Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Mary Halvorson|Amaryllis

Amaryllis

Mary Halvorson

Disponible en
24-Bit/96 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

The belief that the more complex and layered a work of art is, the less it communicates to its audience is put to the test in Mary Halvorson's Amaryllis.  Any notion that this is too dense an album to draw listeners in is upended by Halvorson's sextet: Adam O'Farrill (trumpet), trombonist Jacob Garchik (trombone), vibraphonist Patricia Brennan (vibraphone), Nick Dunston (bass), and Thomas Fujiwara (drums), whose creative skill is heard immediately on opener"Night Shift." Brennan's vibes play a pattern over the rhythm section's fractured-yet-swinging beat and Garchik's trombone slices and growls through the song, while Halvorson's guitar plays counterpoint against his powerful solo.
Dunston starts off "Amaryllis" with a powerful bass riff that underpins the theme brought forth by the horns, with O'Farrill blowing fire followed by Halvorson's edgy, spiky guitar.  "Side Effect" brings in another compositional layer to this album: the thick, modern sound of the Mivos Quartet.  The almost Ivesian writing for the string quartet is soon supplemented by the sextet's appearance and the whole composition cruises along as layer upon layer of inner voices and comping under the soloists imply a much larger group of musicians. All of this could suggest a complex, emotionless album, but Mary Halvorson is a writer of warm, heartfelt music that belongs to the zeitgeist—a time of new and broader perspectives, and the age of the breaking down of barriers in all its forms, which in this instance  are the walls between classical and jazz, improvisation and composition, and tradition and innovation.  © Rick Banales/Qobuz

Plus d'informations

Amaryllis

Mary Halvorson

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette liste de lecture et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 10,83 $ CA/mois

1
Night Shift
00:05:52

Scott Hull, Masterer - Chris Allen, Engineer - Tomas Fujiwara, Drums - Mary Halvorson, Composer, Guitar, MainArtist - Patricia Brennan, Vibraphone - Jacob Garchik, Trombone - Adam O'Farrill, Trumpet - John Dieterich, Producer, Mixer - Nick Dunston , Bass

© 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc. ℗ 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc.

2
Anesthesia
00:06:41

Scott Hull, Masterer - Chris Allen, Engineer - Tomas Fujiwara, Drums - Mary Halvorson, Composer, Guitar, MainArtist - Patricia Brennan, Vibraphone - Jacob Garchik, Trombone - Adam O'Farrill, Trumpet - John Dieterich, Producer, Mixer - Nick Dunston , Bass

© 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc. ℗ 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc.

3
Amaryllis
00:05:55

Scott Hull, Masterer - Chris Allen, Engineer - Tomas Fujiwara, Drums - Mary Halvorson, Composer, Guitar, MainArtist - Patricia Brennan, Vibraphone - Jacob Garchik, Trombone - Adam O'Farrill, Trumpet - John Dieterich, Producer, Mixer - Nick Dunston , Bass

© 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc. ℗ 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc.

4
Side Effect
00:06:47

Scott Hull, Masterer - Chris Allen, Engineer - Tomas Fujiwara, Drums - Mary Halvorson, Composer, Guitar, MainArtist - Patricia Brennan, Vibraphone - Jacob Garchik, Trombone - Adam O'Farrill, Trumpet - John Dieterich, Producer, Mixer - Nick Dunston , Bass - The Mivos Quartet, Cello, Viola, Violin

© 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc. ℗ 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc.

5
Hoodwink
00:06:47

Scott Hull, Masterer - Chris Allen, Engineer - Tomas Fujiwara, Drums - Mary Halvorson, Composer, Guitar, MainArtist - Patricia Brennan, Vibraphone - Jacob Garchik, Trombone - Adam O'Farrill, Trumpet - John Dieterich, Producer, Mixer - Nick Dunston , Bass - The Mivos Quartet, Cello, Viola, Violin

© 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc. ℗ 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc.

6
892 Teeth
00:05:50

Scott Hull, Masterer - Chris Allen, Engineer - Tomas Fujiwara, Drums - Mary Halvorson, Composer, Guitar, MainArtist - Patricia Brennan, Vibraphone - Jacob Garchik, Trombone - Adam O'Farrill, Trumpet - John Dieterich, Producer, Mixer - Nick Dunston , Bass - The Mivos Quartet, Cello, Viola, Violin

© 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc. ℗ 2022 Mary Halvorson, under exclusive license to Nonesuch Records Inc.

Chronique

The belief that the more complex and layered a work of art is, the less it communicates to its audience is put to the test in Mary Halvorson's Amaryllis.  Any notion that this is too dense an album to draw listeners in is upended by Halvorson's sextet: Adam O'Farrill (trumpet), trombonist Jacob Garchik (trombone), vibraphonist Patricia Brennan (vibraphone), Nick Dunston (bass), and Thomas Fujiwara (drums), whose creative skill is heard immediately on opener"Night Shift." Brennan's vibes play a pattern over the rhythm section's fractured-yet-swinging beat and Garchik's trombone slices and growls through the song, while Halvorson's guitar plays counterpoint against his powerful solo.
Dunston starts off "Amaryllis" with a powerful bass riff that underpins the theme brought forth by the horns, with O'Farrill blowing fire followed by Halvorson's edgy, spiky guitar.  "Side Effect" brings in another compositional layer to this album: the thick, modern sound of the Mivos Quartet.  The almost Ivesian writing for the string quartet is soon supplemented by the sextet's appearance and the whole composition cruises along as layer upon layer of inner voices and comping under the soloists imply a much larger group of musicians. All of this could suggest a complex, emotionless album, but Mary Halvorson is a writer of warm, heartfelt music that belongs to the zeitgeist—a time of new and broader perspectives, and the age of the breaking down of barriers in all its forms, which in this instance  are the walls between classical and jazz, improvisation and composition, and tradition and innovation.  © Rick Banales/Qobuz

À propos

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live In Europe

Melody Gardot

Live In Europe Melody Gardot
À découvrir également
Par Mary Halvorson

The Gate

Mary Halvorson

The Gate Mary Halvorson

Code Girl

Mary Halvorson

Code Girl Mary Halvorson

Cloudward

Mary Halvorson

Cloudward Mary Halvorson

Flying Song

Mary Halvorson

Flying Song Mary Halvorson

Belladonna (feat. The Mivos Quartet)

Mary Halvorson

Listes de lecture

Dans la même thématique...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

The Sky Will Still Be There Tomorrow

Charles Lloyd

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

The Carnegie Hall Concert

Alice Coltrane

The Carnegie Hall Concert Alice Coltrane