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Fletcher Henderson|Blue Rhythm (1931-1933)

Blue Rhythm (1931-1933)

Percy Fletcher

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Langue disponible : anglais

This 20-cut compilation of Fletcher Henderson recordings covers the years 1931-1933. Most agree that 1931 was a rough year for the Henderson band. Despite the presence of some great soloists, such as Coleman Hawkins, trumpeters Bobby Stark and Rex Stewart, and trombonist Benny Morton, the band's popularity continued to slide after the departure of arranger Don Redman. They were often reduced to recording crowd-pleasers for the Depression-era radio audience. That said, things began to turn around in 1932 and began to flourish again in 1933. This set chronicles the period rather well for a single disc, and the material -- even "Tiger Rag," which was a dud -- is well chosen and serves as a very solid musicological and historical account of the changes in the band's aesthetic quality and, consequently, its change of fortune, because as 1934 arrived, the Henderson group was back on top. The sound quality here is good to excellent and the presentation is beautifully arranged chronologically.
© Thom Jurek /TiVo

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Blue Rhythm (1931-1933)

Fletcher Henderson

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À partir de 10,83 $ CA/mois

Sugar Foot Stomp (King Oliver)

1
Sugar Foot Stomp
Fletcher Henderson
00:03:11

Louis Armstrong, Composer - Fletcher Henderson, Performer - Joe King Oliver, Composer - Connie's Inn Orchestra, Orchestra

2003 Naxos

Just Blues (Fletcher Henderson)

2
Just Blues
Connie's Inn Orchestra
00:03:10

Fletcher Henderson, Composer, Performer - Connie's Inn Orchestra, Orchestra

2003 Naxos

Tiger Rag (J. B. La Rocca)

3
Tiger Rag
Fletcher Henderson
00:03:19

Fletcher Henderson Orchestra, Orchestra - Fletcher Henderson, Performer - J. B. La Rocca, Composer

2003 Naxos

Star Dust (Hoagy Carmichael)

4
Star Dust
Fletcher Henderson
00:03:02

Fletcher Henderson Orchestra, Orchestra - HOAGY CARMICHAEL, Composer - Fletcher Henderson, Performer

2003 Naxos

Singin' The Blues (Con Conrad)

5
Singin' the Blues (Till My Daddy Comes Home)
Fletcher Henderson
00:03:20

Fletcher Henderson, Performer - Con Conrad, Composer - J. Russell Robinson, Composer - Connie's Inn Orchestra, Orchestra

2003 Naxos

Radio Rhythm (Irving Mills)

6
Radio Rhythm
Fletcher Henderson
00:03:01

Irving Mills, Composer - Fletcher Henderson, Performer - Connie's Inn Orchestra, Orchestra - Nat Leslie, Composer

2003 Naxos

(I'll Be Glad When You're Dead) You Rascal You (Sam Theard)

7
I'll Be Glad When You're Dead (You Rascal You)
Fletcher Henderson
00:03:12

Fletcher Henderson, Performer - Sam Theard, Composer - Connie's Inn Orchestra, Orchestra - Claude Jones, Performer

2003 Naxos

Blue Rhythm (Irving Mills)

8
Blue Rhythm
Fletcher Henderson
00:02:53

Irving Mills, Composer - Fletcher Henderson, Performer - Connie's Inn Orchestra, Orchestra - Nat Leslie, Composer

2003 Naxos

Take Me Away From The River (Kaye Lois Parker)

9
Take Me Away From The River
Fletcher Henderson
00:03:24

Fletcher Henderson Orchestra, Orchestra - Fletcher Henderson, Performer - Kaye Lois Parker, Composer - Ikey Robinson, Performer

2003 Naxos

Business in F (Archie Bleyer)

10
Business in F
Fletcher Henderson
00:03:10

Fletcher Henderson Orchestra, Orchestra - Archie Bleyer, Composer - Fletcher Henderson, Performer

2003 Naxos

Queer Notions (Coleman Hawkins)

11
Queer Notions
Fletcher Henderson
00:02:38

Fletcher Henderson Orchestra, Orchestra - Coleman Hawkins, Composer - Fletcher Henderson, Performer

2003 Naxos

It's The Talk Of The Town (Al J. Neiburg)

12
It's The Talk Of The Town
Fletcher Henderson
00:03:37

Fletcher Henderson Orchestra, Orchestra - Marty Symes, Composer - Fletcher Henderson, Performer - Al J. Neiburg, Composer

2003 Naxos

Night Life (Will Hudson)

13
Night Life
Fletcher Henderson
00:03:28

Fletcher Henderson Orchestra, Orchestra - Will Hudson, Composer - Fletcher Henderson, Performer

2003 Naxos

Nagasaki (Harry Warren)

14
Nagasaki
Fletcher Henderson
00:03:29

Fletcher Henderson Orchestra, Orchestra - Harry Warren, Composer - Mort Dixon, Lyricist - Fletcher Henderson, Performer - Henry Red Allen, Performer

2003 Naxos

Rhythm Crazy (Horace Henderson)

15
Rhythm Crazy
Fletcher Henderson
00:03:16

Fletcher Henderson, Performer - Horace Henderson, Composer - Horace Henderson Orchestra, Orchestra

2003 Naxos

Ain'tcha Glad (Fats Waller)

16
Ain'tcha Glad
Fletcher Henderson
00:03:23

Andy Razaf, Composer - Fats Waller, Composer - Fletcher Henderson, Performer - Horace Henderson Orchestra, Orchestra

2003 Naxos

Can't Help Lovin' Dat Man (Oscar Hammerstein II)

17
Ol' Man River
Fletcher Henderson
00:03:09

Jerome Kern, Composer - Oscar Hammerstein II , Lyricist - Fletcher Henderson, Performer - Henry Red Allen, Performer - Horace Henderson Orchestra, Orchestra

2003 Naxos

Minnie The Moocher's Wedding Day (Ted Koehler)

18
Minnie The Moocher's Wedding Day
Fletcher Henderson
00:03:08

Harold Arlen, Composer - Ted Koehler, Composer - Fletcher Henderson, Performer - Horace Henderson Orchestra, Orchestra

2003 Naxos

I've Got To Sing A Torch Song (Harry Warren)

19
I've Got To Sing A Torch Song
Fletcher Henderson
00:03:39

AL DUBIN, Composer - Harry Warren, Composer - Fletcher Henderson, Performer - Horace Henderson Orchestra, Orchestra

2003 Naxos

Happy Feet (Milton Ager)

20
Happy Feet
Fletcher Henderson
00:02:51

Milton Ager, Composer - Fletcher Henderson, Performer - Jack Yellen, Composer - Horace Henderson Orchestra, Orchestra

2003 Naxos

Chronique

This 20-cut compilation of Fletcher Henderson recordings covers the years 1931-1933. Most agree that 1931 was a rough year for the Henderson band. Despite the presence of some great soloists, such as Coleman Hawkins, trumpeters Bobby Stark and Rex Stewart, and trombonist Benny Morton, the band's popularity continued to slide after the departure of arranger Don Redman. They were often reduced to recording crowd-pleasers for the Depression-era radio audience. That said, things began to turn around in 1932 and began to flourish again in 1933. This set chronicles the period rather well for a single disc, and the material -- even "Tiger Rag," which was a dud -- is well chosen and serves as a very solid musicological and historical account of the changes in the band's aesthetic quality and, consequently, its change of fortune, because as 1934 arrived, the Henderson group was back on top. The sound quality here is good to excellent and the presentation is beautifully arranged chronologically.
© Thom Jurek /TiVo

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