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Thin Lizzy|Bad Reputation (Expanded Edition)

Bad Reputation (Expanded Edition)

Thin Lizzy

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Langue disponible : anglais

If Thin Lizzy got a bit too grand and florid on Johnny the Fox, they quickly corrected themselves on its 1977 follow-up, Bad Reputation. Teaming up with legendary producer Tony Visconti, Thin Lizzy managed to pull off a nifty trick of sounding leaner and tougher than they did on Johnny, yet they also had a broader sonic palette. Much of this is due, of course, to Visconti, who always had a flair for subtle dramatics that never called attention to themselves, and he puts this to use in dramatic effect here, to the extent that Lizzy sound stripped down to their bare bones, even when they have horns pushing them forward on "Dancing in the Moonlight" or when overdubbed vocals pile up on the title track. Of course, they were stripped down to a trio for most of this record: guitarist Brian Robertson (who'd injured his hand) had to sit out on most of the recording, but Scott Gorham's double duty makes his absence unnoticeable. Plus, this is pure visceral rock & roll, the hardest and heaviest that Thin Lizzy ever made, living up to the promise of the title track. And, as always, a lot of this has to do with Phil Lynott's writing, which is in top form whether he's romanticizing "Soldiers of Fortune" or heading down the "Opium Trail." It adds up to an album that rivals Jailbreak as their best studio album.

© Stephen Thomas Erlewine /TiVo

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Bad Reputation (Expanded Edition)

Thin Lizzy

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1
Soldier Of Fortune
00:05:16

Tony Visconti, Producer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, Producer, MainArtist - Scott Gorham, Guitar, AssociatedPerformer

℗ 1977 Mercury Records Limited

2
Bad Reputation
00:03:06

Tony Visconti, Producer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Thin Lizzy, Producer, MainArtist - Scott Gorham, Guitar, AssociatedPerformer, ComposerLyricist

℗ 1977 Mercury Records Limited

3
Opium Trail
00:03:54

Brian Robertson, Guitar, AssociatedPerformer - Tony Visconti, Producer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Thin Lizzy, Producer, MainArtist - Steve Gorham, ComposerLyricist - Scott Gorham, Guitar, AssociatedPerformer

℗ 1977 Mercury Records Limited

4
Southbound (Album Version)
00:04:24

Brian Robertson, Guitar, AssociatedPerformer - Tony Visconti, Producer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, Producer, MainArtist - Scott Gorham, Guitar, AssociatedPerformer

℗ 1977 Mercury Records Limited

5
Dancing In The Moonlight (It's Caught Me In It's Spotlight) (Album Version)
00:03:24

Brian Robertson, Guitar, AssociatedPerformer - Tony Visconti, Producer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, Producer, MainArtist - Scott Gorham, Guitar, AssociatedPerformer - John Helliwell, Saxophone, AssociatedPerformer

℗ 1977 Mercury Records Limited

6
Killer Without A Cause
00:03:30

Brian Robertson, Guitar, AssociatedPerformer - Tony Visconti, Producer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, Producer, MainArtist - Steve Gorham, ComposerLyricist - Scott Gorham, Guitar, AssociatedPerformer

℗ 1977 Mercury Records Limited

7
Downtown Sundown
00:04:05

Tony Visconti, Producer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, Producer, MainArtist - Scott Gorham, Guitar, AssociatedPerformer

℗ 1977 Mercury Records Limited

8
That Woman's Gonna Break Your Heart
00:03:25

Brian Robertson, Guitar, AssociatedPerformer - Tony Visconti, Producer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, Producer, MainArtist - Scott Gorham, Guitar, AssociatedPerformer

℗ 1977 Mercury Records Limited

9
Dear Lord
00:04:23

Tony Visconti, Producer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, Producer, MainArtist - Steve Gorham, ComposerLyricist - Scott Gorham, Guitar, AssociatedPerformer

℗ 1977 Mercury Records Limited

10
Killer Without A Cause (BBC Session 01/08/1977)
00:03:41

Tony Wilson, Producer - Bill Aitken, Engineer, StudioPersonnel - Brian Robertson, Electric Guitar, AssociatedPerformer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, MainArtist - Steve Gorham, ComposerLyricist - Scott Gorham, Electric Guitar, AssociatedPerformer

℗ 1977 BBC

11
Bad Reputation (BBC Session 01/08/1977)
00:02:45

Tony Wilson, Producer - Bill Aitken, Engineer, StudioPersonnel - Brian Robertson, Electric Guitar, AssociatedPerformer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Thin Lizzy, MainArtist - Scott Gorham, Electric Guitar, AssociatedPerformer, ComposerLyricist

℗ 1977 BBC

12
That Woman's Gonna Break Your Heart (BBC Session 01/08/1977)
00:03:25

Tony Wilson, Producer - Bill Aitken, Engineer, StudioPersonnel - Brian Robertson, Electric Guitar, AssociatedPerformer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, MainArtist - Scott Gorham, Electric Guitar, AssociatedPerformer

℗ 1977 BBC

13
Dancing In The Moonlight (It's Caught Me In A Spotlight) (BBC Session 01/08/1977)
00:03:19

Tony Wilson, Producer - Bill Aitken, Engineer, StudioPersonnel - Brian Robertson, Electric Guitar, AssociatedPerformer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, MainArtist - Scott Gorham, Electric Guitar, AssociatedPerformer

℗ 1977 BBC

14
Downtown Sundown (BBC Session 01/08/1977)
00:03:51

Tony Wilson, Producer - Bill Aitken, Engineer, StudioPersonnel - Brian Robertson, Electric Guitar, AssociatedPerformer - Phil Lynott, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Brian Downey, Drums, Percussion, AssociatedPerformer - Thin Lizzy, MainArtist - Scott Gorham, Electric Guitar, AssociatedPerformer

℗ 1977 BBC

15
Me And The Boys (Soundcheck)
00:04:16

Phil Lynott, ComposerLyricist - Brian Downey, ComposerLyricist - Thin Lizzy, MainArtist - Steve Gorham, ComposerLyricist - Brian David Robertson, ComposerLyricist

℗ 1977 Mercury Records Limited

Chronique

If Thin Lizzy got a bit too grand and florid on Johnny the Fox, they quickly corrected themselves on its 1977 follow-up, Bad Reputation. Teaming up with legendary producer Tony Visconti, Thin Lizzy managed to pull off a nifty trick of sounding leaner and tougher than they did on Johnny, yet they also had a broader sonic palette. Much of this is due, of course, to Visconti, who always had a flair for subtle dramatics that never called attention to themselves, and he puts this to use in dramatic effect here, to the extent that Lizzy sound stripped down to their bare bones, even when they have horns pushing them forward on "Dancing in the Moonlight" or when overdubbed vocals pile up on the title track. Of course, they were stripped down to a trio for most of this record: guitarist Brian Robertson (who'd injured his hand) had to sit out on most of the recording, but Scott Gorham's double duty makes his absence unnoticeable. Plus, this is pure visceral rock & roll, the hardest and heaviest that Thin Lizzy ever made, living up to the promise of the title track. And, as always, a lot of this has to do with Phil Lynott's writing, which is in top form whether he's romanticizing "Soldiers of Fortune" or heading down the "Opium Trail." It adds up to an album that rivals Jailbreak as their best studio album.

© Stephen Thomas Erlewine /TiVo

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