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Tasmin Little|Violin Recital: Little, Tasmin - Kreisler, F. / Bach, J.S. / Mozart, W.A. / Grieg, E. / Tchaikovsky, P.I. / Bartok, B. (Partners in Time)

Violin Recital: Little, Tasmin - Kreisler, F. / Bach, J.S. / Mozart, W.A. / Grieg, E. / Tchaikovsky, P.I. / Bartok, B. (Partners in Time)

Tasmin Little

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The young British violinist Tasmin Little made a splash with The Naked Violin, an album she offered as a free download in order to entice new fans to classical violin music. The violin-and-piano recital Partners in Time (the title loosely refers to the ongoing partnership of the violin and piano through several centuries of concert music) is intended as a follow-up to the earlier album, offering a collection of popular violin-and-piano works from the Baroque era (Bach's Violin Sonata in E major, BWV 1016) to the 20th century (Bartók's Six Romanian Folk Dances). Her website offers brief introductory commentary on the pieces, urging listeners to try out the different styles and pointing out that if one is not to an individual hearer's liking, others may well be. This is all to the good, but a couple of things stand out here: Little's approach is 1) serious and 2) quite traditional. She mostly avoids the single-movement "encore" pieces, heavy on tunes, that have often been used to introduce the classical repertory in the past; Kreisler's Praeludium and Allegro (in a curiously pale reading) and Tchaikovsky's "Mélodie," from the Souvenir d'un lieu cher, Op. 42, are present but simply as frames for three full-length sonatas (by Bach, Mozart, and Grieg) and the Bartók. Little wants to present things at an introductory level but also signals her readiness to demand some closer listening. This said, the program couldn't be called adventurous, either; this is a recital that could have been programmed in a medium-sized British or American city 50 or 75 years ago, especially with the very Romantic Bach reading. Other young performers have tried to draw new audiences with modern works that experiment with texture or with the intersection between the classical and vernacular worlds, but Little is not going there. Her approach is actually one that hasn't been tried much in recent decades, and she's a sharp player with a personable image. The Bartók is quite well suited to her precise style. So, if you're looking for a basic disc of violin-and-piano music that goes beyond the greatest-hits approach but is firmly rooted in traditional concert life, give Little a try.

© TiVo

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Violin Recital: Little, Tasmin - Kreisler, F. / Bach, J.S. / Mozart, W.A. / Grieg, E. / Tchaikovsky, P.I. / Bartok, B. (Partners in Time)

Tasmin Little

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1
Praeludium and Allegro in the style of Pugnani
00:05:43

Tasmin Little, MainArtist, AssociatedPerformer - Fritz Kreisler, Composer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

Sonata No. 3 for Violin & Harpsichord in E Major, BWV 1016 (Johann Sebastian Bach)

2
I. Adagio
00:04:07

Johann Sebastian Bach, Composer - Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

3
II. Allegro
00:02:43

Johann Sebastian Bach, Composer - Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

4
III. Adagio ma non tanto
00:05:18

Johann Sebastian Bach, Composer - Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

5
IV. Allegro
00:03:26

Johann Sebastian Bach, Composer - Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

Violin Sonata No. 17 in C Major, K. 296 (Wolfgang Amadeus Mozart)

6
I. Allegro vivace
00:08:06

Wolfgang Amadeus Mozart, Composer - Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

7
II. Andante sostenuto
00:05:19

Wolfgang Amadeus Mozart, Composer - Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

8
III. Rondo. Allegro
00:04:00

Wolfgang Amadeus Mozart, Composer - Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

Violin Sonata No. 2 in G Major, Op. 13 (Edvard Grieg)

9
I. Lento doloroso - Allegro vivace
00:08:46

Edvard Grieg, Composer - Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

10
II. Allegretto tranquillo
00:06:35

Edvard Grieg, Composer - Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

11
III. Allegro animato
00:05:36

Edvard Grieg, Composer - Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

Souvenir d'un lieu cher, Op. 42, TH 116 (Pyotr Illitch Tchaïkovski)

