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Notturna|Calcutta 1789 - À la croisée de l'Europe et de l'Inde

Calcutta 1789 - À la croisée de l'Europe et de l'Inde

Notturna, Christopher Palameta

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This release by oboist Christopher Palameta and his Notturna ensemble features a program that is not hypothetical but is based on surviving programs of concerts mounted in Calcutta in 1789 by the entrepreneur William Hamilton Bird. Calcutta (Kolkata) was home to about 4,000 British expatriates and boasted a concert scene that kept abreast of fairly recent London trends. The English, many of them young women learning to play keyboard instruments (apparently still mostly the harpsichord at this great distance), also tried to replicate the Indian music they heard, and Bird seems to have had some of these efforts written down and to have published the results. Notturna uses its own arrangements in these, although it would have been useful to hear them as Bird published them. These are, without question, the most interesting parts of Palameta's program here, and one feels a strong desire to hear more of them. The Indian materials are reduced to just a whiff within basically European structure. It is hard to think of another example where the reaction of a musical mind when it is confronted with something fundamentally alien is depicted so clearly. There are other interesting features to the program as well; it mixes fairly contemporary music by Johann Christian Bach and Carl Friedrich Abel (who had their own successful Bach-Abel concert series) with earlier music by Handel and Purcell. Palameta suggests that for a listener of the time, the earlier music would have had overtones of empire. One of the Purcell airs is fitted out with Indian instruments by the group. The ATMA Classique label's sound from a Montreal-area church is vague and unsuited to this chamber music, and one might object to some other decisions here, but the album does a great service by opening up a hitherto unknown repertory.

© James Manheim /TiVo

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Calcutta 1789 - À la croisée de l'Europe et de l'Inde

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1
Sakia (air hindoustani) (Arr. For Chamber Ensemble By Notturna)
00:06:43

Traditional, Composer - Notturna, Arranger, Chamber Ensemble, Work Arranger, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

Quintette In F Major, Op. 22, No 2 (Johann Christian Bach)

2
I. Allegro commodo
00:06:10

Johann Christian Bach, Composer - Notturna, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

3
II. Tempo di minuetto
00:04:09

Johann Christian Bach, Composer - Notturna, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

Quintette In D Major, Op. 22, No 1 (Johann Christian Bach)

4
II. Andantino
00:04:52

Johann Christian Bach, Composer - Notturna, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

Quatuor In G major, "My Song Shall Be Alway" (Georg Friedrich Händel)

5
I. Largo e staccato
00:00:40

George Frideric Handel, Composer - Notturna, Adapter, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

6
II. Allegro
00:02:28

George Frideric Handel, Composer - Notturna, Adapter, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

7
III. Adagio
00:01:05

George Frideric Handel, Composer - Notturna, Adapter, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

8
IV. Allegro
00:03:22

George Frideric Handel, Composer - Notturna, Adapter, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

The Fairy Queen, Z. 629 / Act III (Henry Purcell)

9
If Love’s A Sweet Passion (Arr. For Chamber Ensemble By Notturna)
00:01:41

William Shakespeare , Author, Original Text Author - Henry Purcell, Composer - Elkanah Settle, Author - Notturna, Arranger, Chamber Ensemble, Work Arranger, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

King Arthur, Z.628 / Act V (Henry Purcell)

10
Scene II: Fairest Isle (Arr. For Chamber Ensemble By Notturna)
00:01:45

Henry Purcell, Composer - John Dryden, Author - Notturna, Arranger, Chamber Ensemble, Work Arranger, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

Quatuor In B-Flat Major, Op. 12, No 5 (Carl Friedrich Abel)

11
I. Un poco allegro
00:04:52

Carl Friedrich Abel, Composer - Notturna, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

12
II. Rondo
00:03:32

Carl Friedrich Abel, Composer - Notturna, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

Oriental Miscellany (William Hamilton Bird)

13
XV. Rekhtah "Mera peara ab ia re" (Arr. For Chamber Ensemble By Notturna)
00:03:49

Notturna, Arranger, Chamber Ensemble, Work Arranger, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - William Hamilton Bird, Composer - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

Rodelinda, HWV 19 / Act III (Georg Friedrich Händel)

14
"Ahi perché, giusto ciel" (Arr. For Chamber Ensemble By Notturna)
00:06:25

George Frideric Handel, Composer - Antonio Salvi, Author - Notturna, Arranger, Chamber Ensemble, Work Arranger, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

Solomon, HWV 67 / Act III (Georg Friedrich Händel)

15
Will The Sun Forget To Streak (Arr. for Chamber Ensemble by Notturna)
00:04:40

George Frideric Handel, Composer - Notturna, Arranger, Chamber Ensemble, Work Arranger, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

Ottone, HWV 15 / Act I (Georg Friedrich Händel)

16
Falsa imagine, m'ingannasti (Arr. For Chamber Ensemble By Notturna)
00:05:03

George Frideric Handel, Composer - Nicola Francesco Haym, Author - Notturna, Arranger, Chamber Ensemble, Work Arranger, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

Oriental Miscellany (William Hamilton Bird)

17
XIII. Terana "Dandera vakee" (Arr. For Chamber Ensemble By Notturna)
00:02:10

Notturna, Arranger, Chamber Ensemble, Work Arranger, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - William Hamilton Bird, Composer - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

The Indian Queen, Z. 630 / Act III (Henry Purcell)

18
Rondeau
00:01:41

Henry Purcell, Composer - John Dryden, Author - Sir Robert Howard, Author - Notturna, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Palameta, Musical Director, MainArtist - Anne-Marie Sylvestre, Producer, Mixer, Editor, Recording Engineer, StudioPersonnel - Jonathan Kaspy, Asst. Recording Engineer, StudioPersonnel

℗ 2023 ATMA Classique

Chronique

This release by oboist Christopher Palameta and his Notturna ensemble features a program that is not hypothetical but is based on surviving programs of concerts mounted in Calcutta in 1789 by the entrepreneur William Hamilton Bird. Calcutta (Kolkata) was home to about 4,000 British expatriates and boasted a concert scene that kept abreast of fairly recent London trends. The English, many of them young women learning to play keyboard instruments (apparently still mostly the harpsichord at this great distance), also tried to replicate the Indian music they heard, and Bird seems to have had some of these efforts written down and to have published the results. Notturna uses its own arrangements in these, although it would have been useful to hear them as Bird published them. These are, without question, the most interesting parts of Palameta's program here, and one feels a strong desire to hear more of them. The Indian materials are reduced to just a whiff within basically European structure. It is hard to think of another example where the reaction of a musical mind when it is confronted with something fundamentally alien is depicted so clearly. There are other interesting features to the program as well; it mixes fairly contemporary music by Johann Christian Bach and Carl Friedrich Abel (who had their own successful Bach-Abel concert series) with earlier music by Handel and Purcell. Palameta suggests that for a listener of the time, the earlier music would have had overtones of empire. One of the Purcell airs is fitted out with Indian instruments by the group. The ATMA Classique label's sound from a Montreal-area church is vague and unsuited to this chamber music, and one might object to some other decisions here, but the album does a great service by opening up a hitherto unknown repertory.

© James Manheim /TiVo

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