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Ceramic Dog|YRU Still Here?

YRU Still Here?

Ceramic Dog and Marc Ribot

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From the start of YRU Still Here?, Marc Ribot proclaims his intent, sneering "I got a right to be unhappy/I got a right to say 'Fuck You!'/I got a right to ignore everything you say, my feelings are political." Titled "Personal Nancy," as in Nancy Spungen, the doomed paramore of Sex Pistols bassist Sid Vicious, the song plays as an anthem for the fractured psyche of America in the Trump age. Which is exactly the point of YRU Still Here?, the pugilistic, stylistically expansive third album from Ceramic Dog, guitarist/singer Ribot's punk-infused trio with bassist/singer Shahzad Ismaily and drummer/singer Ches Smith. Grounded by Ribot's mutative, buzzy guitar lines and the band's taut, often humorous lyrics piping with literate rage, YRU Still Here? has the feel of an '80s hardcore punk 7" recorded on a four-track over an intense few hours. While the band's dissonant, MC5-esque brand of punk, improvisational jazz, and avant-garde rock has always evinced a kind of leftist artistic ire, it's never been as overtly politically and socially minded as it is here. On the blistering "Muslim Jewish Resistance," Ribot and his bandmates (egged on by Briggan Krauss' fiery saxophone squelch) present a unified vision, bucking authoritarian oppression and cultural divisiveness with the proclamation "We say never again/Believe it." Of course, Ceramic Dog's intent is never in doubt here. Cuts like the kinetic, rap-inflected "Fuck la Migra," a pro-immigration, anti-ICE anthem that sounds like the Beastie Boys backed by Sonic Youth, make that explicitly clear. Elsewhere, there are equally thrilling forays into Afro-beat ("Pennsylvania 6 6666"), Cramps-style surf rock insanity ("Agnes"), noise funk ("Oral Sidney with a 'U'"), and psychedelic raga ("Orthodoxy"). Despite its title, YRU Still Here? is less about asking questions and more about Ribot, Ismaily, and Smith taking a defiant stand.

© Matt Collar /TiVo

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YRU Still Here?

Ceramic Dog

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1
Personal Nancy
00:02:58

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

2
Pennsylvania 6 6666
00:06:15

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

3
Agnes
00:03:22

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

4
Oral Sidney With a U
00:04:05

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

5
YRU Still Here
00:04:44

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

6
Muslim Jewish Resistance
00:05:07

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

7
Shut That Kid Up
00:08:22

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

8
Fuck La Migra Explicit
00:02:54

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

9
Orthodoxy
00:05:11

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

10
Freak Freak Freak on the Peripherique
00:04:51

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

11
Rawhide
00:05:52

Marc Ribot, Composer, MainArtist - Ceramic Dog, MainArtist - Northern Spy, MusicPublisher

2018 Northern Spy 2018 Northern Spy

Album review

From the start of YRU Still Here?, Marc Ribot proclaims his intent, sneering "I got a right to be unhappy/I got a right to say 'Fuck You!'/I got a right to ignore everything you say, my feelings are political." Titled "Personal Nancy," as in Nancy Spungen, the doomed paramore of Sex Pistols bassist Sid Vicious, the song plays as an anthem for the fractured psyche of America in the Trump age. Which is exactly the point of YRU Still Here?, the pugilistic, stylistically expansive third album from Ceramic Dog, guitarist/singer Ribot's punk-infused trio with bassist/singer Shahzad Ismaily and drummer/singer Ches Smith. Grounded by Ribot's mutative, buzzy guitar lines and the band's taut, often humorous lyrics piping with literate rage, YRU Still Here? has the feel of an '80s hardcore punk 7" recorded on a four-track over an intense few hours. While the band's dissonant, MC5-esque brand of punk, improvisational jazz, and avant-garde rock has always evinced a kind of leftist artistic ire, it's never been as overtly politically and socially minded as it is here. On the blistering "Muslim Jewish Resistance," Ribot and his bandmates (egged on by Briggan Krauss' fiery saxophone squelch) present a unified vision, bucking authoritarian oppression and cultural divisiveness with the proclamation "We say never again/Believe it." Of course, Ceramic Dog's intent is never in doubt here. Cuts like the kinetic, rap-inflected "Fuck la Migra," a pro-immigration, anti-ICE anthem that sounds like the Beastie Boys backed by Sonic Youth, make that explicitly clear. Elsewhere, there are equally thrilling forays into Afro-beat ("Pennsylvania 6 6666"), Cramps-style surf rock insanity ("Agnes"), noise funk ("Oral Sidney with a 'U'"), and psychedelic raga ("Orthodoxy"). Despite its title, YRU Still Here? is less about asking questions and more about Ribot, Ismaily, and Smith taking a defiant stand.

© Matt Collar /TiVo

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