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Kjell Tore Innervik|Utopias — Radical Interpretations of Iconic Works for Percussion

Utopias — Radical Interpretations of Iconic Works for Percussion

Kjell Tore Innervik

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Kjell Tore Innervik performs Morton Feldman's The King of Denmark and Iannis Xenakis's Psappha, exploring the intimate performing space with large format recording techniques, engaging the listener in immersive audio. The Xenakis was recorded twice: once from the perspective of an intimate listener, and a second time literally "over-head", giving a first-persona perspective. The difference not only in microphone technique but also in the performer's state of mind and how he projects his playing has a profound impact on the listening experience.


Radical Interpretations of Iconic Musical Works for Percussion (2013–2017) was an interdisciplinary artistic research project hosted at the Norwegian Academy of Music (2013–2017) in collaboration with the Oslo Academy of the Arts, the Oslo School of Architecture and Design, Westerdals Oslo ACT and 2L through the Norwegian Artistic Research Programme.

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Utopias — Radical Interpretations of Iconic Works for Percussion

Kjell Tore Innervik

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1
Iannis Xenakis: Psappha — 2nd persona
00:18:09

Iannis Xenakis, Composer - Lindberg Lyd AS, Producer - Morten Lindberg, Producer - Kjell Tore Innervik, MainArtist - Lindberg Lyd, MusicPublisher

(C) 2018 2L (Lindberg Lyd, Norway) (P) 2018 2L (Lindberg Lyd, Norway)

2
Iannis Xenakis: Psappha — 1st persona
00:18:03

Iannis Xenakis, Composer - Lindberg Lyd AS, Producer - Morten Lindberg, Producer - Kjell Tore Innervik, MainArtist - Lindberg Lyd, MusicPublisher

(C) 2018 2L (Lindberg Lyd, Norway) (P) 2018 2L (Lindberg Lyd, Norway)

3
Morton Feldman: The King of Denmark — intimate
00:09:51

Morton Feldman, Composer - Lindberg Lyd AS, Producer - Morten Lindberg, Producer - Kjell Tore Innervik, MainArtist - Lindberg Lyd, MusicPublisher

(C) 2018 2L (Lindberg Lyd, Norway) (P) 2018 2L (Lindberg Lyd, Norway)

Album review

Kjell Tore Innervik performs Morton Feldman's The King of Denmark and Iannis Xenakis's Psappha, exploring the intimate performing space with large format recording techniques, engaging the listener in immersive audio. The Xenakis was recorded twice: once from the perspective of an intimate listener, and a second time literally "over-head", giving a first-persona perspective. The difference not only in microphone technique but also in the performer's state of mind and how he projects his playing has a profound impact on the listening experience.


Radical Interpretations of Iconic Musical Works for Percussion (2013–2017) was an interdisciplinary artistic research project hosted at the Norwegian Academy of Music (2013–2017) in collaboration with the Oslo Academy of the Arts, the Oslo School of Architecture and Design, Westerdals Oslo ACT and 2L through the Norwegian Artistic Research Programme.

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