12
Souvenir d'un lieu cher, Op. 42: No. 3, Melodie
00:03:36

Tasmin Little, MainArtist, AssociatedPerformer - John Lenehan, MainArtist, AssociatedPerformer - Pyotr Ilyich Tchaikovsky, Composer

2009 BIS 2009 (P) BIS

Romanian Folk Dances, Sz. 56, BB 68 (Béla Bartók)

13
No. 1, Jocul cu bata (Stick Dance) [Arr. Z. Székely for Violin & Piano]
00:01:23

Bela Bartok, Composer - Tasmin Little, MainArtist, AssociatedPerformer - Zoltán Székely, Arranger - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

14
No. 2, Braul (Sash Dance) [Arr. Z. Székely for Violin & Piano]
00:00:31

Bela Bartok, Composer - Tasmin Little, MainArtist, AssociatedPerformer - Zoltán Székely, Arranger - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

15
No. 3, Pe loc (In One Place) [Arr. Z. Székely for Violin & Piano]
00:01:01

Bela Bartok, Composer - Tasmin Little, MainArtist, AssociatedPerformer - Zoltán Székely, Arranger - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

16
No. 4, Buciumeana (Horn Dance) [Arr. Z. Székely for Violin & Piano]
00:01:34

Bela Bartok, Composer - Tasmin Little, MainArtist, AssociatedPerformer - Zoltán Székely, Arranger - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

17
No. 5, Poarga Romaneasca (Romanian Polka) [Arr. Z. Székely for Violin & Piano]
00:00:28

Bela Bartok, Composer - Tasmin Little, MainArtist, AssociatedPerformer - Zoltán Székely, Arranger - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

18
No. 6, Maruntel (Fast Dance) [Arr. Z. Székely for Violin & Piano]
00:01:20

Bela Bartok, Composer - Tasmin Little, MainArtist, AssociatedPerformer - Zoltán Székely, Arranger - John Lenehan, MainArtist, AssociatedPerformer

2009 BIS 2009 (P) BIS

Album review

The young British violinist Tasmin Little made a splash with The Naked Violin, an album she offered as a free download in order to entice new fans to classical violin music. The violin-and-piano recital Partners in Time (the title loosely refers to the ongoing partnership of the violin and piano through several centuries of concert music) is intended as a follow-up to the earlier album, offering a collection of popular violin-and-piano works from the Baroque era (Bach's Violin Sonata in E major, BWV 1016) to the 20th century (Bartók's Six Romanian Folk Dances). Her website offers brief introductory commentary on the pieces, urging listeners to try out the different styles and pointing out that if one is not to an individual hearer's liking, others may well be. This is all to the good, but a couple of things stand out here: Little's approach is 1) serious and 2) quite traditional. She mostly avoids the single-movement "encore" pieces, heavy on tunes, that have often been used to introduce the classical repertory in the past; Kreisler's Praeludium and Allegro (in a curiously pale reading) and Tchaikovsky's "Mélodie," from the Souvenir d'un lieu cher, Op. 42, are present but simply as frames for three full-length sonatas (by Bach, Mozart, and Grieg) and the Bartók. Little wants to present things at an introductory level but also signals her readiness to demand some closer listening. This said, the program couldn't be called adventurous, either; this is a recital that could have been programmed in a medium-sized British or American city 50 or 75 years ago, especially with the very Romantic Bach reading. Other young performers have tried to draw new audiences with modern works that experiment with texture or with the intersection between the classical and vernacular worlds, but Little is not going there. Her approach is actually one that hasn't been tried much in recent decades, and she's a sharp player with a personable image. The Bartók is quite well suited to her precise style. So, if you're looking for a basic disc of violin-and-piano music that goes beyond the greatest-hits approach but is firmly rooted in traditional concert life, give Little a try.

© TiVo

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