxy (Aquarius)
00:03:16

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

Makrokosmos II (George Crumb)

13
Part I: I. Morning Music (Cancer)
00:02:43

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

14
Part I: II. The Mystic Chord (Sagittarius)
00:03:02

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

15
Part I: III. Rain-Death Variations (Pisces)
00:01:31

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

16
Part I: IV. Twin Suns (Gemini)
00:03:39

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

17
Part II: V. Ghost-Nocturne - for the Druids of Stonehenge (Virgo)
00:02:43

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

18
Part II: VI. Gargoyles (Taurus)
00:01:13

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

19
Part II: VII. Tora! Tora! (Scorpio)
00:01:51

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

20
Part II: VIII. A Prophecy of Nostradamus (Aries)
00:03:30

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

21
Part III: IX. Cosmic Wind (Libra)
00:02:20

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

22
Part III: X. Voices from Corona Borealis (Aquarius)
00:04:42

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

23
Part III: XI. Litany of the Galactic Bells (Leo)
00:02:41

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

24
Part III: XII. Agnus Dei (Capricorn)
00:05:01

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

DISQUE 2

5 Pieces For Piano (George Crumb)

1
No. 1. Quasi improvvissando
00:02:35

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

2
No. 2. Ruvido, molto energico
00:01:13

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

3
No. 3. Notturno: Sempre pizzicato
00:02:50

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

4
No. 4. Ruvido, molto energico
00:01:14

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

5
No. 5. Senza misura, liberamente
00:04:09

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

Gnomic Variations (George Crumb)

6
Tema: Lentamente, deciso
00:01:11

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

7
Variation 1: Energicamente, un poco più mosso
00:00:42

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

8
Variation 2: Molto ritmico, ancora un poco più mosso
00:00:53

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

9
Variation 3: Capriccioso, ancora più mosso
00:00:37

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

10
Variation 4: Un poco agitato, ma velato - Io tempo stresso
00:00:43

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

11
Variation 5: Più lento, molto espressivo
00:00:54

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

12
Variation 6: Largamente, retoricamente
00:02:07

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

13
Variation 7: Grave, ben sostenuto
00:02:15

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

14
Variation 8: Molto ritmico, allegro possibile
00:00:57

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

15
Variation 9: Lentamente, elegiaco
00:01:51

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

16
Variation 10: Molto moderato
00:01:13

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

17
Variation 11: Grazioso, un poco scherzando
00:00:38

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

18
Variation 12: Prestissimo
00:01:05

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

19
Variation 13: Misterioso
00:02:22

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

20
Variation 14: Quasi recitativo, decisamente
00:01:08

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

21
Variation 15: Implacabilmente
00:00:44

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

22
Variation 16: Io stresso tempo
00:00:37

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

23
Variation 17: Sonoro, maestoso
00:02:02

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

24
Variation 18 (Tema): Lentamente, deciso
00:01:42

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

Processional (George Crumb)

25
Processional
00:11:39

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

A Little Suite for Christmas, AD 1979 (George Crumb)

26
I. The Visitation
00:02:42

GEORGE CRUMB, Composer - Philip Mead, Artist, MainArtist

(C) 2013 Metier (P) 2013 Metier

Chronique

George Crumb's music is obviously a result of a fascination with sound. Philip Mead's performance of Crumb's solo piano works shows that he shares that fascination with variation in timbre, articulation, volume, and pitch. Mead is sensitive to the different types of sounds in these works, not only those played on or in the piano, but also those he has to voice himself. Each sound is distinct and the contrasts between them are distinct, with everything carefully colored. Mead fully and clearly realizes the meanings of titles and expression markings. The opening of Makrokosmos I, "Primeval Sounds," is not percussively barbaric, but a candid statement of the earth's creation. In Makrokosmos II, "A Prophecy of Nostradamus" is large and frightening, with a quiet passage hinting at the doom to come quoting the Dies Irae. Variation 13 of the Gnomic Variations, marked misterioso, is mysterious in a suspenseful, film noir way, while the "Berceuse for the Infant Jesu" in A Little Suite for Christmas has a gently singing and rocking quality. The two sets of Makrokosmos are favored by Mead, evidenced not only by the amount of space devoted to them in his program notes, but also by the care he takes with them. In A Little Suite for Christmas the distinctions between sounds can draw attention away from the overall scope and shape of the work, but in the Makrokosmos, this isn't a problem. There is a sense that Makrokosmos I is a set of miniatures, while Makrokosmos II has an overarching structure. Mead appreciates Crumb's music for what it is, playing it with honesty, sympathy, and straightforwardness, which allows the listener to appreciate it also.
© TiVo

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(C) 2013 Metier (P) 2013 Metier

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