Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
It makes no sense to discuss 200 km/h in the Wrong Lane, the first album by Russian dance-pop duo t.A.T.u., without focusing on the gimmick, since that gimmick is the band. Of course, gimmicks have always been central to pop music, including much of the greatest pop music, but few have felt as tawdry as t.A.T.u.. Which is, of course, that the girls are teenage lesbians. Or to shoddily paraphrase Charlie Sheen in Being John Malkovich, "they're hot teenage lesbians, and how can you not be into that?" Well, it's easy not to be into it when Julia and Lena appear to have been run through a marketing processor so they could become two Sapphic tarts who sing songs with suggestive titles like "Not Gonna Get Us," "Show Me Love," and "All the Things She Said" (it's likely a coincidence that the latter two share titles with songs by Robyn and Simple Minds, respectively, but perhaps not), while covering that perennial anthem of tortured unrequited love and lust, the Smiths' "How Soon Is Now?" (it was strong enough to withstand Love Spit Love's cover; it's strong enough to weather this). Perhaps this would have been fun if the music were fizzy, trashy, and disposable, the way Brit-pop novelty Shampoo was on its lark We Are Shampoo. Instead, it's heavy, portentous Europop, often helmed by Trevor Horn, and badly sung by two girls with annoying squawks for voices. With those relentless, gloomy beats and those voices that cut against the grain, it's easy to concentrate on nothing but the gimmick, because it's more fun to talk about Russian teenage lesbians than listen to this noisy, oppressive murk. Even then, you'll feel unclean, given the shamelessness of the exploitation in this whole crass, commercial enterprise.
© Stephen Thomas Erlewine /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette liste de lecture et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 10,83 $ CA/mois
t.A.T.u., MainArtist
℗ 2002 Universal Music Russia
Trevor Horn, Producer, ComposerLyricist - Valerij Polienko, ComposerLyricist - Bob Ludwig, Mastering Engineer, StudioPersonnel - Robert Orton, Mixer, Recording Engineer, StudioPersonnel - Ivan Shapovalov, ComposerLyricist - Sergej Galojan, ComposerLyricist - Elena Kiper, ComposerLyricist - t.A.T.u., MainArtist
℗ 2002 Universal Music Russia, under exclusive license to Interscope Records
Trevor Horn, Producer, ComposerLyricist - Martin Kierszenbaum, Author - Valerij Polienko, Author - Bob Ludwig, Mastering Engineer, StudioPersonnel - Robert Orton, Mixer, Recording Engineer, StudioPersonnel - Elena Kiper, Author - Sergio Galoyan, Composer - t.A.T.u., MainArtist - Lena Katina, Vocals, AssociatedPerformer - Julia Volkova, Vocals, AssociatedPerformer
℗ 2002 Universal Music Russia under exclusive license to Interscope Records
Martin Kierszenbaum, ComposerLyricist - Valerij Polienko, ComposerLyricist - Ivan Shapovalov, ComposerLyricist - Sergej Galojan, ComposerLyricist - t.A.T.u., MainArtist
℗ 2002 Universal Music Russia under exclusive license to Interscope Records
Martin Kierszenbaum, Producer, ComposerLyricist - Valerij Polienko, ComposerLyricist - Bob Ludwig, Mastering Engineer, StudioPersonnel - Robert Orton, Producer, Mixer, Recording Engineer, StudioPersonnel - Ivan Shapovalov, ComposerLyricist - Sergej Galojan, ComposerLyricist - t.A.T.u., MainArtist
℗ 2002 Universal Music Russia
Martin Kierszenbaum, Producer - Bob Ludwig, Mastering Engineer, StudioPersonnel - MORRISSEY, ComposerLyricist - Robert Orton, Producer, Mixer, Recording Engineer, StudioPersonnel - JOHN MARR, ComposerLyricist - t.A.T.u., MainArtist
℗ 2002 Universal Music Russia
Trevor Horn, Producer, ComposerLyricist - Valerij Polienko, ComposerLyricist - Bob Ludwig, Mastering Engineer, StudioPersonnel - Robert Orton, Mixer, Recording Engineer, StudioPersonnel - Ivan Shapovalov, ComposerLyricist - t.A.T.u., MainArtist - E. Kuritsin, ComposerLyricist
℗ 2002 Universal Music Russia
Martin Kierszenbaum, Producer, ComposerLyricist - Bob Ludwig, Mastering Engineer, StudioPersonnel - Robert Orton, Producer, Mixer, Recording Engineer, StudioPersonnel - t.A.T.u., MainArtist - A. Karaseva, ComposerLyricist - V. Stepantsov, ComposerLyricist - S. Galoyan, ComposerLyricist
℗ 2002 Universal Music Russia
