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Faust|So Far

So Far

Faust

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Faust's second album moves closer to actual song structure than their debut, but it still remains experimental. Songs progress and evolve instead of abruptly stopping or cutting into other tracks. The opening song "It's a Rainy Day, Sunshine Girl" begins as a repetitive 4/4 beat played on toms and piano with the title sung over the top. But for seven minutes the song adds instruments, including a lush analog synth line, and ends in a memorable sax riff. Faust's lyrical side appears on the acoustic "Picnic on a Frozen River" and "On the Way to Adamäe," whereas its abrasive side pops up on "Me Lack Space." "So Far," a jam shared by guitar, horns, and tweedy keyboard, rolls along with a funky hypnotic beat and wailing processed synths. And on "No Harm," the crazed delivery of such lines as "Daddy, take the banana, tomorrow Sunday" makes one want to believe something profound is going down. In terms of scope and the wealth of ideas, this is probably the most balanced of their first four albums.

© Ted Mills /TiVo

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So Far

Faust

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1
It's A Rainy Day Sunshine Girl
00:07:27

Faust, MainArtist - Werner Diermaier, ComposerLyricist - Rudolf Sosna, ComposerLyricist - Hans Joachim Irmler, ComposerLyricist - Günther Wüsthoff, ComposerLyricist - Jean-Hervé Peron, ComposerLyricist - Uwe Nettelbeck, Producer

℗ 1972 Universal Music GmbH

2
On The Way To Abamae
00:02:39

Faust, MainArtist - Werner Diermaier, Composer - Rudolf Sosna, Composer - Hans Joachim Irmler, Composer - Günther Wüsthoff, Composer - Jean-Hervé Peron, Composer - Uwe Nettelbeck, Producer

℗ 1972 Universal Music GmbH

3
No Harm
00:10:17

Faust, MainArtist - Werner Diermaier, ComposerLyricist - Rudolf Sosna, ComposerLyricist - Hans Joachim Irmler, ComposerLyricist - Günther Wüsthoff, ComposerLyricist - Jean-Hervé Peron, ComposerLyricist - Uwe Nettelbeck, Producer

℗ 1972 Universal Music GmbH

4
So Far
00:06:20

Faust, MainArtist - Werner Diermaier, Composer - Rudolf Sosna, Composer - Hans Joachim Irmler, Composer - Günther Wüsthoff, Composer - Jean-Hervé Peron, Composer - Uwe Nettelbeck, Producer

℗ 1972 Universal Music GmbH

5
Mamie Is Blue
00:05:58

Faust, MainArtist - Werner Diermaier, ComposerLyricist - Rudolf Sosna, ComposerLyricist - Hans Joachim Irmler, ComposerLyricist - Günther Wüsthoff, ComposerLyricist - Jean-Hervé Peron, ComposerLyricist - Uwe Nettelbeck, Producer

℗ 1972 Universal Music GmbH

6
Car And TV
00:03:45

Faust, MainArtist - Werner Diermaier, ComposerLyricist - Rudolf Sosna, ComposerLyricist - Hans Joachim Irmler, ComposerLyricist - Günther Wüsthoff, ComposerLyricist - Jean-Hervé Peron, ComposerLyricist - Uwe Nettelbeck, Producer

℗ 1972 Universal Music GmbH

7
Picnic On A Frozen River
00:00:36

Faust, MainArtist - Werner Diermaier, Composer - Rudolf Sosna, Composer - Hans Joachim Irmler, Composer - Günther Wüsthoff, Composer - Jean-Hervé Peron, Composer - Uwe Nettelbeck, Producer

℗ 1972 Universal Music GmbH

8
Me Lack Space
00:00:46

Faust, MainArtist - Werner Diermaier, Composer - Rudolf Sosna, Composer - Hans Joachim Irmler, Composer - Günther Wüsthoff, Composer - Jean-Hervé Peron, Composer - Uwe Nettelbeck, Producer

℗ 1972 Universal Music GmbH

9
Put On Your Socks
00:02:09

Faust, MainArtist - Werner Diermaier, ComposerLyricist - Rudolf Sosna, ComposerLyricist - Hans Joachim Irmler, ComposerLyricist - Günther Wüsthoff, ComposerLyricist - Jean-Hervé Peron, ComposerLyricist - Uwe Nettelbeck, Producer

℗ 1972 Universal Music GmbH

Album review

Faust's second album moves closer to actual song structure than their debut, but it still remains experimental. Songs progress and evolve instead of abruptly stopping or cutting into other tracks. The opening song "It's a Rainy Day, Sunshine Girl" begins as a repetitive 4/4 beat played on toms and piano with the title sung over the top. But for seven minutes the song adds instruments, including a lush analog synth line, and ends in a memorable sax riff. Faust's lyrical side appears on the acoustic "Picnic on a Frozen River" and "On the Way to Adamäe," whereas its abrasive side pops up on "Me Lack Space." "So Far," a jam shared by guitar, horns, and tweedy keyboard, rolls along with a funky hypnotic beat and wailing processed synths. And on "No Harm," the crazed delivery of such lines as "Daddy, take the banana, tomorrow Sunday" makes one want to believe something profound is going down. In terms of scope and the wealth of ideas, this is probably the most balanced of their first four albums.

© Ted Mills /TiVo

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