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Cello Octet Conjunto Iberico|Brazil: Works by Heitor Villa-Lobos & Marlos Nobre

Brazil: Works by Heitor Villa-Lobos & Marlos Nobre

Cello Octet Conjunto Ibérico and Elias Arizcuren

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Heitor Villa-Lobos (1887-1959) Heitor Villa-Lobos is one of the most important composers from the American continent. In addition to 17 string quartets, written between 1915 and 1917, his impressive oeuvre includes operas, cantatas, 12 symphonies, 14 choros, piano works, and pieces for various chamber music combinations. As an admirer of J.S. Bach, he endeavored to combine the architectural genius of the Leipzig cantor with exotic elements drawn from Brazilian folk music. Because of his concern over the lack of an infrastructure for classical music in his native land, he was also for many years a tireless founder of choirs and music schools.

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Brazil: Works by Heitor Villa-Lobos & Marlos Nobre

Cello Octet Conjunto Iberico

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1
Bachianas brasileiras No. 5, W. 389: I. Ária (Cantilena), "Tarde, uma nuvem rósea lenta" (Arr. for Cello Ensemble and Soprano by Elias Arizcuren)
00:06:25

Heitor Villa-Lobos, Composer - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Pilar Jurado, MainArtist - Ruth Valladares Corrêa, Lyricist - Associated Music Publishing, Wise Music Classical, MusicPublisher

2007 Channel Classics Records 2007 Channel Classics Records

2
Bachianas brasileiras No. 5, W. 389: II. Dança (Martelo), "Irerê, meu passarinho" (Arr. for Cello Ensemble and Soprano by Elias Arizcuren)
00:05:02

Heitor Villa-Lobos, Composer - Manuel Bandeira, Lyricist - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Pilar Jurado, MainArtist - Associated Music Publishing, Wise Music Classical, MusicPublisher

2007 Channel Classics Records 2007 Channel Classics Records

3 Canções negras, Op. 88 (Marlos Nobre)

3
I. Maracatú (Arr. for Cello Ensemble and Soprano by Elias Arizcuren)
00:02:14

Copyright Control, MusicPublisher - Marlos Nobre, Composer - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Pilar Jurado, MainArtist - Ascenço Ferreira, Lyricist

2007 Channel Classics Records 2007 Channel Classics Records

4
II. Cantilena (Arr. for Cello Ensemble and Soprano by Elias Arizcuren)
00:02:36

Copyright Control, MusicPublisher - Marlos Nobre, Composer - Manuel Bandeira, Lyricist - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Pilar Jurado, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

5
III. Boca de forno (Candomblé) (Arr. for Cello Ensemble and Soprano by Elias Arizcuren)
00:02:19

Copyright Control, MusicPublisher - Marlos Nobre, Composer - Manuel Bandeira, Lyricist - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Pilar Jurado, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

6
Desafio XXXII para 8 violoncelos
00:09:13

Copyright Control, MusicPublisher - Marlos Nobre, Composer - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

7
Canto a García Lorca, Op. 87: "Sobre teu corpo, que há muitos anos" (Arr. for Cello Ensemble and Soprano by Elias Arizcuren)
00:09:01

Carlos Drummond de Andrade, Lyricist - Copyright Control, MusicPublisher - Marlos Nobre, Composer - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Pilar Jurado, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

3 Canções de Beiramar, Op. 21bis (Marlos Nobre)

8
I. Estrela do Mar (Arr. for Cello Ensemble and Soprano by Elias Arizcuren)
00:02:25

Copyright Control, MusicPublisher - Marlos Nobre, Composer, Lyricist - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Pilar Jurado, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

9
II. Iemanjá oto (Arr. for Cello Ensemble and Soprano by Elias Arizcuren)
00:02:11

Copyright Control, MusicPublisher - Marlos Nobre, Composer, Lyricist - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Pilar Jurado, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

10
III. Ogum de lê (Arr. for Cello Ensemble and Soprano by Elias Arizcuren)
00:01:57

Copyright Control, MusicPublisher - Marlos Nobre, Composer, Lyricist - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Pilar Jurado, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

Bachianas brasileiras No. 1, W. 246 (Heitor Villa-Lobos)

11
I. Introdução (Embolada) (Arr. for Cello Ensemble by Elias Arizcuren)
00:06:45

Heitor Villa-Lobos, Composer - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Associated Music Publishing, Wise Music Classical, MusicPublisher

2007 Channel Classics Records 2007 Channel Classics Records

12
II. Prelúdio (Modinha) (Arr. for Cello Ensemble by Elias Arizcuren)
00:07:59

Heitor Villa-Lobos, Composer - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Associated Music Publishing, Wise Music Classical, MusicPublisher

2007 Channel Classics Records 2007 Channel Classics Records

13
III. Fuga (Conversa) (Arr. for Cello Ensemble by Elias Arizcuren)
00:03:41

Heitor Villa-Lobos, Composer - Cello Octet Conjunto Iberico, MainArtist - Elias Arizcuren , Arranger, MainArtist - Associated Music Publishing, Wise Music Classical, MusicPublisher

2007 Channel Classics Records 2007 Channel Classics Records

Chronique

Heitor Villa-Lobos (1887-1959) Heitor Villa-Lobos is one of the most important composers from the American continent. In addition to 17 string quartets, written between 1915 and 1917, his impressive oeuvre includes operas, cantatas, 12 symphonies, 14 choros, piano works, and pieces for various chamber music combinations. As an admirer of J.S. Bach, he endeavored to combine the architectural genius of the Leipzig cantor with exotic elements drawn from Brazilian folk music. Because of his concern over the lack of an infrastructure for classical music in his native land, he was also for many years a tireless founder of choirs and music schools.

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