Martin Kierszenbaum, Producer, ComposerLyricist - Valerij Polienko, ComposerLyricist - Bob Ludwig, Mastering Engineer, StudioPersonnel - Robert Orton, Producer, Mixer, Recording Engineer, StudioPersonnel - Ivan Shapovalov, ComposerLyricist - t.A.T.u., MainArtist - A. Voitinskiy, ComposerLyricist - A. Vulih, ComposerLyricist
℗ 2002 Universal Music Russia
Trevor Horn, Producer - Valerij Polienko, ComposerLyricist - Bob Ludwig, Mastering Engineer, StudioPersonnel - Robert Orton, Mixer, Recording Engineer, StudioPersonnel - Ivan Shapovalov, ComposerLyricist - Sergej Galojan, ComposerLyricist - Elena Kiper, ComposerLyricist - t.A.T.u., MainArtist
℗ 2002 Universal Music Russia
Trevor Horn, Producer - Martin Kierszenbaum, ComposerLyricist - Valerij Polienko, ComposerLyricist - Bob Ludwig, Mastering Engineer, StudioPersonnel - Robert Orton, Mixer, Recording Engineer, StudioPersonnel - Ivan Shapovalov, ComposerLyricist - Sergej Galojan, ComposerLyricist - t.A.T.u., MainArtist
℗ 2002 Universal Music Russia
Trevor Horn, Producer - Martin Kierszenbaum, ComposerLyricist - Valerij Polienko, ComposerLyricist - Ivan Shapovalov, ComposerLyricist - Sergej Galojan, ComposerLyricist - t.A.T.u., MainArtist - DJ Monk, Remixer, StudioPersonnel
℗ 2002 Universal Music Russia under exclusive license to Interscope Records
Martin Kierszenbaum, Producer, ComposerLyricist - Valerij Polienko, ComposerLyricist - Bob Ludwig, Mastering Engineer, StudioPersonnel - Robert Orton, Producer, Mixer, Recording Engineer, StudioPersonnel - Ivan Shapovalov, ComposerLyricist - Sergej Galojan, ComposerLyricist - t.A.T.u., MainArtist
℗ 2002 Universal Music Russia
Trevor Horn, Producer, ComposerLyricist - Martin Kierszenbaum, Author - Valerij Polienko, Author - Fernando Garibay, Additional Mixer, StudioPersonnel - Gene Grimaldi, Mastering Engineer, StudioPersonnel - Robert Orton, Mixer, Recording Engineer, StudioPersonnel - Elena Kiper, Author - Sergio Galoyan, Composer - t.A.T.u., MainArtist
℗ 2012 Universal Music Russia
Martin Kierszenbaum, Producer, ComposerLyricist - Valerij Polienko, ComposerLyricist - Bob Ludwig, Mastering Engineer, StudioPersonnel - Robert Orton, Producer, Mixer, Recording Engineer, StudioPersonnel - Sven Martin, Remixer, StudioPersonnel - Ivan Shapovalov, ComposerLyricist - Sergej Galojan, ComposerLyricist - t.A.T.u., MainArtist - Domen Vajevec, Remixer, StudioPersonnel
℗ 2002 Universal Music Russia
Chronique
It makes no sense to discuss 200 km/h in the Wrong Lane, the first album by Russian dance-pop duo t.A.T.u., without focusing on the gimmick, since that gimmick is the band. Of course, gimmicks have always been central to pop music, including much of the greatest pop music, but few have felt as tawdry as t.A.T.u.. Which is, of course, that the girls are teenage lesbians. Or to shoddily paraphrase Charlie Sheen in Being John Malkovich, "they're hot teenage lesbians, and how can you not be into that?" Well, it's easy not to be into it when Julia and Lena appear to have been run through a marketing processor so they could become two Sapphic tarts who sing songs with suggestive titles like "Not Gonna Get Us," "Show Me Love," and "All the Things She Said" (it's likely a coincidence that the latter two share titles with songs by Robyn and Simple Minds, respectively, but perhaps not), while covering that perennial anthem of tortured unrequited love and lust, the Smiths' "How Soon Is Now?" (it was strong enough to withstand Love Spit Love's cover; it's strong enough to weather this). Perhaps this would have been fun if the music were fizzy, trashy, and disposable, the way Brit-pop novelty Shampoo was on its lark We Are Shampoo. Instead, it's heavy, portentous Europop, often helmed by Trevor Horn, and badly sung by two girls with annoying squawks for voices. With those relentless, gloomy beats and those voices that cut against the grain, it's easy to concentrate on nothing but the gimmick, because it's more fun to talk about Russian teenage lesbians than listen to this noisy, oppressive murk. Even then, you'll feel unclean, given the shamelessness of the exploitation in this whole crass, commercial enterprise.
© Stephen Thomas Erlewine /TiVo
À propos
- 1 disque(s) - 15 piste(s)
- Durée totale : 00:58:51
- Artistes principaux : t.A.T.u.
- Compositeur : Various Composers
- Maison de disque : Interscope
- Genre : Pop/Rock Pop
© 2012 Universal Music Russia ℗ 2012 Universal Music Russia
Pourquoi acheter sur Qobuz ?
-
Écoutez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de musique en continu en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.